Nineteenth-Century Literature Criticism, Vol. 133

Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 133, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 69, 1996. Copyright © 1996 by Duke University Press, Durham, NC. All rights reserved. Reproduced by permission.—Arizona Quarterly, v. 58, Spring, 2002 for “Stowe’s Rainbow Sign: Violence and Community in ‘Dred: A Tale of the Great Dismal Swamp’” by John Carlos Rowe. Copyright © 2002 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—Colloquia Germanica, v. 29, 1996. Copyright © 1996 by Colloquia Germanica. Reproduced by permission.—German Life and Letters, v. 46, January, 1993. Copyright © 1993 By Blackwell Publishers, Ltd. Reproduced by permission.—Hispanic Journal, v. 10, fall, 1988. Copyright © 1988 by the Hispanic Journal. Reproduced by permission.—Hispanic Review, v. 5, 1937. Copyright © 1937 by Hispanic Review. Reproduced by permission.—Journal of American Studies, v. 34, August, 2000. Copyright © 2000 by Cambridge University Press. Reproduced by permission of Cambridge University Press.—Journal of English and Germanic Philology, v. 82, July 1983. Copyright © 1983 by the Board of Trustees of the University of Illinois Press. Reproduced by permission of the University of Illinois Press.—Journal of Spanish Studies: Twentieth Century, v. 1, winter, 1973. Copyright © 1973 by Anales de La Literatura Española Contemporanea. Reproduced by permission.—Legacy, v. 15, 1998. Copyright © 1998 by The University of Nebraska Press. Reproduced by permission.—Modern Language Notes, v. 94, April, 1979. Copyright © 1979 by John Hopkins University Press. Reproduced by permission.—Modern Language Review, v. 73, October, 1978 for “The Real Mystery in Droste-Hülshoff’s Die Judenbuche” by Jane K. Brown. Copyright © Modern Humanities Research Association 1978. Reproduced by permission of the publisher and the author.—Monatshefte, v. 61, 1969; v. 89, summer, 1997. Copyright © 1969, 1997 by the University of Wisconsin Press. Both reproduced by permission.—New England Quarterly, v. 66, December 1993 for “In The Shadow of Uncle Tom’s Cabin: Stowe’s Vision of Slavery from the Great Dismal Swamp” by Lisa Whitney; v. 75, March, 2002 for “Representing the Slave: White Advocacy and Black Testimony in Harriet Beecher Stowe’s &lsdquo;Dred’” by Jeannine de Lombard. Copyright © 1993, 2002 by The New England Quarterly. Both reproduced by permission of the publisher and the respective authors.—Nineteenth-Century French Studies, v. 27, spring-summer, 1999. Copyright © 1999 by Nineteenth-Century French Studies. Reproduced by permission.—Rice University Studies, v. 64, winter, 1978. Copyright © 1978 by Rice University Press. Reproduced by permission.—Romance Notes, v. 21, 1980. Copyright © 1980 by Romance Notes. Reproduced by permission.—South Atlantic Review, v. 61, winter, 1996. Copyright © 1996 by South Atlantic Modern Language Association. Reproduced by permission.—Studies in American Fiction, v. 19, spring 1991; v. 28, autumn, 2000. Copyright © 1991, 2000 by Studies in American Fiction, Northeastern University. Both reproduced by permission.—Symposium, v. 27, fall, 1973. Copyright © 1973 by Heldref Publications. Reproduced by permission.—University of Toronto Quarterly: A Canadian Journal of Humanities, v. 33, 1964. Copyright © 1964 by The University of Toronto Press. Reprinted by permission of University of Toronto Press Incorporated.—Women in German Yearbook, v. 17, 2001. Copyright © 2001 by Women in German Yearbook. Reproduced by permission of Nebraska University Press.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 133, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bauer-Pickard, Gertrude. From Ambivalence Transcended: A Study of the Writings of Annette von Droste-Hülshoff. Boydell & Brewer Ltd. Copyright © 1997 by Camden House, Inc. All rights reserved. Reproduced by permission.—Bernd, Clifford Albrecht. From “Clarity and Obscurity in Annette von Droste-Hülshoff’s ‘Judenbuche,’” in Studies in German Literature of the Nineteenth and Twentieth Centuries. Edited by Siegfried Mews. University of California at Davis, 1970. © 1970 University of California at Davis. All rights reserved. Reproduced by permission of the author.—Crozier, Alice C. From The Novels of Harriet Beecher Stowe. Oxford University Press, 1969. Copyright © 1969 by Oxford Univer

sity Press, Inc. All rights reserved. Reproduced by permission of Oxford University Press, Inc.—Guthrie, John. From Annette von Droste-Hülshoff: A German Poet Between Romanticism and Realism. Berg Publishers Ltd. © 1989 John Guthrie. All rights reserved. Reproduced by permission.—Hannoosh, Michèle. From Painting and the Journal of Eugène Delacroix. Princeton University Press. Copyright © 1995 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Hannoosh, Michèle. From “A Painter’s Impressions of Modernity: Delacroix, Citizen of the Nineteenth Century,” in Impressions of French Modernity: Art and Literature in France, 1850-1900. Edited by Richard Hobbs. Copyright © 1998 by Manchester University Press. All rights reserved. Reproduced by permission.—Levine, Robert S. From Criticism and the Color Line: Desegregating American Literary Studies. Rutgers University Press, 1996. © 1996 by Rutgers, The State University. All rights reserved. Reproduced by permission of the author.— Lietina-Ray, Maruta. From Woman as Mediatrix: Essays on Nineteenth-Century European Women Writers. Edited by Averiel H. Goldberger. Greenwood Publishing Group. Copyright © 1987 by Averiel H. Goldberger. Reproduced by permission of Greenwood Publishing Group, Westport, CT.—Loera de la Llave, M. A. From Iberoromania. Iberoromania, 2001.

© 2001 Iberoromania, Wolfenbuettel, Germany. All rights reserved. Reproduced by permission of Max Niemeyer Verlag.— Morgan, Mary. From Annette von Droste-Hülshoff: A Woman of Letters in a Period of Transition. Peter Lang Publishing, Inc., 1981. © 1981 Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Mras, George. From Theory of Art. Princeton University Press, 1966. Copyright © 1966 by Princeton University Press. All rights reserved. Reprinted by permission of Princeton University Press.—Pearsall, Priscilla. From An Art Alienated from Itself: Studies in Spanish American Modernism. Romance Monographs: University of Mississippi. Copyright © 1984 by Romance Monographs, Inc. All rights reserved. Reproduced by permission.—Porter, Roger J. From Autobiography, Historiography, Rhetoric: A Festschrift in Honor of Frank Paul Bowman. Rodopi © 1994 Editions Rodopi B.V. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 133, WERE RECEIVED FROM THE FOLLOWING SOURCES:

“Dante and Virgil,” painting by Eugène Delacroix. Corbis-Bettmann. Reproduced by permission.—“Liberty Leading the People,” painting by Eugène Delacroix, 1830. The Art Archive/Dagli Orti. Reproduced by permission.—“Self Portrait,” painting by Eugène Delacroix. The Library of Congress.—Title page from Dred: A Tale of the Great Dismal Swamp, by Harriet Beecher Stowe. Boston: Phillips, Sampson, and Company, 1856. Special Collections Library, University of Michigan. Reproduced by permission.—Stowe, Harriet Beecher, photograph. National Archives and Records Administration.— Von Droste-Hülshoff, Annette, portrait. Mary Evans Picture Library. Reproduced by permission.

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Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

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Director Indiana Free Library Indiana, Pennsylvania

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