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Acknowledgments

COPYRIGHTED MATERIAL IN NCLC, VOLUME 128, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Nineteenth-Century French Studies, v. 26, Spring-Summer, 1998. © 1998 by Nineteenth-Century French Studies. Reproduced by permission.—PMLA, v. 112, March, 1997. Copyright © 1997 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.—Studies in American Fiction, v. 27, Spring, 1999. Copyright © 1999 Northeastern University. Reproduced by permission.—Thomas Hardy Journal, v. 15, May, 1999 for “Thomas Hardy’s ‘The Ruined Maid,’ Elsa Lanchester’s Music Hall, and the Fall into Fashion” by Keith Wilson. Copyright 1999 by the Thomas Hardy Journal. Reproduced by permission of the author.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 128, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Altick, Richard D. From The English Common Reader: A Social History of the Mass Reading Public, 1800-1900. The University of Chicago Press, 1957. © 1957 by The University of Chicago. Renewed © 1985 by Richard D. Altick. Reproduced by permission.—Barbier, Frédéric. From “The Publishing Industry and Printed Output in Nineteenth-Century France,” in Books and Society in History. Edited by Kenneth Carpenter. R. R. Bowker, 1983. Reproduced by permission of the author.—Barnes, James J. From Authors, Publishers and Politicians: The Quest for an Anglo-American Copyright Agreement 1815-1854. Ohio State University Press, 1974. Copyright © 1974 by James J. Barnes. All rights reserved. Reproduced by permission of the author.—Bonham-Carter, Victor. From Authors by Profession, Volume One. William Kaufmann Inc., 1978. © The Society of Authors 1978. All rights reserved. Reproduced by permission.—Coultrap-McQuin, Susan. From Doing Literary Business: American Women Writers in the Nineteenth Century. University of North Carolina Press, 1990. © 1990 Susan Coultrap-McQuin. All rights reserved. Reproduced by permission.—Cross, Nigel. From The Common Writer: Life in Nineteenth-Century Grub Street. Cambridge University Press, 1985. © Nigel Cross 1985. Reproduced by permission.—Erikson, Lee. From The Economy of Literary Form: English Literature and the Industrialization of Publishing 1800-1850. The Johns Hopkins University Press, 1996. © 1996 The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Hepburn, James. From The Author’s Empty Purse and the Rise of the Literary Agent. Oxford University Press, 1968. © James Hepburn 1968. Reproduced by permission.—Johanningsmeier, Charles. From Fiction and the American Literary Marketplace: The Role of Newspaper Syndicates, 1860-1900. Cambridge University Press, 1997. © Cambridge University Press 1997. Reproduced by permission.—Judd, Catherine A. From “Male Pseudonyms and Female Authority in Victorian England,” in Literature in the Marketplace: Nineteenth Century British Publishing and Reading Practices. Edited by John O. Jordan and Robert L. Patten. Cambridge University Press, 1995. © Cambridge University Press 1995. Reproduced by permission.—Kaplan, Joel H., and Sheila Stowell. From Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994. © Cambridge University Press 1994. Reproduced by permission.—Morgan, Cheryl A. From “Unfashionable Feminism? Designing Women Writers in the ‘Journal des Femmes,’” in Making the News: Modernity & the Mass Press in Nineteenth-Century France. Edited by Dean de la Motte & Jeannene M. Przyblyski. University of Massachusetts Press, 1999. Copyright © 1999 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.—Myers, Robin. From “Writing for Booksellers in the Early Nineteenth Century: A Case Study,” in Author/Publisher Relations During the Eighteenth and Nineteenth Centuries. Edited by Robin Myers and Michael Harris. Oxford Polytechnic Press, 1983. © Robin Myers 1983. Reproduced by permission.—Parrinder, Patrick. From Authors and Authority: English and American Criticism 1750-1900. Macmillan Educational, 1991. © Copyright Patrick Parrinder 1977, 1991. All rights reserved. Reproduced by permission.—Perrot, Philippe. From Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Translated by Richard Bienvenu. Princeton University Press, 1994. Copyright © 1994 by Princeton University Press. Reproduced by permission.—

Steele, Valerie. From Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era to the Jazz Age. Oxford University Press, 1985. Copyright © 1985 Oxford University Press, Inc. All rights reserved. Used by permission of the author.—Tuchman, Gaye, and Nina E. Fortin. From Edging Women Out: Victorian Novelists, Publishers, and Social Change. Yale University, 1989. Copyright © 1989 by Yale University. All rights reserved. Reproduced by permission.— Wellek, René. From A History of Modern Criticism: 1750-1950, Volume 3: The Age of Transition. Yale University Press, 1965. Copyright © 1965 by Yale University. All rights reserved. Reproduced by permission.—Wellek, René. From A History of Modern Criticism: 1750-1950, Volume 4: The Later Nineteenth Century. Yale University Press, 1965. Copyright © 1965 by Yale University Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 128, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Alcott, Louisa May, photograph. Corbis-Bettmann. Reproduced by permission.—Godey’s Wedding attire fashions for January 1868 catalog, illustration by Cynthia Hart. Corbis. Reproduced by permission.—Hoe Rotary Press, engraving. Getty Images. Reproduced by permission.—Smith, Jessie Willcox, illustrator. “Meg, Jo, Beth and Amy,” 1915. From Little Women by Louisa May Alcott.—©Thoughts on Modern Literature,” text page from the October 1840 issue of The Dial, illustration.

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