Lynn M. Zott

Project Editor

Nineteenth-Century Literature Criticism, Vol. 131

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 131, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

AUMLA: Journal of the Australasian Universities Language and Literature Association, May, 1985. Reproduced by permission.—Cahiers Roumains d’Etudes Litteraires: Revue Trimestrielle de Critique, d’Esthetique et d’Historie, n. 2, 1989 for “The Sacred Mountain and the Abysmal Phenomenon” by Eugen Todoran. Reproduced by permission of the author.— Canadian-American Slavic Studies, v. 29, fall-winter, 1995. Reproduced by permission.—Cervantes: Bulletin of the Cervantes Society of America, v. 11, spring, 1991. Reproduced by permission.—Comparative Literature Studies, v. 7, December, 1970. Reproduced by permission.—Harvard Journal of Asiatic Studies, v. 32, 1972. © 1972 Harvard-Yenching Institute. Reproduced by permission.—Humanities Association Bulletin, v. 21, spring, 1970 for “A Comparative Approach to ‘Tales of Moonlight and Rain’” by Leon M. Zolbrod. Reproduced by permission of the Literary Estate of Leon

M. Zolbrod.—International Philosophical Quarterly, v. 23, December, 1983 for “The Political Ideas of Andrés Bello” by

O. Carlos Stoetzer. Reproduced by permission of the author.—Latin American Research Review, v. 6, 1976. Reproduced by permission.—Monumenta Nipponica, v. XXII, 1967; v. XLV, spring, 1990; v. LI, spring, 1996. © 1967, 1990, 1996 Sophia University. All reproduced by permission.—Revista Hispanica Moderna: Columbia University Hispanic Studies, v. XXXVII, 1972-73. Reproduced by permission.—Romanian Civilization, v. II, spring, 1993; v. VII, spring, 1998. Both reproduced by permission.—Romanian Review, v. 26, 1972; v. 33, 1979; v. 40, 1986; v. 41, 1987; v. 42, 1988. All reproduced by permission.—Slavonic and East European Review, v. 47, July, 1969 for “Bestuzhev-Marlinsky as a Lyric Poet” by Lauren G. Leighton. Reproduced by permission of the author.—Southeastern Europe/L’Europ du Sud-Est, v. 7, 1980. Reproduced by permission.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 131, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bagby, Lewis. From Alexander Bestuzhev-Marlinsky and Russian Byronism. The Pennsylvania State University Press, 1995. Copyright © 1995 The Pennsylvania State University. All rights reserved. Reproduced by permission.—Cussen, Antonio. From Bello and Bolívar: Poetry and Politics in the Spanish American Revolution. Cambridge University Press, 1992. © Cambridge University Press, 1992. Reproduced by permission of the publisher and the author.—Frank, Frederick

S. From “Ueda Akinari (1734-1809),” in Gothic Writers: A Critical and Bibliographical Guide. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank, eds. Greenwood Press, 2002. Copyright © 2002 by Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Jaksi, Iván. From an Introduction to Selected Writings of Andrés Bello. Edited by Iván Jaksi. Translated by Frances M. Lopez-Morillas. Oxford University Press, 1997. Copyright © 1997 by Oxford University Press, Inc. All rights reserved. Reproduced by permission of Oxford University Press, Inc.—Jaksi, Iván. From Andrés Bello: Scholarship and Nation-Building in Nineteenth-Century Latin America. Cambridge University Press, 2001. © Iván Jaksi. Reproduced by permission of the publisher and the author.—Keene, Donald. From World Within Walls: Japanese Literature of the Pre-Modern Era, 1600-1867. Holt, Rinehart and Winston, 1976. Copyright © 1976 by Donald Keene. All rights reserved. Reproduced by permission of Henry Holt and Company, LLC. In the UK, South Africa, and the Middle East by permission of Georges Borchardt, Inc., for the author.—Kovarsky, N. From “The Early Bestuzhev-Marlinsky,” in Russian Prose. Translated by Ray Parrott. Edited by B. M. Eikhenbaum and Yuri Tynyanov. Ardis, 1985. Copyright © 1985 by Ardis Publishers. All rights reserved. Reproduced by permission.—Landsman, Neil B. From Problems of Russian Romanticism. Edited by Robert Reid. Gower, 1986. © Robert Reid, 1986. All rights reserved. Reproduced by permission of the author.—Leighton, Lauren G. From Alexander Bestuzhev-Marlinsky. Twayne Publishers, 1975. Copyright © 1975 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—Méndez, Luis Felipe Clay. From “Julián del Casal and the Cult of Ar

tificiality: Roots and Functions,” in Waiting for Pegasus: Studies of the Presence of Symbolism and Decadence in Hispanic Letters. Edited by Roland Grass and William R. Risley. Western Illinois University, 1979. Copyright © 1979 by Western Illinois University. Reproduced by permission.—Montero, Oscar. From “Julián del Casal and the Queers of Havana,” in Entiendes?: Queer Readings, Hispanic Writings. Edited by Emilie L. Bergmann and Paul Julian Smith. Duke University Press, 1995. © 1995 Duke University Press. All rights reserved. Reproduced by permission of the publisher.— Pearsall, Priscilla. From “Julián del Casal’s Portraits of Women,” in The Analysis of Literary Texts: Current Trends in Methodology. Edited by Randolph D. Pope. Bilingual Press/Editorial Bilingue, 1980. © 1980 by Bilingual Press/Editorial Bilingue. All rights reserved. Reproduced by permission.—Pearsall, Priscilla. From An Art Alienated From Itself: Studies in Spanish American Modernism. University Mississippi Romance Monographs, Inc., 1984. Copyright © 1984 by Romance monographs, Inc. Reproduced by permission.—Reyfman, Irina. From “Alexander Bestuzhev-Marlinsky: ‘Bretteur’ and Apologist of the Dead,” in Russian Subjects: Empire, Nation, and the Culture of the Golden Age. Edited by Monika Greenleaf and Stephen Moeller-Sally. Northwestern University Press, 1998. Copyright © 1998 by Northwestern University Press. All rights reserved. Reproduced by permission.—Young, Blake Morgan. From Ueda Akinari. University of British Columbia Press, 1982. © The University of British Columbia 1982. All rights reserved. Reproduced by permission.— Zolbrod, Leon M. From an Introduction to Ugetsu Monogatari: Tales of Moonlight and Rain. Edited and translated by Leon M. Zolbrod. George Allen & Unwin Ltd., 1974. © George Allen & Unwin Ltd., 1974. All rights reserved. Reproduced by permission of the Literary Estate of Leon M. Zolbrod.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 131, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bello, Andrés, portrait. The Library of Congress.—Title page from Gramatica de la Lengua Castellana destinada Al Uso De Los Americanos, written by D. Andrés Bello. Graduate Library, University of Michigan. Reproduced by permission.

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