My Antonia | Chapter XIV

Chapter XIV

THE DAY AFTER Commencement I moved my books and desk upstairs, to an empty room where I should be undisturbed, and I fell to studying in earnest. I worked off a year's trigonometry that summer, and began Virgil alone. Morning after morning I used to pace up and down my sunny little room, looking off at the distant river bluffs and the roll of the blond pastures between, scanning the Æneid aloud and committing long passages to memory. Sometimes in the evening Mrs. Harling called to me as I passed her gate, and asked me to come in and let her play for me. She was lonely for Charley, she said, and liked to have a boy about. Whenever my grandparents had misgivings, and began to wonder whether I was not too young to go off to college alone, Mrs. Harling took up my cause vigorously. Grandfather had such respect for her judgment that I knew he would not go against her.

I had only one holiday that summer. It was in July. I met Ántonia downtown on Saturday afternoon, and learned that she and Tiny and Lena were going to the river next day with Anna Hansen—the elder was all in bloom now, and Anna wanted to make elderblow wine.

“Anna's to drive us down in the Marshalls' delivery wagon, and we'll take a nice lunch and have a picnic. Just us; nobody else. Couldn't you happen along, Jim? It would be like old times.”

I considered a moment. “Maybe I can, if I won't be in the way.”

On Sunday morning I rose early and got out of Black Hawk while the dew was still heavy on the long meadow grasses. It was the high season for summer flowers. The pink bee-bush stood tall along the sandy roadsides, and the coneflowers and rose mallow grew everywhere. Across the wire fence, in the long grass, I saw a clump of flaming orange-colored milkweed, rare in that part of the State. I left the road and went around through a stretch of pasture that was always cropped short in summer, where the gaillardia came up year after year and matted over the ground with the deep, velvety red that is in Bokhara carpets. The country was empty and solitary except for the larks that Sunday morning, and it seemed to lift itself up to me and to come very close.

The river was running strong for midsummer; heavy rains to the west of us had kept it full. I crossed the bridge and went upstream along the wooded shore to a pleasant dressing room I knew among the dogwood bushes, all overgrown with wild grapevines. I began to undress for a swim. The girls would not be along yet. For the first time it occurred to me that I should be homesick for that river after I left it. The sandbars, with their clean white beaches and their little groves of willows and cottonwood seedlings, were a sort of No Man's Land, little newly created worlds that belonged to the Black Hawk boys. Charley Harling and I had hunted through these woods, fished from the fallen logs, until I knew every inch of the river shores and had a friendly feeling for every bar and shallow.

After my swim, while I was playing about indolently in the water, I heard the sound of hoofs and wheels on the bridge. I struck downstream and shouted, as the open spring wagon came into view on the middle span. They stopped the horse, and the two girls in the bottom of the cart stood up, steadying themselves by the shoulders of the two in front, so that they could see me better. They were charming up there, huddled together in the cart and peering down at me like curious deer when they come out of the thicket to drink. I found bottom near the bridge and stood up, waving to them.

“How pretty you look!” I called.

“So do you!” they shouted altogether, and broke into peals of laughter. Anna Hansen shook the reins and they drove on, while I zigzagged back to my inlet and clambered up behind an overhanging elm. I dried myself in the sun, and dressed slowly, reluctant to leave that green enclosure where the sunlight flickered so bright through the grapevine leaves and the woodpecker hammered away in the crooked elm that trailed out over the water. As I went along the road back to the bridge I kept picking off little pieces of scaly chalk from the dried water gullies, and breaking them up in my hands.

When I came upon the Marshalls' delivery horse, tied in the shade, the girls had already taken their baskets and gone down the east road which wound through the sand and scrub. I could hear them calling to each other. The elder bushes did not grow back in the shady ravines between the bluffs, but in the hot, sandy bottoms along the stream, where their roots were always in moisture and their tops in the sun. The blossoms were unusually luxuriant and beautiful that summer.

I followed a cattle path through the thick underbrush until I came to a slope that fell away abruptly to the water's edge. A great chunk of the shore had been bitten out by some spring freshet, and the scar was masked by elder bushes, growing down to the water in flowery terraces. I did not touch them. I was overcome by content and drowsiness and by the warm silence about me. There was no sound but the high, sing-song buzz of wild bees and the sunny gurgle of the water underneath. I peeped over the edge of the bank to see the little stream that made the noise; it flowed along perfectly clear over the sand and gravel, cut off from the muddy main current by a long sandbar. Down there, on the lower shelf of the bank, I saw Ántonia, seated alone under the pagoda-like elders. She looked up when she heard me, and smiled, but I saw that she had been crying. I slid down into the soft sand beside her and asked her what was the matter.

“It makes me homesick, Jimmy, this flower, this smell,” she said softly. “We have this flower very much at home, in the old country. It always grew in our yard and my papa had a green bench and a table under the bushes. In summer, when they were in bloom, he used to sit there with his friend that played the trombone. When I was little I used to go down there to hear them talk—beautiful talk, like what I never hear in this country.”

  • Virgil – (70-19 B. C.), considered the greatest Roman poet in the Classical Era; studying the classics was part of a student's required courses during the American Colonial period.
  • Æneid – the famous epic poem by Virgil that traces the origins of the Romans; the poem is considered a masterpiece of world literature, and studying it helps a student understand Roman philosophy and ideals.
  • gaillardia – a plant or grass cover that was popular in the Midwest
  • Bokhara carpets – expensive Persian rugs