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Much Ado About Nothing | Introduction

Although there has been some speculation that Much Ado about Nothing may be a heavily revised version of a play that Shakespeare wrote earlier in his career (a "lost" work that is often referred to as Love's Labour Won), Much Ado was probably written by Shakespeare in 1598 or shortly thereafter. This would make Much Ado one of Shakespeare's later comedies. Unlike his earliest comedic works, the humor of Much Ado about Nothing does not depend upon funny situations. While it shares some standard devices with those earlier plays (misperceptions, disguises, false reports), the comedy of Much Ado derives from the characters themselves and the manners of the highly-mannered society in which they live.

And while the main plot of Much Ado revolves around obstacles to the union of two young lovers (Claudio and Hero), the plays sub-plot, the "merry war" of the sexes between Beatrice and Benedick, is much more interesting and entertaining by comparison. Indeed, the play was staged for a long period of time under the title of Beatrice and Benedick. Especially when set alongside the conventional, even two-dimensional lovers of the main plot, Beatrice and Benedick display a carefully matched intelligence, humor, and humanity that is unmatched among the couples who people Shakespeare's comedies. Beatrice and Benedick aside, Much Ado has been the object of sharp criticism from several modern Shakespeare scholars, the gist of their complaint being that it lacks a unifying dramatic conception. More pointedly, while Much Ado is comic, it also has some disturbing elements. That being so, it is often classified as a "problem play," akin to The Merchant of Venice in raising the possibility of a tragic ending and in presenting us with "good" characters, like Claudio, who nonetheless act "badly."

Much Ado About Nothing Summary

The play is set in and near the house of Leonato, governor of Messina, Sicily. Prince Don Pedro of Aragon with his favorite, Claudio, and Benedick, young cavalier of Padua, as well as Don John, the bastard brother of Don Pedro, come to Leonato's. Claudio instantly falls in love with Hero (her name means chaste), Leonato's only child, whom Don Pedro formally obtains for him. While they wait for the wedding day, they amuse themselves by gulling Benedick and Beatrice (Leonato's niece), verbal adversaries who share a merry wit and a contempt for conventional love, into believing that they are hopelessly in love with each other.

Meanwhile, Don John, an envious and mischief-making malcontent, plots to break the match between Claudio and Hero and employs Conrade and Borachio to assist him. After planting the suspicion in the minds of Claudio and the Prince that Hero is wanton, Don John confirms it by having Borachio talk to Hero's maid, Margaret, at the chamber window at midnight, as if she were Hero. Convinced by this hoax, Claudio and Don Pedro disgrace Hero before the altar at... » Complete Much Ado About Nothing Summary

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1. Much Ado About Nothing: Introduction
2. Much Ado About Nothing: Reading Shakespeare
3. Much Ado About Nothing: Summary
4. Much Ado About Nothing: William Shakespeare Biography
5. Much Ado About Nothing: List of Characters
6. Much Ado About Nothing: Historical Background
7. Much Ado About Nothing: Summary and Analysis
   1. Preface to the Summary
   2. Act I, Scene 1 Summary and Analysis
   3. Act I, Scene 2 Summary and Analysis
   4. Act I, Scene 3 Summary and Analysis
   5. Act II, Scene 1 Summary and Analysis
   6. Act II, Scene 2 Summary and Analysis
   7. Act II, Scene 3 Summary and Analysis
   8. Act III, Scene 1 Summary and Analysis
   9. Act III, Scene 2 Summary and Analysis
   10. Act III, Scene 3 Summary and Analysis
   11. Act III, Scene 4 Summary and Analysis
   12. Act III, Scene 5 Summary and Analysis
   13. Act IV Scene 1 Summary and Analysis
   14. Act IV, Scene 2 Summary and Analysis
   15. Act V, Scene 1 Summary and Analysis
   16. Act V, Scene 2 Summary and Analysis
   17. Act V, Scene 3 Summary and Analysis
   18. Act V, Scene 4 Summary and Analysis
8. Much Ado About Nothing: Quizzes
   1. Act I, Scene 1 Questions and Answers
   2. Act I, Scene 2 Questions and Answers
   3. Act I, Scene 3 Questions and Answers
   4. Act II, Scene 1 Questions and Answers
   5. Act II, Scene 2 Questions and Answers
   6. Act II, Scene 3 Questions and Answers
   7. Act III, Scene 1 Questions and Answers
   8. Act III, Scene 2 Questions and Answers
   9. Act III, Scene 3 Questions and Answers
   10. Act III, Scene 4 Questions and Answers
   11. Act III, Scene 5 Questions and Answers
   12. Act IV Scene 1 Questions and Answers
   13. Act IV, Scene 2 Questions and Answers
   14. Act V, Scene 1 Questions and Answers
   15. Act V, Scene 2 Questions and Answers
   16. Act V, Scene 3 Questions and Answers
   17. Act V, Scene 4 Questions and Answers
9. Much Ado About Nothing: Essential Passages
   1. Essential Passages by Character: Beatrice
   2. Essential Passages by Theme: Deception
10. Much Ado About Nothing: Themes
11. Much Ado About Nothing: Character Analysis
    1. Beatrice (Character Analysis)
    2. Benedick (Character Analysis)
    3. Claudio (Character Analysis)
    4. Dogberry (Character Analysis)
    5. Hero (Character Analysis)
    6. Leonato (Character Analysis)
    7. Pedro (Character Analysis)
    8. Other Characters (Descriptions)
12. Much Ado About Nothing: Principal Topics
13. Much Ado About Nothing: Essays
    1. Feminist Criticism of Beatrice and Hero
    2. The Artificiality of Messinian Society
14. Much Ado About Nothing: Criticism
    1. Overview
    2. Appearance Vs. Reality
    3. Music and Dance
    4. Beatrice and Benedick
    5. Hero and Claudio
    6. Dogberry
15. Much Ado About Nothing: Suggested Essay Topics
16. Much Ado About Nothing: Sample Essay Outlines
17. Much Ado About Nothing: Modern Connections
18. Much Ado About Nothing: Bibliography and Further Reading
19. Much Ado About Nothing: Pictures
20. Copyright

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