The Mousetrap (Masterplots II: Women’s Literature Series)

At a glance:

Form and Content

Beginning with its title, which suggests a trap but puckishly allows the audience to make the wrong assumptions about the identity of the “mouse,” The Mousetrap is a typical Christie mystery, transported by the author’s peculiar genius to the theater—not an easy task for a writer of prose whodunits. Repeatedly certified by the reading public as the first lady—indeed, the first person—of prose crime fiction, Christie shows here a deftness in use of dialogue and stage directions which transfers not only a similar plot but also a similar...

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