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See Also
- Renaissance Drama (Critical Survey of Drama, Second Revised Edition)
- The Misanthrope (Magill Book Reviews)
- Tartuffe (Magill Book Reviews)
- The Affected Young Ladies (Masterplots, Fourth Edition)
- The Imaginary Invalid (Masterplots, Fourth Edition)
- The Misanthrope (Masterplots, Fourth Edition)
- The Miser (Masterplots, Fourth Edition)
- The School for Husbands (Masterplots, Fourth Edition)
- The School for Wives (Masterplots, Fourth Edition)
- Tartuffe (Masterplots, Fourth Edition)
- The Would-Be Gentleman (Masterplots, Fourth Edition)
- Tartuffe (Cyclopedia of Literary Places)
- The Would-Be Gentleman (Cyclopedia of Literary Places)
- The Affected Young Ladies (Cyclopedia of Literary Places)
- The School for Wives (Cyclopedia of Literary Places)
- The Miser (Cyclopedia of Literary Places)
- The Imaginary Invalid (Cyclopedia of Literary Places)
- The Misanthrope (Cyclopedia of Literary Places)
- The School for Husbands (Cyclopedia of Literary Places)
- The Doctor in Spite of Himself (Masterplots, Definitive Revised Edition)
- Don Juan (Masterplots, Definitive Revised Edition)
- Staging and Production (Critical Survey of Drama, Second Revised Edition)
- Dramatic Genres (Critical Survey of Drama, Second Revised Edition)
- Acting Styles (Critical Survey of Drama, Second Revised Edition)
At a glance:
- Author: Moliere
Author Profile
Molière, the creator of high French comedy, led a theatrical troupe that, after thirteen years touring the provinces, was brought to Paris in 1659 and placed under the patronage of King Louis XIV. Molière soon learned, however, that influential members of the royal court and even Louis himself would not tolerate performances of any play that dealt overtly with religious hypocrisy.
Two of his comic masterpieces,...
(The entire page is 749 words.)
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