A Midsummer Night’s Dream | Act III, Scene 1: Questions and Answers
Study Questions
1. Why does Quince feel their rehearsal spot is ideal?
2. Why does Bottom feel they need two Prologues to the play?
3. How do they solve the problems of representing the moonlight and the Wall in their play?
4. Why is Bottom alone when Puck changes his head to that of an ass?
5. How is it that Bottom is alone when Titania awakes?
6. Why hasn’t Bottom followed his friends from the wood?
7. Why does Titania awake?
8. What does Titania offer Bottom?
9. What is his reaction to this offer?
10. What part are the fairies to play in...
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- A Midsummer Night’s Dream: Introduction
- William Shakespeare Biography
- Reading Shakespeare
- List of Characters
- Historical Background
- One-Page Summary
- Summary and Analysis
- Act I, Scene 1: Summary and Analysis
- Act I, Scene 2: Summary and Analysis
- Act II, Scene 1: Summary and Analysis
- Act II, Scene 2: Summary and Analysis
- Act III, Scene 1: Summary and Analysis
- Act III, Scene 2: Summary and Analysis
- Act IV, Scene 1: Summary and Analysis
- Act IV, Scene 2: Summary and Analysis
- Act V, Scene 1: Summary and Analysis
- Critical Commentary
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- Act I, Scene 1: Questions and Answers
- Act I, Scene 2: Questions and Answers
- Act II, Scene 1: Questions and Answers
- Act II, Scene 2: Questions and Answers
- Act III, Scene 1: Questions and Answers
- Act III, Scene 2: Questions and Answers
- Act IV, Scene 1: Questions and Answers
- Act IV, Scene 2: Questions and Answers
- Act V, Scene 1: Questions and Answers
- Themes
- Character Analysis
- Note on the Character Analysis
- Bottom (Character Analysis)
- Demetrius (Character Analysis)
- Helena (Character Analysis)
- Hermia (Character Analysis)
- Hippolyta (Character Analysis)
- Lysander (Character Analysis)
- Oberon (Character Analysis)
- Puck (Character Analysis)
- Theseus (Character Analysis)
- Other Characters (Descriptions)
- Principal Topics
- Essays
- Criticism
- Selected Quotes
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- Modern Connections
- Pictures
- Titania, Oberon, and Puck in Stratford, Ontario production (1984)
- Oberon, Puck, Titania, Bottom, and Fairies by Henry Fuseli
- Sally Jacob's set design for Peter Brook's production (1970)
- Puck by Sir Joshua Reynolds
- Oberon, Titania, Bottom, and Puck in Peter Brook's production (1970)
- Titania in Old Vic Theatre production (1937)
- Snout, Snug, Flute, Starveling, Bottom, and Quince in Shakespeare Memorial Theatre production (1959)
- Illustration: Egeus and Hermia
- Illustration: Hermia, Lysander, and Helena
- Illustration: The Craftsmen and Quince
- Illustration: Puck and a Fairy
- Illustration: Titania
- Illustration: Demetrius and Helena
- Illustration: Puck, Hermia and Lysander
- Illustration: Helena and Lysander
- Illustration: Hermia
- Illustration: The Craftsmen and Bottom.
- Illustration: Bottom and Titania
- Illustration: Hermia and Demetrius
- Illustration: Helena and Lysander
- Illustration: Hermia, Lysander, and Demetrius
- Illustration: Helena, Demetrius, and Lysander
- Illustration: Hermia and Lysander
- Illustration: Bottom and Titania
- Illustration: Theseus
- Illustration: The Craftsmen
- Illustration: Titania and the fairies
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