Taking his cue from Sophocles who demoted the chorus from primary character status to that of a speaking spectator Euripides reduced this dramatic device even further. In Medea the chorus appears less often than it would have in Sophocles or Aeschylus's plays; its time on stage is limited to mere moments between scenes. At the same time, the acting characters now have chanting parts (a move that eventually led to the development of...
(The entire page is 1040 words.)
Want to read the whole thing?
Subscribe now to read the rest of this article. Plus, get access to:
- 30,000+ literature study guides
- Critical essays on more than 30,000 works of literature from Salem on Literature (exclusive to eNotes)
- An unparalleled literary criticism section. 40,000 full-length or excerpted essays.
- Content from leading academic publishers, all easily citable with our "Cite this page" button.
- 100% satisfaction guarantee READ MORE