Home > The Matchmaker Summary & Study Guide > Essays and Criticism > Three Theatricalist Plays
The Matchmaker | Three Theatricalist Plays
In the following essay excerpt, Burbank provides a thematic overview of The Matchmaker, finding it belongs to Wilder’s pre-World War II phase, rather than the later period in which it achieved hit status.
The Merchant of Yonkers was a plea for a freer stage and a freer and fuller participation in life. Its first performance was at the Colonial Theatre in Boston on December 12, 1938, a little less than eleven months after the first production of Our Town at Princeton, New Jersey. On December 28, 1938, it opened in New York, where it had a short run of twenty-eight performances. It lay unused until Wilder revised it slightly, changed the title to The Matchmaker, and brought it out again in August, 1954, in Edinburgh. From Edinburgh it went to London, where it began a...
[The entire page is 1562 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- The Matchmaker: Introduction
- The Matchmaker: Summary
- The Matchmaker: Thornton Wilder Biography
- The Matchmaker: Characters
- The Matchmaker: Themes
- The Matchmaker: Style
- The Matchmaker: Historical Context
- The Matchmaker: Critical Overview
- The Matchmaker: Essays and Criticism
- The Matchmaker: Compare and Contrast
- The Matchmaker: Topics for Further Study
- The Matchmaker: Media Adaptations
- The Matchmaker: What Do I Read Next?
- The Matchmaker: Bibliography and Further Reading
- The Matchmaker: Pictures
- Copyright
Related Topics
Tell a friend about The Matchmaker at eNotes.
