Marat / Sade | Copyright

These eNotes are an offprint from Drama For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas.

Drama For Students

Project Editor David Galens

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Drama for Students (DfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know

COPYRIGHTED EXCERPTS IN DfS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Canadian Drama/L'Art Dramatique Canadien, v. 15, 1989. Reproduced by permission.—Commonweal, v. CXIV, May 22, 1987. Copyright © 1987 Commonweal Publishing Co., Inc. Repro¬duced by permission of Commonweal Foundation.— Critical Quarterly, v. 24, Winter, 1982. © Manchester University Press 1982 Reproduced by permission of Blackwell Publishers.—Educational Theatre Journal, v. XX, March, 1968; v. 25, March, 1973; v. 25, December, 1973; v. 27, October, 1975. © 1968, 1973, 1975 University College Theatre Association of the American Theatre Association.

All reproduced by permission of the Johns Hopkins University Press.—The Explicator, v. 43, Winter, 1985; v. 46, Summer, 1988; v. 54, Winter, 1996; v. 55, Winter, 1997. Copyright © 1985, 1988, 1996, 1997 Helen Dwight Reid Educational Foundation. All reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The Hudson Review, v. XL, Autumn, 1987. Copyright © 1987 by the Hudson Review, Inc. Reproduced by permission.—ModernDrama, v. 10,December, 1967, v.XXIV, 1981; v. XXV, December, 1982; v. XXIX, 1986; v. XXX, December, 1987, v. 36, March, 1993 © 1967,1981, 1982, 1986, 1987, 1993, University of Toronto, Graduate Centre for Study of Drama All reproduced by permission.—The Nation, v. 212, June 7, 1971. © 1971 the Nation magazine/the Nation Company, Inc. Reproduced by permission.—New York, Magazine, v. 16, February 28, 1983. Copyright © 1997 K-III Magazine Corporation. All rights reserved. Reproduced with the permission of New York Magazine.—The New Republic, v. 132, April 11, 1955. University Press of Florida, 1955. Copyright 1955 by the Board of Regents of the State of Florida. © 1980 the New Republic, Inc Reproduced by permission of the New Republic.—The New York Times, January 28,1931; December 28, 1965, v. 130, December, 1980; February 22, 1997. Copyright 1931, © 1965, 1980; 1997 by the New York Times Company. Reproduced by permission.—

The New Yorker, v. XXVI, February, 1950; v. XLV, December 13, 1969. © 1969, 1977 by the New Yorker Magazine, Inc. Both reproduced by permission.—The Saturday Review of Literature, v. XI, March 2,1935. Copyright 1935, renewed © 1962 Saturday Review magazine. Reproduced by permission of the Saturday Review, General Media Communications, Inc.—The Saturday Review, v. LIV, July 10, 1971; v. 4, April 2, 1977. © 1971, 1977 General Media Communications, Inc. Both reproduced by permission of the Saturday Review, General Media Communications, Inc.—Theatre Journal, v. 40, March, 1988. © 1988 University College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—Time, New York, v. 124, July 23,1984. Copyright 1984 Time Warner Inc. All rights reserved. Reproduced by permission from Time.—Times Literary Supplement, no. 4896, January 31,1997. © The Times Supplements Limited 1997. Reproduced from the Times Literary Supplement by permission.

COPYRIGHTED EXCERPTS IN QfS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Atkinson, Brooks. From Onstage: Selected Theater Reviewsfrom The New York Times, 1920-1970. Edited by Bernard Beckerman and Howard Siegman. Arno Press, 1973. Copyright © 1973 by the New York Times Company Reproduced by permission of the New York Times Company.— Beidler, Philip D. From American Literature and the Experience of Vietnam. University of Georgia Press, 1982. Copyright © 1982 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Freedman, Morris. From The Moral Impulse: Modern Drama from Ibsen to the Present. Southern Illinois University Press, 1967. Copyright © 1967 by Morns Freedman. All rights re¬served. Reproduced by permission of Southern Illinois University Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN DfS, VOLUME 3, WERE RECEIVED FROM THE FOLLOWING SOURCES:

An actor beats his bass drum playing the part of a Salvation Army worker in the show Major Barbara by George Bernard Shaw, photograph. Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Baraka, Imamu Amin (LeRoi Jones), photograph. Corbis-Bettmann. Reproduced by permission.—Bond, Edward, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Coward, Noel, photograph. AP/Wide World Photos. Reproduced by permission.—Edward Albee, stand¬ing outside of Boston's Colonial Theater where he is directing Who's Afraid of Virginia Woolf?, photograph. AP/Wide World Photos. Reproduced by permission.—Fences by August Wilson, with James Earl Jones, photograph by Ron Scherl. Reproduced by permission of the photographer — Movie still of Baraka's The Dutchman, with Shirley Knight and Al Freeman, Jr., Directed by Anthony Harvey, 1966, photograph. Continental Distributing Inc. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Baraka's The Dutchman, with Shirley Knight, Directed by Anthony Harvey, 1966, photograph. Continental Distributing Inc. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of David Mamet's American Buffalo with Dustin Hoffman, Samuel Goldwyn Company, 1997, photograph by Brian Hamill. Samuel Goldwyn Company. Courtesy of The Kobal Collection. Reproduced by permission—Movie still of David Mamet's American Buffalo with Dustin Hoffman, Dennis Franz, and Sean Nelson, 1997, photograph by Brian Hamill Samuel Goldwyn Company. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Joe Orton's Entertaining Mr. Shane with Beryl Reid and Peter McEnery, Warner Brothers, 1969, photograph. Warner Brothers. Courtesy of The Kobal Collection. Reproduced by permission.— Movie still of Tennessee Williams's Cat on A Hot Tin Roof with Burl Ives, Elizabeth Taylor and Paul Newman, MGM, 1958, photograph. MGM. Courtesy of The Kobal Collection. Reproduced by permission.—Movie still of Edward Albee's Who's Afraid of Virginia Woolf?. Directed by Mike Nichols with Elizabeth Taylor and Richard Burton as Martha and George, Warner Brothers, April 28, 1966, photograph. UPI/Corbis-Bettmann Reproduced by per¬mission.—Movie still of Edward Albee's Who's Afraid of Virginia Woolf?. Directed by Mike Nich¬ols with Elizabeth Taylor and Richard Burton as Martha and George, Warner Brothers, April 28, 1966, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—From a theater production of Sharon Pollock's "Blood Relations" with Mike Curtis as Mr. Borden and Mary Sloane as the Actress, directed by Brenda Leadlay at the Guild Hall, Fall, 1997, photograph by John Tousigna. Reproduced by permission.—From a theatre production of Arthur Miller's The Crucible with Caroline Milmoe as Betty Paras, and Jenifer Landor as Abigail Williams, Royal Shakespeare Company tour, 1984, photograph. Donald Cooper, London.

Reproduced by permission.—From a theatre production of Athol Fugard's Master Harold... and the Boys with Ramolao Makhene as Willie, Duart Sylwain as Hally, and John Kani as Sam, Cottesloe Theatre/National Theatre, London, 1983, photo¬graph. Donald Cooper, London. Reproduced by permission.—From a theatre production of Clifford Odets's Waiting for Lefty, photograph. Theatre Collection, Museum of the City of New York. Reproduced by permission.—From a theatre pro¬duction of David Rabe's The Basic Training of Pavlo Hummel with Al Pacino and Jack Kehoe, directed by David Wheeler at the Longacre Theater, 1977, photograph. AP/Wide World Photos. Reproduced by permission.—From a theatre production of David Rabe's The Basic Training of Pavlo Hummel with Al Pacino, Tisa Chang, and Anne Miyamoto, directed by David Wheeler at the Longacre Theater, 1977, photograph. AP/Wide World Photos. Reproduced by permission.—From a theatre production of Edward Albee's Who's Afraid of Virginia Woolf with Diana Rigg and David Suchet at the Almeida Theatre, Islington, London, September, 1996, photograph by Robbie Jack. Robbie Jack/Corbis. Reproduced by permission.—From a theatre production of Edward Bond's Lear with Bob Peck as Lear, RSC, 1982, photograph. Donald Cooper, London. Reproduced by permission.—From a theatre production of George Bernard Shaw's Major Barbara. Directed by Mi¬chael Engler at the American Repertory Theatre and Institute for Advanced Theatre Training, January, 1990, photograph by Richard Feldman. AMERICAN REPERTORY THEATRE Reproduced by permission of the photographer.—From a theatre production of Harold Pinter's The Homecoming with John Savident as Max, Terence Rigby as Joey, Jane Lowe as Ruth, and Harold Pinter as Lennie, Palace Theatre, Watford, 1969, photograph Donald Cooper, London. Reproduced by permission.—From a theatre production of Noel Coward's Private Lives with Coward as Elyot, Gertrude Lawrence as Amanda, Adnenne Allen as Sibyl, and Laurence Olivier as Victor, September, 1940, photograph. Hulton-Deutsch Collection/Corbis. Reproduced by permission.—From a theatre production of Sam Shepard's True West directed by David Wheeler at the American JRepertory Theatre and Institute for Advanced Theatre Training, April, 1992, photo¬graph by Richard Feldman. AMERICAN REPERTORY THEATRE. Reproduced by permission of the photographer —From a theatrical production of Lillian Hellman's The Children's Hour with Patricia Neal, Iris Mann, and Kim Hunter, photograph. Springer/Corbis-Bettmann. Reproduced by per¬mission.—From a theatrical production of Lillian Hellman's The Children's Hour with Patricia Neal and Kim Hunter, photograph. Springer/ Corbis-Bettmann Reproduced by permission.— From a theatrical production of William Inge's Come Back, Little Sheba with Shirley Booth and Sidney Blackmer, photograph Sprmger/Corbis-Bettmann. Reproduced by permission.—From a theatrical production of William Inge's Come Back, Little Sheba with Joan Lorring, Shirley Booth, and Sidney Blackmer, photograph. Springer/Corbis-Bettmann. Reproduced by permission.—Fugard, Athol, photograph. AP/Wide World Photos. Reproduced by permission.—Hellman, Lillian, photograph. AP/Wide World Photos. Reproduced by permission.—Inge, William R., photograph. The Library of Congress.—Mamet, David, photograph by Bngitte Lacombe. Grove/ Atlantic, Inc. Reproduced by permission —Miller, Arthur, photograph. AP/Wide World Photos. Reproduced by permission.—Odets, Clifford, photograph. AP/Wide World Photos. Reproduced by permission.—Original painting of The Dead Marat, by Jacques-Louis David, 1793, photograph. Corbis-Bettmann. Reproduced by permission.—Orton, Joe, photograph. Archive Photos, Inc. Reproduced by permission.—Pinter, Harold, photograph AP/Wide World Photos. Reproduced by permission.—Pollock, Sharon, photograph. © Sharon Pollock. Reproduced by permission of the author.—Rabe, David, photograph AP/ Wide World Photos Reproduced by permission.— Shaw, George Bernard, photograph. AP/Wide World Photos. Reproduced by permission —Shepard, Sam, photograph. © Archive Photos, Inc. Reproduced by permission.—The Actors' Workshop of Houston presents A Different Kind of Cat based on Tennessee Wilhams's Cat on A Hot Tin Roof. Directed by Manning Mpinduzi-Mott, November 8 to December 7,1996, photograph. The Actors' Workshop of Houston Reproduced by permission.—Weiss, Peter, photograph. AP/Wide World Photos. Reproduced by permission.—Williams, Tennessee, pho¬tograph by Alex Gotfryd. Reproduced by permission of the Estate for Alexander Gotfryd.—Wilson, August, photograph. AP/Wide World Photos. Reproduced by permission.