The MacGuffin (Magill’s Literary Annual 1991-2005)

At a glance:

Arthur Miller’s archetypal twentieth century American tragic hero, Willy Loman, leads as if inevitably to the inarticulate working-class characters of Raymond Carver’s minimalist short stories. By a more circuitous route, Willy also leads to the sprawling, maximalist novels of one of contemporary American fiction’s most undeservedly under-read writers, Stanley Elkin. Brilliant as Carver’s highly regarded fiction is, it comes to the reader in the recognizable and readily assimilated form of Hemingway-like reticence. Elkin’s fiction is altogether different—demanding not...

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