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The Love Song of J. Alfred Prufrock | Critical Overview
According to Vincent Miller, "By 1914 the age of the heroic achiever was over. That was ... the truth [this] love song pinned down in a startlingly new and creative way for an entire generation." Indeed, American poet John Berryman declares that "Modernist poetry begins" in the simile "like a patient etherised upon a table." He recognizes, however, that even the title manifests a decidedly Modernist "split" in its juxtaposition of the full romance of the term "love song" against such a highly formalized name as J. Alfred Prufrock. This is a technique Eliot discovered in reading the...
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- The Love Song of J. Alfred Prufrock: Introduction
- The Love Song of J. Alfred Prufrock: Text of the Poem
- The Love Song of J. Alfred Prufrock: Summary
- The Love Song of J. Alfred Prufrock: T. S. Eliot Biography
- The Love Song of J. Alfred Prufrock: Themes
- The Love Song of J. Alfred Prufrock: Style
- The Love Song of J. Alfred Prufrock: Historical Context
- The Love Song of J. Alfred Prufrock: Critical Overview
- The Love Song of J. Alfred Prufrock: Essays and Criticism
- The Love Song of J. Alfred Prufrock: Compare and Contrast
- The Love Song of J. Alfred Prufrock: Topics for Further Study
- The Love Song of J. Alfred Prufrock: Media Adaptations
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