The Love Song of J. Alfred Prufrock | Critical Overview

According to Vincent Miller, "By 1914 the age of the heroic achiever was over. That was ... the truth [this] love song pinned down in a startlingly new and creative way for an entire generation." Indeed, American poet John Berryman declares that "Modernist poetry begins" in the simile "like a patient etherised upon a table." He recognizes, however, that even the title manifests a decidedly Modernist "split" in its juxtaposition of the full romance of the term "love song" against such a highly formalized name as J. Alfred Prufrock. This is a technique Eliot discovered in reading the...

[The entire page is 540 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the:

Summary and Analysis – Themes – Characters – And much more...