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Lord of the Rings | Introduction

In 1997, Lord of the Rings was voted, to the chagrin of some critics, the greatest book of the twentieth century in a poll run by major British booksellers. Despite some negative criticism, Lord of the Rings has been a steady best-seller since the first volume was published in 1954, and a campus craze in the sixties and early seventies. The extensive fantasy sections in today's bookstores, from Terry Brooks to Terry Pratchett, are all its children, as are, if George Lucas is to be believed, the Star Wars films.

On the surface, a combination of popular acclaim and critical disquiet is a baffling response to the work of an Oxford professor saturated in the study of language development and early medieval literature. Still, it is perhaps this crossing of characters and situations common to epic and folktale with a judicious use of novelistic technique that accounts for both its popularity with the reading public and the hostility of some critics, whose literary culture is too centered in the avant-garde to be comfortable with a work that reaches so deeply into medieval literature and which rejects, however thoughtfully, moral relativism. Despite its roots in medieval literature, Lord of the Rings places its characters and its readers on a collision course with modern moral dilemmas of knowledge and power. Tolkien poses these modern problems with absolute ethical principles and a belief in both an overarching providence and the importance of human choice. These ethical absolutes are, however, at least partially expressed in terms of a new type of hero, one which does not supplant the old epic hero but which complements it. Although Tolkien always insisted that Lord of the Rings was not allegorical, it is apparent that the Ruling Ring and the destruction of the natural world that flows from the desire for its power are a reflection of Tolkien's concern for humanity's ability to destroy both itself and the earth. That Tolkien chooses a course of total rejection of such knowledge and power is perhaps one of the unconscious sources of some critics' reaction to the work. Such a rejection strikes at the heart of the concept of progress as it has developed in western civilization.

Lord of the Rings Summary

Overview
In Lord of the Rings, the inhabitants of Middle Earth join to save themselves from enslavement by the malevolent Sauron. Centuries before, Sauron forged a Ring, putting much of his power into it, to control through a series of lesser rings, men, dwarves, and elves. Some men fell into his power, but an alliance of men and elves defeated him, and the Ring was cut from his hand. It should have been destroyed, but a human prince, Isildur, took it. Isildur was slain, and the Ring fell into a river. There, the hobbit-like Deagol eventually found it. His friend Sméagol killed Deagol for the Ring. From Sméagol it passed to Bilbo Baggins, who, innocent of its powers and dangers, takes it back to his home and eventually leaves it to his cousin and heir Frodo Baggins. Once it is understood what the Ring is, and that Sauron is trying to recover it, it becomes clear that it must be destroyed. It can, however, only be destroyed in the same fire in which it was forged, the volcano Orodruin deep in Sauron's... » Complete Lord of the Rings Summary