Thomas J. Schoenberg and Lawrence J. Trudeau

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 99, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Ariel, v. 11, October, 1980. Reproduced by permission.—Bulletin of Hispanic Studies, v. 46, 1969. Copyright © 1969 by Liverpool University Press. Reproduced by permission.—Bunyan Studies, v. 1, Autumn, 1988 for “Attitudes Towards Conformity and Nonconformity in Thomas Traherne” by Julia J. Smith. © 1988 Bunyan Studies and the authors. Reproduced by permission.—Comparative Drama, v. 27, Winter, 1993-94. Copyright © 1993, by the Editors of Comparative Drama. Reproduced by permission.—Criticism, v. 43, Fall, 2001. Copyright, 2001, Wayne State University Press. Reproduced with permission of the Wayne State University Press.—ELH, v. 38, March, 1971. © 1971 The Johns Hopkins University Press. Reproduced by permission.—Essays in Theatre, v. 2, May, 1984 for “The Female Libertine in Southerne’s Sir Anthony Love and The Wives Excuse” by Harold Weber. Reproduced by permission of the author.—Gestos: Teoria y Practica del Teatro Hispanico, v. 9, April, 1994. Reproduced by permission.—Hispanic Review, v. 37, April, 1969; v. 52, Spring, 1984. Reproduced by permission.—Journal of the History of Ideas, v. 46, July-September, 1985. © 1985 Journal of the History of Ideas. Reproduced by permission of The Johns Hopkins University.—Luso-Brazilian Review, v. 11, Summer, 1974. Copyright © 1974 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Modern Language Quarterly, v. 34, March, 1973. Copyright © 1973 by Duke University Press, Durham, NC. Reproduced by permission.—Modern Philology, v. 69, August, 1971. Copyright © 1971 by The University of Chicago. Reproduced by permission.—Papers on Language and Literature, v. 31, Winter, 1995. Copyright © 1995 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Philological Quarterly, n. 2, Spring, 1983. Reproduced by permission.—PMLA, v. 81, December, 1966. Copyright © 1966 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.—Restoration, v. 15, Fall, 1991;

v. 16, Fall, 1992. Reproduced by permission.—South Atlantic Review, v. 62, Winter, 1997. Reproduced by permission.

COPYRIGHTED MATERIAL IN LC, VOLUME 99, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Day, Malcolm M. From Thomas Traherne. Twayne Publishers, 1982. Copyright © 1982 by Twayne Publishers. Reproduced by permission.—Garay, René Pedro. From Gil Vicente and the Development of the Comedia. North Carolina Studies in the Romance Languages and Literatures, 1988. Copyright © 1989 by the Department of Romance Languages, UNC-Chapel Hill. Reproduced by permission of North Carolina Press.—Hart, Thomas R. From Gil Vicente: Casandra and Don Duardos. Grant & Cutler, 1981. Copyright © Grant & Cutler Ltd. 1981. Reproduced by permission.—Hume, Robert D. From The Works of Thomas Southerne. Edited by Robert Jordan and Harold Love. Clarendon Press, 1988. Reproduced by permission of Oxford at the Clarendon Press.—Lappin, Anthony. From “Introduction to the Auto da Barca do Inferno,” in Gil Vicente: Three Discovery Plays. Edited and translated by Anthony Lappin. Aris & Phillips Ltd., 1997. Copyright © Anthony Lappin, 1997. All rights reserved. Reproduced by permission.—Marks, Carol L. From an introduction in Christian Ethicks, by Thomas Traherne. Edited by Carol L. Marks and George Robert Guffey. Cornell University Press, 1968. Copyright © 1968 by Cornell University Press. Reproduced by permission of Cornell University Press.—Osborn, James M. From “Thomas Traherne: Revelations in Meditation,” in The Author in His Work: Essays on a Problem in Criticism. Edited by Louis L. Martz and Aubrey Williams. Yale University Press, 1978. Copyright © 1978 by Yale University Press. Reproduced by permission.—Parker, J. H. From Studies in Honor of Gerald E. Wade. José Porrúa Turanzas, S. A., 1979. Copyright © José Porrúa Turanzas, S. A., 1979. Reproduced by permission of the author.—Parker, Jack Horace. From Gil Vicente. Twayne, 1967. Copyright © 1967, by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of Gale.—Root, Jr., Robert L. From Thomas Southerne. Twayne Publishers, 1981. Copyright © 1981 by G.K. Hall & Co. Reproduced by permission.—Sousa, Ronald. From “‘Vos outros tambem cantai por vosso uso

acostumado’: Representation of the Popular in Gil Vicente,” in Literature among Discourses: The Spanish Golden Age. Edited by Wlad Godzich and Nicholas Spadaccini. University of Minnesota Press, 1986. Reproduced by permission.— Stathatos, Constantine Christopher. From A Critical Edition with Introduction and Notes of Gil Vicente’s Floresta de Enganos. The University of North Carolina Press, 1972. Copyright © 1973 by the Department of Romance Languages, UNC-Chapel Hill. Reproduced by permission of the publisher, The University of North Carolina Press.—Stewart, Stanley. From The Expanded Voice: The Art of Thomas Traherne. The Huntington Library, 1970. Copyright 1970 Henry E. Huntington Library and Art Gallery. Reproduced with the permission of the Henry E. Huntington Library.—Suárez, José I. From The Carnival Stage: Vicentine Comedy within the Serio-Comic Mode. Fairleigh Dickinson University Press, 1993. Copyright

© 1993 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Tomlins, Jack E. From “Gil Vicente’s Vision of India and Its Ironic Echo in Camões’s ‘Velho do Restelo’,” in Empire in Transition: The Portuguese World in the Time of Camões. Edited by Alfred Hower and Richard A. Preto-Rodas. University of Florida Press, 1985. Reproduced by permission of the University Press of Florida.—Waith, Eugene M. From “Admiration in the Comedies of Thomas Southerne,” in Evidence in Literary Scholarship: Essays in Memory of James Marshall Osborn. Edited by Rene Welleck and Alvaro Riberio. Clarendon Press, 1979. © Oxford University Press 1979. Reproduced by permission of Oxford at the Clarendon Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 99, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Southerne, Thomas, portrait. Hulton Archive/Getty Images. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Thomson Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

Dr. Toby Burrows

Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia

Celia C. Daniel

Associate Librarian, Reference Howard University Washington, D.C.

David M. Durant

Reference Librarian Joyner Library East Carolina University Greenville, North Carolina

Nancy Guidry

Librarian Bakersfield Community College Bakersfield, Calafornia

Steven R. Harris

English Literature Librarian University of Tennessee Knoxville, Tennessee

Mary Jane Marden

Collection Development Librarian St. Petersburg Jr. College Pinellas Park, Florida

Heather Martin

Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama

Susan Mikula

Director Indiana Free Library Indiana, Pennsylvania

Thomas Nixon

Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina

Mark Schumacher

Jackson Library University of North Carolina

Gwen Scott-Miller

Assistant Director Sno-Isle Regional Library System Marysville, Washington

Donald Welsh

Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia