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COPYRIGHTED EXCERPTS IN LC, VOLUME 61, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Eighteenth Century Studies, v. 25, Fall, 1991. John Hopkins University Press, 1991. Reproduced by permission. —French Historical Studies, v. 22, Fall, 1999. Copyright © 1999 by the Society for French Historical Studies. Reproduced by permission. —Hispanic Journal, v. 5, Spring, 1984. Reproduced by permission. —Michigan Academician, v. IX, Fall, 1976. Reproduced by permission. —MLN, v. 88, December, 1973; v. 100, September, 1985. © 1973, 1985 Johns Hopkins University Press. Reproduced by permission. —Modern Language Quarterly, v. 55, March, 1994; v. 57, December, 1996. © 1994, 1996 University of Washington. Reproduced by permission. —Renaissance Drama, v. 7, 1976; n.s. v. VII, 1976. Copyright © 1976, 1977 by Northwestern University Press. All rights reserved. Reproduced by permission. —Representations, v. 33, Winter, 1991. © 1991 by The Regents of the University of California. www.ucpress.edu. Reproduced by permission. —Romanic Review, v. 78, March, 1987. Reproduced by permission. —Davis, Joe Lee. From “Richard Brome’s Neglected Contribution to Comic Theory,” in Studies in Philology, v. 40, October, 1943. The University of North Carolina Press, 1943. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN LC, VOLUME 61, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bauschatz, Cathleen M. From “‘Voyla, mes dames © ’: Inscribed Women Listeners and Readers in the ‘Heptaméron’,” in Critical Tales: New Studies of the “Heptaméron” and Early Modern Culture. Edited by John D. Lyons and Mary B. McKinley. University of Pennsylvania Press, 1993. Copyright © 1993 by the University of Pennsylvania Press. All rights reserved. Reproduced by permission. —Cholakian, Patricia Francis. From Rape and Writing in the “Heptaméron” of Marguerite de Navarre. Southern Illinois University Press, 1991. Copyright © 1991 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission. —Cholakian, Patricia Francis. From “Heroic Infidelity: Novella 15,” in Heroic Virtue, Comic Infidelity: Reassessing Marguerite de Navarre’s “Heptaméron.” Edited by Dora E. Polachek. Hestia Press, 1993. Copyright 1993 by Hestia Press. Reproduced by permission. —Clark, Ira. From Professional Playwrights: Massinger, Ford, Shirley, & Brome. University Press of Kentucky, 1992. Copyright © 1992 by The University Press of Kentucky. Reproduced by permission. —Cottrell, Robert D. From “Inmost Cravings: The Logic of Desire in the ‘Heptaméron’,” in Critical Tales: New Studies of the “Heptaméron” and Early Modern Culture. Edited by John D. Lyons and Mary B. McKinley. University of Pennsylvania Press, 1993. Copyright © 1993 by the University of Pennsylvania Press. All rights reserved. Reproduced by permission. —Covey, Cyclone. From a preface to Cabeza de Vaca’s Adventures in the Unknown Interior of America. Translated by Cyclone Covey. Crowell-Collier Publishing Co., 1961. Reproduced by permission. —Favata, Martin A., and Jose B. Fernandez. From an introduction to The Account: Alvar Nuñez Cabeza de Vaca’s “Relación.” Arte Publico, 1993. Copyright © 1993 by Arte Publico Press. Reproduced by permission. —Fernandez, José B. From Alvar Nuñez Cabeza de Vaca: The Forgotten Chronicler. Ediciones Universal, 1975. Copyright © 1975 by José B. Fernandez. Reproduced by permission. —Freccero, Carla. From “Practicing Queer Philology and Marguerite de Navarre: Nationalism and the Castigation of Desire,” in Queering the Renaissance. Edited by Jonathan Goldberg. Duke University Press, 1994. © 1994 Duke University Press. All rights reserved. Reproduced by permission. —Gelernt, Jules. From World of Many Loves: The Heptaméron of Marguerite de Navarre. The University of North Carolina Press, 1966. Reproduced by permission. —Grendel, Frederic. From Beaumarchais: The Man Who Was Figaro. Translated by Roger Greaves. Thomas Y. Crowell Company, 1977. English translation © 1977 by Macdonald and Jane’s and T. Y. Crowell. All rights reserved. Reproduced by permission. —Hayes, Julie C. From “Rewriting Bourgeouis Drama: Beaumarchais’s ‘double plan’,” in The Age of Theatre in France. Edited by David Trott and Nicole Boursier. Academic

Printing & Publishing, 1988. © 1988 Academic Printing & Publishing. Reproduced by permission. —Howarth, W. D. From “The Evolution of a Dramatic Text: The Case of ‘Le Mariage de Figaro’,” in Voices in the Air: French Dramatists and the Resources of Language. Edited by John Dunkley and Bill Kirton. University of Glasgow French and German Publications, 1992. Copyright © University of Glasgow French and German Publications. All rights reserved. Reproduced by permission. —Howarth, William D. From Beaumarchais and the Theatre. Routledge, 1995. © 1995 William D. Howarth. Reproduced by permission. —Kem, Judy. From “Sins of the Mother: Adultery, Lineage, and the Law in the ‘Heptaméron’,” in Heroic Virtue, Comic Infidelity: Reassessing Marguerite de Navarre’s “Heptaméron.” Edited by Dora E. Polachek. Hestia Press, 1993. Copyright 1993 by Hestia Press. Reproduced by permission. —McKinley, Mary B. From “Telling Secrets: Sacramental Confession and Narrative Authority in the ‘Heptaméron’,” in Critical Tales: New Studies of the “Heptaméron” and Early Modern Culture. Edited by John D. Lyons and Mary B. McKinley. University of Pennsylvania Press, 1993. Copyright © 1993 by the University of Pennsylvania Press. All rights reserved. Reproduced by permission. —Niklaus, Robert. From Beaumarchais: Le Mariage de Figaro. Grant & Cutler Ltd., 1983. © Grant & Cutler Ltd. 1983. Reproduced by permission. —Persels, Jeffrey C. From “‘Qui sommes tous cassez du harnoys’ or, the Heptaméron and Uses of the Male Body,” in Heroic Virtue, Comic Infidelity: Reassessing Marguerite de Navarre’s “Heptaméron.” Edited by Dora E. Polachek. Hestia Press, 1993. Copyright 1993 by Hestia Press. Reproduced by permission. —Pilkington, William

T. From an epilogue to Cabeza de Vaca’s Adventures in the Unknown Interior of America. Translated by Cyclone Covey. © University of New Mexico Press, 1983. Reproduced by permission. —Pupo-Walker, Enrique. From an introduction to Castaways: The Narrative of Alvar Nuñez Cabeza de Vaca. Edited by Enrique Pupo-Walker and translated by Frances M. Lopez-Morillas. University of California Press, 1993. © 1993 by The Regents of the University of California. Reproduced by permission. —Rex, Walter E. From The Attraction of the Contrary: Essays on the Literature of the French Enlightenment. Cambridge University Press, 1987. © Cambridge University Press 1987. Reproduced by permission of the author and publisher. —Shaw, Catherine M. From Richard Brome. Twayne Publishers, 1980. Copyright © 1980 by G. K. Hall & Co. Reproduced by permission. —Sommers, Paula. From Celestial Ladders: Readings in Marguerite de Navarre’s Poetry of Spiritual Ascent. Librairie Droz, 1989. © 1989 by Librairie Droz S.A. Reproduced by permission. —Sungolowsky, Joseph. From Beaumarchais. Twayne, 1974. Copyright © 1974 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission. —Tetel, Marcel. From Marguerite de Navarre’s “Heptaméron:” Themes, Language, and Structure. Duke University Press, 1973. © 1973 by the Duke University Press. Reproduced by permission. —Wild, Peter. From Alvar Nuñez Cabeza de Vaca. Boise State University, 1991. Copyright 1991 by the Boise State University Western Writers Series. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 61, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Brome, Richard, illustration. Archive Photos. Reproduced by permission. —Beaumarchais, Pierre August (oval format), engraving. The Library of Congress. —Cabeza de Vaca, Alvar Nuñez, medallion with his head on one side and coat-of-arms on the reverse, photograph. Arte Publico Press. Reproduced by permission. —Margaret of Angouleme, Sixteen century painting. © Archivo Iconografico, S.A./CORBIS. Reproduced by permission.