Tonson, Jacob | Copyright Page
ISSN 0740-2880
Volume 86
Project Editor
Literature Criticism from 1400 to 1800, Vol. 86
Project Editor
Michael L. LaBlanc
Editorial
Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Jelena O. Krstovic´ Michelle Lee, Ellen McGeagh, Thomas J. Schoenberg, Lawrence J. Trudeau, Lemma Shomali, Russel Whitaker
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ISSN 0740-2880
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN LC, VOLUME 86, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
The American Scholar, v. 61, n. 3, Summer 1992, for “Jacob Tonson, Bookseller,” by Keith Walker. Copyright © 1992 Keith Walker. Reproduced by permission.—Eighteenth-Century Studies, v. 2, 1968. Reproduced by permission.—ELH, v. 7, June 1940. Reproduced by permission.—History Today, v. 41, June 1991. Reproduced by permission.—Huntington Library Quarterly, v. 23, 1960; v. 53, 1990. Reproduced by permission.—Isle: Interdisciplinary Studies in Literature and Environment, v. 8, Summer 2001. Reproduced by permission of the publisher and the author.—Journal of the Association of Teachers of Japanese, v. 24, April 1990. Reproduced by permission.—The Library, v. 10, September 1988, for “Jacob Tonson: An Early Editor of Paradise Lost?” by Stuart Bennett. Reproduced by permission of Oxford University Press and the author.—Literature East & West, v. XVIII, March 1974. Reproduced by permission of the author.—Monumenta Nipponica: Studies in Japanese Culture, v. XXXVI, Autumn 1981. Reproduced by permission.—Notes and Queries, v. 47, June 2000; v. 48, March 2001. Copyright © 2000, 2001 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Notes and Queries, New Series, v. 24, June 1977, for “Pope’s Role in Tonson’s ‘Loss of Rowe’,” by Alfred W. Hesse. Reproduced by permission of Oxford University Press.—Philological Quarterly, v. 79, Winter 2000. Reproduced by permission.—Philosophy East and West, v. XXXI, October 1981. Reproduced by permission.—Renaissance Quarterly, v. 22, 1969. Reproduced by permission.—Restoration: Studies in English Literary Culture, v. 12, Spring 1988. Reproduced by permission.—Shakespeare Quarterly, v. 16, Spring 1965. Reproduced by permission.—South Atlantic Quarterly, v. 60, 1961, pp. 230-38, for “The Fate of Edmund Waller,” by H. M. Richmond. Copyright © 1961 Duke University Press. Reproduced by permission of the publisher.—The Papers of the Bibliographical Society of America, v. 84, December 1990; v. 92, September 1998. Reproduced by permission.—Theatre Research International, v. 12, Summer 1987. Reproduced by permission of Cambridge University Press.
COPYRIGHTED MATERIAL IN LC, VOLUME 86, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Allison, Alexander Ward. From “The Refinement of Our Language,” in Toward an Augustan Poetic: Edmund Waller’s “Reform” of English Poetry. University of Kentucky Press, 1962. Copyright © 1962 by The University of Kentucky Press. All rights reserved. Reproduced by permission.—Bainton, Ronald H. From “Catherine Parr,” in Women of the Reformation in France and England. Augsburg Publishing House, 1973. Copyright © 1973 by Augsburg Publishing House. All rights reserved. Reproduced by permission.—Bateson, F. W. From “A Word for Waller,” in English Poetry: A Critical Introduction. Longmans, 1950. First published in 1950, Second Edition copyright © 1966 by F. W. Bateson. All rights reserved. Reproduced by permission.—Chambers, A. B. From “Waller and the Painter,” in Andrew Marvell and Edmund Waller: Seventeenth-Century Praise and Restoration Satire, pp. 85-107. The Pennsylvania State University Press at University Park, 1991. Copyright © 1991 by The Pennsylvania State University. All rights reserved. Reproduced by permission of the publisher.—Chernaik, Warren L. From “The Rise of Heroic Satire,” in The Poetry of Limitation: A Study of Edmund Waller. Yale University Press, 1968. Copyright © 1968 by Yale University. All rights reserved. Reproduced by permission.—Clapp, Sarah Lewis Carol. From Foreword to Jacob Tonson in Ten Letters by and About Him. The University of Texas Press, 1948. Copyright © 1948 by The University of Texas. All rights reserved. Reproduced by permission.—De Poorter, Erika. From “The Theoretical Writings of Zeami,” in Zeami’s Talks on Sarugaku: An Annotated Translation of the Sarugaku Dangi. J. C. Geiben, Publisher, 1986. Reprinted 2002, Hotei Publishing. Copyright © 1986 by E.G. de Poorter. All rights reserved. Reproduced by permission.—Geduld, Harry M. From “Miscellany Poems,” in Prince of Publishers: A Study of the Work and Career of Jacob Tonson. Indiana University Press, 1969. Copyright ©
1969 by Indiana University Press. All rights reserved. Reproduced by permission.—Geduld, Harry M. From “Shakespeare and Tonson,” in Prince of Publishers: A Study of the Work and Career of Jacob Tonson. Indiana University Press, 1969. Copyright © 1969 by Indiana University Press. All rights reserved. Reproduced by permission.—Geduld, Harry M. From “Tonson and Paradise Lost,” in Prince of Publishers: A Study of the Work and Career of Jacob Tonson. Indiana University Press, 1969. Copyright © 1969 by Indiana University Press. All rights reserved. Reproduced by permission.— Gilbert, Jack G. From “Waller’s View of Art and His Place in English Literature,” in Edmund Waller. Twayne, 1979. Copyright © 1979 by G.K. Hall & Co. All rights reserved. Reproduced by permission.—James, Susan E. From “All the Words of Angels,” in Kateryn Parr: The Making of a Queen. Ashgate Publishing Company, 1999. Copyright © 1999 by Susan E. James. All rights reserved. Reproduced by permission of the author.—King, John N. From “Patronage and Piety: The Influence of Catherine Parr,” in Silent but for the Word: Tudor Women as Patrons, Translators and Writers of Religious Works. Edited by Margaret Patterson Hannay. Kent State University Press, 1985. Copyright © 1985 by Kent State University Press. All rights reserved. Reproduced by permission.—Landry, Donna. From Muses of Resistance: Labouring-Class Women’s Poetry in Britain, 1739-1796. Cambridge University Press, 1990. Copyright © 1990 by Cambridge University Press. All rights reserved. Reproduced by permission of the publisher and the author.—Lynch, Kathleen M. From “Dyden and Tonson,” in Jacob Tonson, Kit-Cat Publisher. University of Tennessee Press, 1971. Copyright © 1971 by The University of Tennessee Press. All right reserved. Reproduced by permission.—Lynch, Kathleen M. From “Eminent Publisher,” in Jacob Tonson, Kit-Cat Publisher. University of Tennessee Press, 1971. Copyright © 1971 by The University of Tennessee Press. All right reserved. Reproduced by permission.—Lynch, Kathleen M. From “Jacob’s Ladder to Fame,” in Jacob Tonson, Kit-Cat Publisher. University of Tennessee Press, 1971. Copyright © 1971 by The University of Tennessee Press. All right reserved. Reproduced by permission.—Martienssen, Anthony. From “The Queen’s Ladies,” in Queen Katherine Parr. McGraw-Hill Book Company, 1973. Copyright © 1973 by McGraw-Hill Book Company. All rights reserved. Reproduced by permission of the author.—Miner, Earl. From “The Social Mode,” in The Cavalier Mode from Jonson to Cotton. Princeton University Press, 1971. Copyright © 1971 by Princeton University Press. All rights reserved. Reproduced by permission of the author.—Mueller, Janel. From “A Tudor Queen Finds Voice: Katherine Parr’s Lamentations of a Sinner,” in The Historical Renaissance: News Essays on Tudor and Stuart Literature and Culture. Edited by Heather Dubrow and Richard Strier. The University of Chicago Press, 1988. Copyright © 1988 by The University of Chicago. All rights reserved. Reproduced by permission.—Mueller, Janel. From “Complications of Intertextuality: John Fisher, Katherine Parr, and ‘The Book of the Crucifix’,” in Representing Women in Renaissance England. Edited by Claude J. Summers and Ted-Larry Pebworth. University of Missouri Press, 1997. Copyright © 1997 by The Curators of the University of Missouri. All rights reserved. Reproduced by permission of the University of Missouri Press.—Smethurst, Mae J. From “The Style of No,” in The Artistry of Aeschylus and Zeami: A Comparative Study of Greek Tragedy and No. Princeton University Press, 1989. Copyright © 1989 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Ueda, Makoto. From “Zeami and the Art of the No Drama: Imitation, Yugen, and Sublimity,” in Japanese Aesthetics and Culture: A Reader, edited by Nancy G. Hume. Albany: State University of New York Press, 1967. © Copyright 1967 Albany: State University of New York. Reproduced by permission of the State University of New York Press.—Ueda, Makoto. From “Zeami Motokiyo: Imitation, Yugen, and the Sublime,” in Zeami, Basho, Yeats, Pound: A Study in Japanese and English Poetics. Mouton & Co., 1965. Copyright © 1965 by Mouton & Co. All rights reserved. Reproduced by permission.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 86, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Catherine Parr, from “Memoirs of the Court of Queen Elizabeth,” by Sarah, Countess of Essex, photograph. © Stapleton Collection/Corbis. Reproduced by permission.—Diagram showing Zeami’s theory of theatrical art as it pertains to his idea of “training” the body to move appropriately, from “Zeami’s Conception of Freedom,” by Shigenori Nagatomo, in Philosophy East and West, Vol. XXXI, October 1981, pp. 401-16. Reproduced by permission.—Tonson, Jacob, holding copy of John Milton’s “Paradise Lost” in right hand, oil on canvas painting by Sir Godfrey Kneller. Courtesy of the National Portrait Gallery, London. Reproduced by courtesy of the National Portrait Gallery, London.—Waller, Edmund, photograph. Archive Photos. Reproduced by permission.
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Principal Librarian Literature and General Reference Librarian
The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library
Mark Schumacher
David M. Durant
Jackson Library Joyner Library
East Carolina University University of North Carolina at Greensboro
Steven R. Harris Gwen Scott-Miller
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