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COPYRIGHTED EXCERPTS IN LC, VOLUME 66, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Indian Culture and Research Journal, v. 21, 1997. Copyright © 1997 The Regents of the University of California. Reproduced by permission of the American Indian Studies Center, UCLA.—American Literature, v. 64, December, 1992. Copyright © 1992 by Duke University Press. Reproduced by permission.—Comparative Literature Studies, v. 22, Spring, 1985. © 1985 Board of Trustees of the University of Illinois. Reproduced by permission of Pennsylvania State University Press.—Early American Literature, v. 15, 1980-81; v. 22, 1987; v. 23, 1988; v. 27, 1992; v. 28, 1993; v. 32, 1997. Copyright © 1981, 1987, 1988, 1992, 1993, 1997 by the Department of English, University of North Carolina at Chapel Hill. All reproduced by permission of the publisher.—The Eighteenth Century, v. 32, Autumn, 1991. Reproduced by permission.—ELH, v. 21, June, 1954; v. 43, Spring, 1976; v. 71, Spring, 1994. Copyright © 1954, 1976, 1994 by The Johns Hopkins University Press. All reproduced by permission.—Huntington Library Quarterly, v. 43, Winter, 1979. Reproduced by permission.—The Journal of Asian Studies, v. 53, May, 1994. © 1994 by the Association for Asian Studies, Inc. Reproduced by permission.—The Journal of English and Germanic Philology, v. XLVIII, January, 1949. Reproduced by permission.—The Modern Language Review, v. LIV, October, 1959. Reproduced by permission.—Restoration and 18th Century Theatre Research, v. 9, 1970. Reproduced by permission.—The Review of English Studies, v. XVI, January, 1940; v. XVII, January, 1941. Both reproduced by permission.—SEL: Studies in English Literature, 1500-1800, v. 22, Summer, 1982. Reproduced by permission.—Studia Neophilologica, v. 54, 1982. Reproduced by permission.—Texas Studies in Literature and Language, v. 41, Summer, 1999 for “The Importance of Being Easy: Desire and Cibber’s The Careless Husband,” by Stephen Szilagyi. © 1999 by the University of Texas Press. Reproduced by permission of the publisher and the author.—The Times Literary Supplement, No. 1502, November 13, 1930 for “Cyril Tourneur,” by T.S. Eliot. © The Times Supplements Limited 1930. Reproduced from The Times Literary Supplement and the Literary Estate of T.S. Eliot by permission.—Women’s Studies: An Interdisciplinary Journal, v. 24, 1995. © 1995 OPA (Overseas Publishers Association). Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 66, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Ashley, Leonard R.N. From Colley Cibber. Twayne Publishers, Inc., 1963. Copyright © 1965 by Twayne Publishers, Inc. Reproduced by permission.—Boas, Frederick S. From An Introduction to Eighteenth-Century Drama, 1700-1780. Oxford University Press, 1953. Reproduced by permission.—Boswell, Parley Ann. From “Mary White Rowlandson Remembers Captivity: A Mother’s Anguish, a Woman’s Voice,” in Women’s Life-Writing: Finding Voice/Building Community. Edited by Linda S. Coleman. Bowling Green State University Popular Press, 1997. Copyright © 1997 Bowling Green State University Popular Press. Reproduced by permission.—Castiglia, Christopher. From “Her Tortures Were Turned into Frolick: Captivity and Liminal Critique, 1682-1862,” in Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst. University of Chicago Press, 1996. Copyright © 1996 by The University of Chicago Press. Reproduced by permission of the publisher and the author.—Ellis, Frank H. From “Colley Cibber, Love’s Last Shift (1696),” in Sentimental Comedy: Theory and Practice. Cambridge University Press, 1991. © Cambridge University Press, 1991. Reproduced by permission of the author.—Ellis-Fermor, Una. From The Jacobean Drama: An Interpretation. Revised edition. Metheun & Co. Ltd., 1958. Reproduced by permission.—Faery, Rebecca Blevins. From Cartographies of Desire: Captivity, Race, and Sex in the Shaping of an American Nation. University of Oklahoma Press, 1999. Copyright © 1999 by the University of Oklahoma Press. Reproduced by permission.—Gerstle, C. Andrew. From Circles of Fantasy: Convention in the Plays of Chikamatsu. Council on East Asian Studies, Harvard University, 1986. Copyright 1986

by the President and Fellows of Harvard College. Reproduced by permission.—Kaufmann, R. J. From “Theodicy, Tragedy, and the Psalmist: Tourneur’s ‘Atheist’s Tragedy,’” in Drama in the Renaissance: Comparative and Critical Essays. Clifford Davidson, C. J. Gianakaris, John H. Stoupe, eds. AMS Press, 1986. Copyright © 1986 by AMS Press, Inc. All rights reserved. Reproduced by permission.—Keene, Donald. From The Battles of Coxinga: Chikamatsu’s Puppet Play, Its Background and Importance. Taylor’s Foreign Press, 1951. Copyright 1951 by Donald Keene. All rights reserved. Reproduced by permission.—Keene, Donald. From “The Love Suicides at Sonezaki,” in Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching. Edited by Barbara Stoler Miller. M. E. Sharpe, 1994. Copyright © 1994 by Trustees of Columbia University in the City of New York. All rights reserved. Reproduced by permission from M.E. Sharpe, Inc., Armonk, NY 10504.—Neuwirth, Steven. From “Her Master’s Voice: Gender, Speech, and Gendered Speech in the Narrative of the Captivity of Mary White Rowlandson,” in Sex and Sexuality in Early America. Edited by Merril D. Smith. New York University Press, 1998. © 1998 by New York University. All rights reserved. Reproduced by permission.—Ornstein, Robert. From The Moral Vision of Jacobean Tragedy. University of Wisconsin Press, 1960. Copyright © 1960 by the Regents of the University of Wisconsin. Reproduced by permission.—Potter, Lois. From “Colley Cibber: The Fop as Hero,” in Augustan Worlds. J. C. Hilson, M. M. B. Jones, J. R. Watson, eds. Leicester University Press, 1978. Copyright © Leicester University Press 1978. Reproduced by permission.—Robertson, Karen. From Sexuality and Politics in Renaissance Drama. Edited by Carole Levin and Karen Robertson. The Edwin Mellen Press, 1991. Copyright © 1991 Carole Levin and Karen Robertson. All rights reserved. Reproduced by permission.—Sasayama, Takashi. From “Tragedy and Emotion: Shakespeare and Chikamatsu,” in Shakespeare and the Japanese Stage. Takashi Sasayama, J. R. Mulryne, Margaret Shewring, eds. Cambridge University Press, 1998. © Cambridge University Press 1998. Reproduced by permission of the publisher and the author.—Shively, Donald H. From an introduction to The Love Suicide at Amijima: A Study of a Japanese Domestic Tragedy by Chikamatsu Monzaemon. Harvard-Yenching Institute. Copyright 1953 by the Harvard-Yenching Institute. All rights reserved. Reproduced by permission of the author and the publisher.—Slotkin, Richard, and James K. Folsom. From So Dreadfull a Judgment: Puritan Responses to King Philip’s War, 1676-1677. Wesleyan University Press, 1978. Copyright © 1978 by Wesleyan University Press. Reproduced by permission.—Wilks, John

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 66, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Colley Cibber as Lord Toppington in Sir John Vanbrugh’s “The Relapse,” photograph. Archive Photos, Inc. Reproduced by permission.