Revenge Tragedy - Copyright Page

Revenge Tragedy - Copyright Page

ISSN 0740-2880

Volume 71

Thomas J. Schoenberg
Lawrence J. Trudeau

Editors

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Library of Congress Catalog Card Number 94-29718
ISBN 0-7876-5232-6
ISSN 0740-2880
Printed in the United States of America

10987654321

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN LC, VOLUME 71, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Criticism, v. 19, Winter, 1977. Copyright 1977, Wayne State University Press. Reproduced by permission.—English Language Notes, v. 16, September, 1978. Copyright 1978, Regents of the University of Colorado. All rights reserved. Reproduced by permission.—Essays in Criticism, v. 30, January, 1980 for “Skelton’s Use of Persona,” by David Lawton. Reproduced by permission of the publisher and the author.—Forum Italicum, v. 26, Spring, 1992. Copyright © 1992 by Forum Italicum. Reproduced by permission.—Huntington Library Quarterly, v. 26, August, 1963. Reproduced with the permission of the Henry E. Huntington Library.—Il Veltro, v. 40, 1996 for “The Language of Spiritual Renewal in the Poetry of Pre-Tridentine Rome: The Case of Vittoria Colonna as Advocate for Reform,” by Dennis J. McAuliffe; “Vittoria Colonna, Christ and Gender,” by Fiora A. Bassanese. Reproduced by permission.—Italica: Journal of the American Association of Teachers of Italian, v. 77, Autumn, 2000. Copyright © 2000 by the American Association of Teachers of Italian. Reproduced by permission.—The Journal of Medieval and Renaissance Studies, v. 10, Fall, 1980. Copyright © 1980 by Duke University Press. Reproduced by permission.—The Journal of Psychohistory, v. 7, Spring, 1980. © 1979 by The Association for Psychohistory, Inc. Reproduced by permission.—Medium Aevum, v. 55, 1986. © Society for the Study of Mediaeval Languages and Literature 1986. Reproduced by permission.—Neophilologus, v. 68, October, 1984 for “Skeleton’s Triumph: The ‘Garland of Laurel’ and Literary Fame” by David A. Loewenstein. © 1984 Kluwer Academic Publishers. v. 82, October, 1998 for “Rebellion Treachery and Poetic Identity in Skelton’s ‘Dolorous Dethe’,” by Kevin L. Gustafson. © 1998 Kluwer Academic Publishers. Used with kind permission from Kluwer Academic Publishers and the author.—Philological Quarterly, v. 41, January, 1962 for “John Marston’s Fantastical Plays: ‘Antonio and Mellida’ and ‘Antonio’s Revenge’,” by R. A. Foakes; v. 55, Winter, 1976 for “The Worldly Stoicism of George Chapman’s ‘The Revenge of Bussy D’Ambois’ and ‘The Tragedy of Chabot, Admiral of France’,” by Allen Bergson; v. 56, Winter, 1977 for “Andrea, Andrugio and King Hamlet: The Ghost as Spirit of Revenge,” by Charles A. Hallett; v. 75, Fall, 1996 for “When A Sparrow Falls: Women Readers, Male Critics, and John Skelton’s ‘Phyllyp Sparowe’,” by Celia R. Daileader. Reproduced by permission of the respective authors.—PMLA, v. 101, October, 1986. Copyright © 1986 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.—Renaissance Quarterly, v. 28, Spring, 1975. Copyright 1975 Renaissance Society of America Inc. Reproduced by permission.— Shakespeare Studies, v. 21, 1993. Reproduced by permission.—The Sixteenth Century Journal, v. 20, Summer, 1991. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 23, Spring, 1983. © William Marsh Rice University 1983. Reproduced by permission.—Studies in Philology, v. 65, April, 1968; v. 70, 1973; v. 82, Winter 1985. © 1968, 1973, 1985 by The University of North Carolina Press. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 71, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Allen, Robert J. From The Clubs of Augustan London. Harvard University Press, 1933. Copyright, 1933 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission Harvard University Press.—Bainton, Ronald H. From Women of the Reformation in Germany and Italy. Augsburg Publishing House, 1971. Copyright © 1971 Fortress Press. All rights reserved. Used by permission of Augsburg Press.—Bassanese, Fiora A. From “Vittoria Colonna,” in Italian Women Writers: A Bio-Bibliographical Sourcebook. Edited by Rinaldina Russell. Greenwood Press, 1994. Copyright © 1994 by Rinaldina Russell. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Bowers, Fredson Thayer. From Elizabethan Revenge Tragedy, 1587-1642. Princeton University Press, 1940. Copyright, 1940 Princeton University Press. Reproduced by permission.—Brown, G. K. From Italy and the

Reformation to 1550. Basil Blackwell, 1933. Reproduced by permission.—Doran, Madeleine. From Endeavors of Art: A Study of Form in Elizabethan Drama. The University of Wisconsin Press, 1954. Copyright © 1954 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Forster, E. M. From Two Cheers for Democracy. Edward Arnold, 1951. Copyright 1951 by E. M. Forster and renewed 1979 by Donald Parry. Reprinted by permission of Harcourt, Inc.—Geduld, Harry M. From Prince of Publishers: A Study of the Work and Career of Jacob Tonson. Indiana University Press, 1969. Copyright © 1969 by Indiana University Press. Reproduced by permission.— Gibaldi, Joseph. From “Vittoria Colonna: Child, Woman, and Poet,” in Women Writers of the Renaissance and Reformation. Edited by Katharina M. Wilson. The University of Georgia Press, 1987. © 1987 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Grantley, Darryll. From “Masques and Murderers: Dramatic Method and Ideology in Revenge Tragedy and the Court Masque,” in Jacobean Poetry and Prose: Rhetoric, Representation and the Popular Imagination. Edited by Clive Bloom. St. Martin’s Press, 1988. Reproduced by permission.—Hallett, Charles A. and Elaine S. From The Revenger’s Madness: A Study of Revenge Tragedy Motifs. University of Nebraska Press, 1980. Copyright © The University of Nebraska Press, 1980. Reproduced by permission of the authors.—Halpern, Richard. From “John Skelton and the Poetics of Primitive Accumulation,” in Literary Theory/Renaissance Texts. Edited by Patricia Parker and David Quint. The Johns Hopkins University Press, 1986. © 1986 The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Hodges, John C. From William Congreve, The Man: A Biography from New Sources. Oxford University Press, 1941. Reproduced by permission.—Holloway, John. From “Skelton,” in The Charted Mirror: Literary and Critical Essays. Routledge and Kegan Paul, 1960. © John Holloway 1960. Reproduced by permission of the author.—Kerrigan, John. From Revenge Tragedy: Aeschylus to Armageddon. Clarendon Press, 1996. © John Kerrigan, 1996. Reproduced by permission.—Kinsman, Robert S. From “Introduction,” in Poems by John Skelton. Edited by Robert S. Kinsman. Oxford at the Clarendon Press, 1969. © Oxford University Press 1969. Reproduced by permission.—McAuliffe, Dennis J. From Il Rinascimento: Aspetti e Problemi Attuali. Leo S. Olschki Editore, 1982. Reproduced by permission.—McAuliffe, Dennis J. From “Neoplatonism in Vittoria Colonna’s Poetry: From the Secular to the Divine,” in Ficino and Renaissance Neoplatonism. Edited by Konrad Eisenbichler and Olga Zorzi Pugliese. Dovehouse Editions, 1986. Copyright © 1986, Dovehouse Editions Canada. Reproduced by permission.—Mulryne, J. R. From “‘The White Devil’ and ‘The Duchess of Malﬁ’,” in Jacobean Theatre. Edited by John Russell Brown. Edward Arnold, 1960. Reproduced by permission.—Prosser, Eleanor. From Hamlet and Revenge. Stanford University Press, 1967. Copyright © 1967, 1971 by the Board of Trustees of Leland Stanford Junior University. Reprinted with the permission of the publishers, Stanford University Press.—Russell, Rinaldina. From “Vittoria Colonna’s Sonnets on the Virgin Mary,” in Maria Vergine nella Letteratura Italiana. Edited by Florinda M. Iannace. Forum Italicum Publishing, 2000. Copyright © 2000 by Forum Italicum, Inc. All rights reserved. Reproduced by permission.—Spearing, A. C. From Medieval Dream-Poetry. Cambridge University Press, 1976. © Cambridge University Press 1976. Reprinted with the permission of Cambridge University Press and the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 71, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Chapman, George, print.—Colonna, Vittoria, reproduced from a facsimile of a chalk drawing, High Renaissance style, by Michelangelo. The Library of Congress.—Congreve, William, right proﬁle, wearing long curled wig a la Louis XIV, velvet coat, print. Archive Photos. Reproduced by permission.—Middleton, Thomas, engraving. Archive Photos, Inc. Reproduced by permission.—Shirley, James, engraving. Getty Images. Reproduced by permission.—Skelton, John, print. Archive Photos, Inc. Reproduced by permission.—Tonson, Jacob, sitting in chair, holding copy of John Milton’s “Paradise Lost” in right hand, oil on canvas painting by Sir Godfrey Kneller. Courtesy of the National Portrait Gallery, London. Reproduced by permission.—Vanbrugh, John, engraving. Archive Photos, Inc. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and Ann Marie Wiescinski English and Comparative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan