Criticism > Literary Criticism (1400-1800) > The Quarrel between the Ancients and the Moderns - Copyright Page

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COPYRIGHTED EXCERPTS IN LC, VOLUME 63, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

CLA Journal, v. 30, March, 1987. Reproduced by permission. —Communication Monographs, v.49, December, 1982. Reproduced by permission. —Comparative Drama, v. 16, Summer, 1982; v. 29, Spring, 1995. Reproduced by permission. —Eighteenth-Century Life, v. 9, October, 1984. Reproduced by permission. —Eighteenth-Century Studies, v. 15, Fall, 1981. © 1981 by The American Society for Eighteenth-Century Studies. Reproduced by permission. —English Literary Renaissance, v. 18, Winter, 1988. Reproduced by permission. —History of European Ideas, v. 22, 1996. Copyright © 1996 Elsevier Science Ltd. All rights reserved. Reproduced by permission. —Journal of Medieval and Renaissance Studies, v. 11, Fall, 1981. Copyright © 1981 by Duke University Press. Reproduced by permission. —Journal of Newspaper and Periodical History, v. 4, Winter, 1987. Reproduced by permission. —Journal of the History of Ideas, v. 43, January-March, 1982; v. 49, July-September, 1988. Copyright 1982 by Journal of the History of Ideas, Inc. Reproduced by permission. —Medieval and Renaissance Drama in England, v. 7, 1995. © 1995 by Associated University Presses. All rights reserved. Reproduced by permission. —Modern Language Quarterly, v. 38, March, 1977; v. 78, October, 1983. Reproduced by permission. —Modern Philology, v. 91, November, 1993. © 1993 by The University of Chicago. All rights reserved. Reproduced by permission. —Papers on French Seventeenth-Century Literature, v. 10, 1983. Reproduced by permission. —Papers on Language and Literature, v. 10, Winter, 1974; v. 20, Fall, 1984. Reproduced by permission. —Renaissance Drama, v. 23, 1992. Reproduced by permission. —Studia Anglica Posnaniensia, v. 16, 1983. Reproduced by permission. —Studies in English Literature 1500-1900, v. 28, Summer, 1988. Reproduced by permission. —Thalia, v. 3, Spring, 1980. Reproduced by permission. —The Eighteenth Century, v. 35, Spring, 1994; v. 36, Spring, 1995. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 63, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bateson, F. W. From “Addison, Steele and the Periodical Essay,” in Dryden to Johnson. Edited by Roger Lonsdale. Sphere Books Limited, 1971. © Sphere Books 1971. Reproduced by permission. —Bond, Donald F. From an introduction to Critical Essays from The Spectator. By Joseph Addison, with four essays by Richard Steele, edited by Donald F. Bond. Clarendon Press, 1970. © Oxford University Press 1970. Reproduced by permission. —France, Peter. From “Society, Journalism, and the Essay: Two Spectators,” in Continuum: Problems in French Literature from the Late Renaissance to the Early Enlightenment. Edited by David Lee Rubin. AMS Press, 1991. Copyright © 1991 by AMS Press, Inc. Reproduced by permission. —Hubbell, J. Andrew. From “‘Comus’: Milton’s Re-Formation of the Masque,” in Spokesperson Milton: Voices in Contemporary Criticism. Edited by Charles W. Durham and Kristin Pruitt McColgan. Susquehanna University Press, 1994. © 1994 by Associated University Presses. All rights reserved. Reproduced by permission. —Maurer, Shawn Lisa. From “‘As Sacred as Friendship, as Pleasurable as Love’: Father-Son Relations in the ‘Tatler’ and ‘Spectator’,” in History, Gender & Eighteenth-Century Literature. Edited by Beth Fowkes Tobin. University of Georgia Press, 1994. © 1994 by the University of Georgia Press. All rights reserved. Reproduced by permission. —Mickel, Lesley. From Ben Jonson’s Antimasques: A History of Growth and Decline. Ashgate, 1999. © Lesley Mickel, 1999. All rights reserved. Reproduced by permission. —Norbrook, David. From “The Reformation of the Masque,” in The Court Masque. Edited by David Lindley. Manchester University Press, 1984. © Manchester University Press 1984. Reproduced by permission. —Orgel, Stephen. From “The Masque,” in English Drama to 1710. Edited by Christopher Ricks. Barrie & Jenkins, 1971. © Sphere Books 1971. Reproduced by permission. —Parisi, Hope A. From “From Woman Warrior to Warrior Reasoner: Lady Alice and Intellectual Freedom in ‘A Mask’,” in Arenas of Conflict: Milton and the Unfettered Mind. Edited by Kristin Pruitt McColgan and Charles W. Durham. Susquehanna University Press, 1997. © 1997 by Associated University Presses.

All rights reserved. Reproduced by permission. —Patey, Douglas Lane. From “Ancients and Moderns,” in The Cambridge History of Literary Criticism. Volume 4: The Eighteenth Century. Edited by H. B. Nisbit and Claude Rawson. Cambridge University Press, 1997. © Cambridge University Press 1997. Reproduced by permission. —Platt, Peter G. From Reason Diminished: Shakespeare and the Marvelous. University of Nebraska Press, 1997. © 1997 by the University of Nebraska Press. All rights reserved. Reproduced by permission. —Raylor, Timothy. From The Essex House Masque of 1621: Viscount Doncaster and the Jacobean Masque. Duquesne University Press, 2000. Copyright © 2000 Duquesne University Press. All rights reserved. Reproduced by permission. —Shevelow, Kathryn. From Women and Print Culture: The Construction of Femininity in the Early Periodical. Routledge, 1989. © 1989 Kathryn Shevelow. All rights reserved. Reproduced by permission. —Stephens, John Calhoun. From The Guardian. Edited by John Calhoun Stephens. University Press of Kentucky, 1982. Copyright © 1982 by The University Press of Kentucky. Reproduced by permission. —Waith, Eugene

M. From “The English Masque and the Functions of Comedy,” in The Elizabethan Theatre VIII. Edited by G. R. Hibbard.

P. D. Meany, 1982. © P. D. Meany Company Inc., 1982. All rights reserved. Reproduced by permission. —Waller, Gary. From The Sidney Family Romance: Mary Wroth, William Herbert, and the Early Modern Construction of Gender. Wayne State University Press, 1993. Reproduced by permission of publisher and author. —Wynne-Davies Marion. From Gloriana’s Face: Women, Public and Private, in the English Renaissance. Edited by S. P. Cerasano and Marion Wynne-Davies. Harvester Wheatsheaf, 1992. © 1992 S. P. Cerasano and others. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 63, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Addison, Joseph, print. —Front page of the “London Gazette,” number 5604, Tuesday, December 31 to January 4, 1718 issue, edited by Richard Steele, photograph. Special Collections Library, University of Michigan. Reproduced by permission. —Front page of the “Spectator,” number VI, Wednesday, March 7, 1711 issue, edited by Joseph Addison and Richard Steele, photograph. Special Collections Library, University of Michigan. Reproduced by permission. —Jones, Inigo, drawing. The Library of Congress. —Steele, Richard, engraving. The Library of Congress. —Swift, Jonathan, painting. The Library of Congress. —Temple, William, print. Archive Photos, Inc. Reproduced by permission. —“The Triumph of Love,” detail, from a cassone painted by Francesco Pesellino, c. 1450, oil on panel. © Burstein Collection/Corbis. Reproduced by permission.