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Library of Congress Catalog Card Number 94-29718
ISBN 0-7876-4678-4
ISSN 0740-2880
Printed in the United States of America

10987654321

American Indian Quarterly, v. 6, Fall-Winter, 1982. Reproduced by permission. —Australian Journal of French Studies,

v. XXXI, September-December, 1994. Reproduced by permission.—The Centennial Review, v. XXXI, Spring, 1987. © 1987 by The Centennial Review. Reproduced by permission of the publisher and the author. —Common Knowledge, v. 3, Spring, 1994. Reproduced by permission. —Early American Literature, v. 29, 1994. Copyright University of North Carolina Press 1994. Reproduced by permission of the publisher. —Essays in Literature, v. XV, Spring, 1988. Copyright 1988 Western Illinois University. Reproduced by permission.—Études Rabelaisiennes, v. XXV, 1991. Copyright 1991 by Librairie Droz, S.A. Reproduced by permission. —French Studies, v. XLIX, July, 1995. Reproduced by permission.—Literature and History, v. 5, Autumn, 1979. Reproduced by permission. —MLN, v. 110, December, 1995. Copyright © 1995 by The Johns Hopkins University Press. Reproduced by permission.—Philological Quarterly, v. 70, Summer, 1991. Copyright 1991 by The University of Iowa. Reproduced by permission. —Review of English Studies, v. XXV, 1974, for “Faery Lore and The Rape of the Lock” by Pat Rogers. Reproduced by permission of Cambridge University Press and the author. —The Sixteenth Century Journal, v. XXVI, Summer, 1995. Copyright © 1995 by The Sixteenth Century Journal Publishers, Inc. Reproduced by permission. —Studies in American Indian Literatures, v. 4, Summer-Fall, 1992. Reproduced by permission. —Theoria, v. XXXIV, May, 1970. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 60, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Blocksidge, Martin. From The Sacred Weapon: An Introduction to Pope’s Satire. The Book Guild Ltd., 1993. © Martin Blocksidge 1993. Reproduced by permission.—Brown, Laura. From Alexander Pope. Basil Blackwell, 1985. © Laura Brown 1985. Reproduced by permission.—Bruckmann, Patricia. From “Virgins Visited by Angel Powers: ‘The Rape of the Lock’, Platonick Love, Sylphs and Some Mysticks,” in The Enduring Legacy: Alexander Pope Tercentenary Essays. Edited by G. S. Rousseau and Pat Rogers. Cambridge University Press, 1988. © Cambridge University Press, 1988. Reproduced by permission of Cambridge University Press and the author.—Connell Szasz, Margaret. From Between Indian and White Worlds: The Cultural Broker. Edited by Margaret Connell Szasz. University of Oklahoma Press, 1994. Copyright © 1994 by the University of Oklahoma Press. All Rights Reserved. Reproduced by permission.—Duval, Edwin M. From The Design of Rabelais’s “Pantagruel.” Yale University Press, 1991. Copyright © 1991 by Edwin Duval. All rights reserved. Reproduced by permission.—Farago, Claire J. From Leonardo Da Vinci’s “Paragone”: A Critical Interpretation with a New Edition of the Text in the “Codex Urbinas.” E. J. Brill, 1992. Copyright © 1992 by E. J. Brill. All rights reserved. Reproduced by permission. —Ferguson, Rebecca. From The Unbalanced Mind: Pope and the Rule of Passion. The Harvester Press, 1986. © Rebecca Ferguson, 1986. Reproduced by permission.—Freccero, Carla. From Father Figures: Genealogy and Narrative Structure in Rabelais. Cornell University Press, 1991. Copyright © 1991 by Cornell University. All rights reserved. Reproduced by permission of the publisher, Cornell University Press.—Gauna, Max. From The Rabelaisian Mythologies. Fairleigh Dickinson University Press, 1996. © 1996 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Gombrich, Ernst H. From “The Trattato Della Pittura, Some Questions and Desiderata,” in Leonardo da Vinci: Selected Scholarship. Edited by Claire J. Farago. Garland, 1999. Copyright © 1999, Garland. Reproduced by permission of Taylor & Francis, Inc., http://www.routledge-ny.com.—Harp, Margaret Broom. From The Portrayal of Community in Rabelais’s “Quart Livre.” Peter Lang, 1997. © 1997 Peter Lang Publishing, Inc. Reproduced by permission.—Heydenriech, Ludwig H. From an introduction, translated by Dora Jane Janson, in Treatise on Painting. By Leonardo Da Vinci. Translated by A. Philip McMahon. Princeton University Press, 1956. Copyright ©

1956 by Princeton University Press. Reproduced by permission. —Jaspers, Karl. From “Leonardo as Philosopher,” in Three Essays: Leonardo, Descartes, Max Weber. Translated by Ralph Manheim. Harcourt, Brace & World, Inc., 1964. English translation © 1964 by Harcourt, Brace & World, Inc. Reproduced by permission.—Lavatori, Gerard Ponziano. From Language and Money in Rabelais. Peter Lang, 1996. © 1996 Peter Lang Publishing, Inc. Reproduced by permission.— Marinoni, Augusto. From “Leonardo as a Writer,” in Leonardo’s Legacy: An International Symposium. Edited by C. D. O’Malley. University of California Press, 1969. © 1969 by The Regents of the University of California. Reproduced by permission.—Morris, David B. From Alexander Pope: The Genius of Sense. Harvard University Press, 1984. Copyright © 1984 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of Harvard University Press.—Murray, David. From Forked Tongues: Speech, Writing and Representation in North American Indian Texts. Pinter Publishers, 1991. © David Murray 1991. All rights reserved. Reproduced by permission.—Pedretti, Carlo. From “The Codex Huygens,” in The Literary Works of Leonardo Da Vinci, Vol. I. Edited by Jean Paul Richter. Phaidon Press Limited, 1977. © 1977 by Carlo Pedretti. Reproduced by permission.—Pedretti, Carlo. From “Supplement to Giovio’s ‘Leonardi Vincii Vita,’” in The Literary Works of Leonardo Da Vinci, Vol. I. Edited by Jean Paul Richter. Phaidon Press Limited, 1977. © 1977 by Carlo Pedretti. Reproduced by permission.—Peyer, Bernd C. From The Tutor’d Mind: Indian Missionary-Writers in Antebellum America. University of Massachusetts Press, 1997. Copyright © 1997 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.—Plochmann, George Kimball. From The Resources of Leonardo da Vinci: Papers Delivered at Southern Illinois University, November 12th-15th, 1952. Edited by George Kimball Plochmann. Southern Illinois University at Carbondale. Copyright © 1952 by Southern Illinois University. Reproduced by permission.—Pollak, Ellen. From The Poetics of Sexual Myth, Gender and Ideology in the Verse of Swift and Pope. The University of Chicago Press, 1985. © 1985 by Ellen Pollak. All rights reserved. Reproduced by permission.—Prescott, Anne Lake. From Imagining Rabelais in Renaissance England. Yale University Press, 1998. Copyright © 1998 by Yale University. All rights reserved. Reproduced by permission.—Rigolot, François. From “The Three Temptations of Panurge: Women’s Vilification and Christian Humanist Discourse,” in Francois Rabelais: Critical Assessments. Edited by Jean-Claude Carron. Johns Hopkins University Press, 1995. © 1995 The Johns Hopkins University Press. Reproduced by permission.—Valery, Paul. From Collected Works of Paul Valery, Vol. 8: Leonardo, Poe and Mallarme: Three Masters. Translated by Malcolm Cowley. Bollingen Foundation. Reproduced by permission.—Winternitz, Emanuel. From Leonardo da Vinci as a Musician. Yale University Press, 1982. Copyright © 1982 by Yale University. All rights reserved. Reproduced by permission.—Zegura. Elizabeth, and Marcel Tetel. From Rabelais Revisited. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 60, WERE RECEIVED FROM THE FOLLOWING SOURCES:

“Self-Portrait,” drawing by Leonardo da Vinci.—“The Last Supper,” mural by Leonardo da Vinci. The Granger Collection Ltd. Reproduced by permission.—Occom, Samson, engraving. Archive Photos, Inc. Reproduced by permission.—Pope, Alexander, engraving. The Library of Congress.—Rabelais, François, drawing. The Library of Congress.