Munday, Anthony - Copyright Page

ISSN 0740-2880

Volume 87

Michael L. LaBlanc

Project Editor

Literature Criticism from 1400 to 1800, Vol. 87
Project Editor

Michael L. LaBlanc

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Jelena O. Krstovic´, Michelle Lee, Ellen McGeagh, Thomas J. Schoenberg, Lawrence J. Trudeau, Lemma Shomali, Russel Whitaker

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ISBN 0-7876-6624-6
ISSN 0740-2880

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 87, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 56, December, 1984. Copyright © 1984 by Duke University Press. Reproduced by permission.— Cahiers Elisabethains, October, 1980 for “Munday’s Zelauto’: Form and Function” by Paul A. Scanlon. Reproduced by permission of the publisher and the author.—Chaucer Review, v. 19, 1985. Copyright 1985 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.—College Literature, v. XIII, fall, 1986. Copyright 1986 by West Chester University. Reproduced by permission.—Huntington Library Quarterly, v. 30, August, 1967. Reproduced by permission.—Journal of Popular Culture, v. 13, spring, 1980. Reproduced by permission.—Modern Language Notes, v. 103, January, 1988. © The Johns Hopkins University Press. Reproduced by permission.—Philological Quarterly, v. 64, spring, 1985 for “The Last Temptation of ‘Everyman’” by Phoebe S. Spinrad; v. 70, spring, 1991 for “Humor in ‘Everyman’ and the Middle English Morality Play” by Ron Tanner. Copyright © 1985, 1991 by The University of Iowa. Reproduced by permission of the respective authors.—Quarterly Journal of Speech, v. 59, February, 1973 for “’Everyman’: A Dramatization of Death” by Allen D. Goldhamer. Copyright © 1973 by the Speech Communication Association. Used by permission of the National Communication Association.—Speculum, v. 32, October, 1957; vol. XLIV, July, 1969. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 14, spring, 1974; v. 36, spring, 1996. © The Johns Hopkins University Press. Reproduced by permission.

COPYRIGHTED MATERIAL IN LC, VOLUME 87, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Ascoli, Albert Russell. From Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance. Princeton University Press, 1987. Copyright © 1987 by Princeton University Press. All rights reserved. Reproduced by permission.— Bergeron, David M. From English Civic Pageantry, 1558-1642. Edward Arnold Publishers Ltd.,1971. © David M. Bergeron 1971. Reproduced by permission.—Dodds, Elisabeth D. From Marriage to a Difficult Man: The ‘Uncommon Union’ of Jonathon and Sarah Edwards. The Westminster Press, 1971. Copyright © 1971 The Westminster Press. All rights reserved. Reproduced by permission.—Finucci, Valeria. From The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. Stanford University Press, 1992. © 1992 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permission.—Henigman, Laura. From Coming into Communion: Pastoral Dialogues in Colonial New England. State University of New York Press, 1999. © 1999 State University of New York Press. All rights reserved. Reproduced by permission.—Hoffman, Katherine. From “’Un cosi valoroso cavalliero’: Knightly Honor and Artistic Representation in ‘Orlando furioso’, Canto 26,” in Renaissance Transactions: Ariosto and Tasso. Edited by Valeria Finucci. Duke University Press, 1999. © 1999 Duke University Press. All rights reserved. Reproduced by permission.— Jambeck, Thomas J. From “’Everyman’ and the Implications of Bernardine Humanism in the Character ‘Knowledge’,” in Medievalia et Humanistica: Studies in Medieval & Renaissance Culture vol. 8. Edited by Paul Maurice Clogan. Cambridge University Press, 1977. © The Medieval and Renaissance Society 1977. Reproduced by permission.—Kolve, V.

A. From “’Everyman’ and the Parable of the Talents,” in The Medieval Drama: Essays Critical and Contextual. Edited by Sandro Sticca. State University of New York Press, 1971. © 1972 by the State University of New York Press. Reproduced by permission of the publisher and author.—Kress, D. A. From The Orlando Legend in Nineteenth-Century French Literature. Peter Lang, 1996. © 1996 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Levin, Carole. From “‘Lust being Lord, there is no trust in kings’: Passion, King John, and the Responsibilities of Kingship,” in Sexuality and Politics in Renaissance Drama. Edited by Carole Levin and Karen Robertson. The Edwin Mellen Press, 1991. Copyright © 1991 Carole Levin and Karen Robertson. All rights reserved. Reproduced by permission.—Marinelli, Peter V. From Ariosto and Boiardo: The Origins of ‘Orlando Furioso’. University of Missouri Press,

1987. Copyright © 1987 by The Curator of the University of Missouri. All rights reserved. Reproduced by permission.— Meagher, John C. From Elizabethan Theatre. Edward Arnold Publishers Ltd., 1966. © Edward Arnold (Publishers) Ltd. 1966. Reproduced by permission of the author.—Mills, David. From “The Theaters of ‘Everyman’,” in From Page to Performance: Essays in Early English Drama. Edited by John A. Alford. Michigan State University Press, 1995. Copyright © 1995 John A. Alford. Reproduced by permission.—Morgan, Leslie Z. From the introduction, in Lodovico Ariosto: Five Cantos. Translated by Leslie Z. Morgan. Garland Publishing, 1992. Copyright © 1992 by Leslie Z. Morgan. All rights reserved. Reproduced by permission of the publisher and the author.—Porterfield, Amanda. From Feminine Spirituality in America: From Sarah Edwards to Martha Graham. Temple University Press, 1980. © 1980 by Temple University Press, Philadelphia, PA 19122. Reproduced by permission.—Reynolds, Anne. From “The Sixteenth Century Polemic Over Ariosto and Tasso, and the Significance of Galilei’s Ariosto ‘Postille’,” in Miscellanea Di Italianistica: In Memoria di Mario Santoro. Edited by Michele Cataudella. Edizioni Scientifiche Italiane, 1995. © 1995 by Edizioni Scientifiche Italiane s. p. a. Reproduced by permission of the author.—Shapiro, Marianne. From The Poetics of Ariosto. Wayne State University Press, 1988. Copyright © 1988 by Wayne State University Press. Reproduced by permission.—Shea, William M. From “Jonathon Edwards and Sarah Pierpont: An Uncommon Union,” in Foundations of Religious Literacy. Edited by John V. Apczynski. Scholars Press, 1983. Copyright © 1983 by the College Theology Society. All rights reserved. Reproduced by permission.—Singman, Jeffrey L. From “Munday’s Unruly Earl,” in Playing Robin Hood: The Legend as Performance in Five Centuries. Edited by Lois Potter. Associated University Press, 1998. © 1998 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 87, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Ariosto, Ludovico, print. The Library of Congress.—“Everyman,” opening page, woodcut by John Scott. The Library of Congress.

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