Molière (Vol. 64) | Jim Carmody (essay date 1993)
Jim Carmody (essay date 1993)
SOURCE: “Reading Molière in the Theatre: Mise en Scène and the Classic Text,” in Rereading Molière: Mise en Scène from Antoine to Vitez, University of Michigan Press, 1993, pp. 1-23.
[In this excerpt, Carmody develops a methodology for interpreting Molière's works through the lens of twentieth-century stagings. Carmody's interest is in how these stagings address issues of historical distance and Molière's status as a classic author.]
Since the 1949 publication of Will Moore's seminal book, Molière: A New Criticism, English-speaking critics of Molière have accepted the premise that Molière's texts should be interpreted in the context of the theater. In France, René Bray's 1954 book, Molière: homme de théâtre, exerted a similar kind of influence.1 Although Moore and Bray were pursuing very different, even fundamentally opposite, intellectual agendas, they agreed that...
[The entire page is 11935 words long]
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