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COPYRIGHTED EXCERPTS IN LC, VOLUME 64, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Arizona Quarterly, v. 28, Autumn, 1972 for “Of Plymouth Plantation as a Mercantile Epic” by John Griffith. Copyright © 1972 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—Early American Literature, v. X, Spring, 1975; v. XIII, Fall, 1978; v. 33, 1998. Copyright University of North Carolina Press 1975, 1978, 1998. All reproduced by permission.—English Literature Renaissance, v. 27, Spring, 1997. Reproduced by permission.—Hypatia, v. 13, Winter, 1998. Reproduced by permission of Indiana University Press.–International Journal of Women’s Studies, v. 3, January/February, 1980 for “Catharine Macaulay: Historian and Political Reformer,” by Florence Boos and William Boos. Reproduced by permission of the authors.—Journal of British Studies, v. XVI, Fall, 1976 for “Catharine Macaulay and the Uses of History: Ancient Rights, Perfectionism, and Propaganda,” by Lynne E. Withey. Copyright © 1976 by The University of Chicago. Reproduced by permission of the publisher and the author.—Literature and Medicine, v. 12, Spring, 1993. © 1993 by The Johns Hopkins University Press. Reproduced by permission.—The New England Quarterly, v. 65, September, 1992 for “William Bradford’s ‘Dialogue’ with History” by Mark L. Sargent. Copyright 1992 by The New England Quarterly. Reproduced by permission of the publisher and the author.—Nottingham French Studies, v. 33, Spring, 1994. © The University of Nottingham 1994. Reproduced by permission.—Papers on French Seventeenth Century Literature, v. XXII, 1995. © 1995 PFSCL. Reproduced by permission.—PMLA, v. 102, January, 1987. Copyright © 1987 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.—Prose Studies, v. 18, December, 1995. Reprinted by permission of Frank Cass & Co. Ltd.—The Seventeenth Century, v. VIII, Autumn, 1993. Reproduced by permission.—Studies in Eighteenth-Century Culture,v.20, 1990. Reproduced by permission.—The Welsh History Review, v. 3, December, 1967. Reproduced by permission.—The William and Mary Quarterly, v. VI, April, 1949. Copyright, 1949, by the Institute of Early American History and Culture. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 64, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Atkins, G. Douglas. From Quests of Difference: Reading Pope’s Poems. University Press of Kentucky, 1986. Copyright © 1986 by The University Press of Kentucky. Reproduced by permission.—Brown, Laura. From Alexander Pope. Basil Blackwell, 1985. © Laura Brown 1985. All rights reserved. Reproduced by permission of Blackwell Publishers.—Carmody, Jim. From Reading Moliere: Mise en Scene from Antoine to Vitez. University of Michigan Press, 1993. Copyright © by the University of Michigan 1993. All rights reserved. Reproduced by permission.—Erskine-Hill, Howard. From “Pope on the Origins of Society,” in The Enduring Legacy: Alexander Pope Tercentenary Essays. Edited by G. S. Rousseau and Pat Rogers. Cambridge University Press, 1988. © Cambridge University Press 1988. Reproduced by permission.— Ferguson, Rebecca. From The Unbalanced Mind: Pope and the Rule of Passion. The Harvester Press, 1986. © Rebecca Ferguson, 1986. All rights reserved. Reproduced by permission.—Fleck, Stephen H. From Music, Dance, and Laughter: Comic Creation in Moliere’s Comedy-Ballets. Papers on French Seventeenth Century Literature, 1995. © 1995 PFSCL. Reproduced by permission.—Gaines, James F. From “’Characters’, Superstition, and Paradoxes in ‘Le Misanthrope’,” in Alternatives. Edited by Warren Motte and Gerald Prince. French Forum Publishers, 1993. Copyright © 1993 by French Forum Publishers, Inc. All rights reserved. Reproduced by permission.—Goldberg, Jonathan. From Sodometries: Renaissance Texts, Modern Sexualities. Stanford University Press, 1992. © 1992 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permission.—Gordon, I. R. F. From A Preface to Pope. Longman Group Ltd., 1976. © Longman Group Ltd. 1976. All rights reserved. Reproduced by permission.—Harrison, Helen L. From Pistoles/Paroles: Money and Language in Seventeenth-Century French Comedy. Rookwood Press, 1996. © 1996 by Rookwood Press, Inc.

All rights reserved. Reproduced by permission.—Hartley, David. From “Language and Authority in Moliere,” in Voices in the Air: French Dramatists and the Resources of Language. Edited by John Dunkley and Bill Kirton. University of Glasgow French and German Publications, 1992. © Copyright 1992 University of Glasgow French and German Publications. All rights reserved. Reproduced by permission of the author.—Lalande, Roxanne Decker. From Intruders in the Play World: The Dynamics of Gender in Moliere’s Comedies. Fairleigh Dickinson Press, 1996. © 1996 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Levin, David. From “William Bradford: The Value of Puritan Historiography,” in Major Writers of Early American History. Edited by Everett Emerson. The University of Wisconsin Press, 1972. Copyright © 1972 The Regents of the University of Wisconsin System. All rights Reserved. Reproduced by permission.—McBride, Robert. From The Triumph of Ballet in Moliere’s Theatre. The Edwin Mellen Press, 1992. Reproduced by permission.—Pocock, J.G.A. From “Catharine Macaulay: Patriot Historian,” in Women Writers and the Early Modern British Political Tradition. Edited by Hilda L. Smith. Cambridge University Press, 1998. Reprinted with permission of Cambridge University Press and the author.—Siebert, Donald T. From “Catherine Macaulay’s History of England: Antidote to Hume’s History?” in Transactions of the Eighth International Congress of the Enlightenment. The Voltaire Foundation, 1992. © 1992 University of Oxford. Reproduced by permission of the publisher and the author.— Solomon, Harry M. From The Rape of the Text: Reading and Misreading Pope’s “Essay on Man.” University of Alabama Press, 1993. Copyright © 1993 The University of Alabama Press. All rights Reserved. Reproduced by permission.— Westbrook, Perry D. From William Bradford. Twayne Publishers, 1978. Copyright © 1978 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—White, Douglas H. From Pope and the Context of Controversy: The Manipulation of Ideas in “An Essay on Man”. The University of Chicago Press, 1970. © 1970 by The University of Chicago. All rights reserved. Reproduced by permission.—Whitton, David. From Moliere: Don Juan. Cambridge University Press, 1995. Reprinted with permission of Cambridge University Press and the author.—Whitton, David. From Moliere: Le Bourgeois Gentilhomme. Grant & Cutler Ltd., 1992. © Grant & Cutler Ltd. 1992. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 64, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bradford, William, illustration. The Bettmann Archive. Reproduced by permission. Moliere (long curls), engraving. The Library of Congress.