Melanchthon, Philip | Copyright Page
ISSN 0740-2880
Volume 89
Project Editor
Literature Criticism from 1400 to 1800, Vol. 89
Project Editor
Michael L. LaBlanc
Editorial
Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Jelena O. Krstovic´, Michelle Lee, Thomas J. Schoenberg, Lawrence
J. Trudeau, Lemma Shomali, Russel Whitaker
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN LC, VOLUME 89, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
Chloe, v. 19, 1994. Reproduced by permission.—English Literary Renaissance, v. 24, n. 3, Autumn, 1994. Copyright © 1994 by English Literary Renaissance. Reproduced by permission of the editors.—English Studies, v. 69, 1988. Copyright © 1988, Swets & Zeitlinger. Reproduced by permission.—Forum for Modern Language Studies, v. 12, January, 1976 for “Spirit and Spirituality of the Counter-Reformation in Some Early Gryphius Sonnets” by H. C. Sasse. Reproduced by permission of Oxford University Press and the author.—German Life and Letters, v. 22, July, 1969. Reproduced by permission.—The Germanic Review, v. 63, Summer, 1988 for “The Comedies of Andreas Gryphius and the Two Traditions of European Comedy” by Judith P. Aikin; v. 76, Spring, 2001 for “‘Weder mit worten noch rutten’: The Force of Gryphius’s Examples” by Christopher Wild. Copyright © 1988, 2001 by Helen Dwight Reid Foundation. Reproduced by permission of the author.—Modern Language Notes, v. 72, April, 1957. Copyright © The Johns Hopkins University Press. Reproduced by permission.—Modern Philology, v. 97, 1999 for “Geoffrey of Monmouth in Renaissance Drama: Imagining Non-History” John E. Curran, Jr. Copyright © 1999 by The University of Chicago. Reproduced by permission.— Monatshefte, v. 59, Winter, 1967; v. 76, Summer, 1984. Reproduced by permission.—Orbis Litterarum, v. 25, 1970. Copyright © 1970 Munksgaard International Publishers, Ltd. Reproduced by permission.—Review of English Studies, v. 49, May, 1998 for “‘Christs Teares,’ Nashe’s ‘Forsaken Extremities’” by Katherine Duncan-Jones. Reproduced by permission of Oxford University Press.—Shakespeare Studies, v. 1, 1965. Copyright © Shakespeare Studies, 1965. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 36, 1996; v. 39, Spring, 1999. Copyright © The Johns Hopkins University Press. Reproduced by permission.—Studies in Philology, v. 98, Summer, 2001. Copyright © 2001 The University of North Carolina Press. Reproduced by permission of the publisher.
COPYRIGHTED MATERIAL IN LC, VOLUME 89, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Armstrong, William A. From Elizabethan History Plays. Oxford University Press, 1965. Copyright © Oxford University Press 1965. Reproduced by permission.—Bekker, Hugo. From Andreas Gryphius: Poet between Epochs. Herbert Lang and Co., 1973. Copyright © Herbert Lang and Co. Ltd., 1973. All rights reserved. Reproduced by permission of Peter Lang Publishing Inc.—Berryman, John. From “Thomas Nashe and The Unfortunate Traveller” in The Freedom of the Poet. Copyright © 1976 by Kate Berryman. Reprinted by permission of Farrar, Straus and Giroux, LLC.—Crewe, Jonathon V. From Unredeemed Rhetoric: Thomas Nashe and the Scandal of Authorship. The Johns Hopkins University Press, 1982. Copyright © 1982 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Gair, W. R. From “The Politics of Scholarship: A Dramatic Comment on the Autocracy of Charles I,” in The Elizabethan Theatre III. Edited by David Galloway. Archon Books, 1973. Copyright © 1973 by the Macmillan Company of Canada Limited. All rights reserved. Reproduced by permission of Palgrave Macmillan.—Hibbard,
G. R. From Thomas Nashe: A Critical Introduction. Routledge and Kegan Paul, 1962. Copyright © G. R. Hibbard 1962. Reproduced by permission of Taylor & Francis Books Ltd.—Hilliard, Stephen S. From The Singularity of Thomas Nashe. University of Nebraska Press, 1986. Copyright 1986 by the University of Nebraska Press. All rights reserved. Reproduced by permission.—Holbrook, Peter. From Literature and Degree in Renaissance England: Nashe, Bourgeois Tragedy, Shakespeare. Associated University Presses, 1994. Copyright © 1994 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Hutson, Lorna. From Thomas Nashe in Context. Clarendon Press, 1989. Copyright © Lorna Hutson 1989. All rights reserved. Reproduced by permission of Oxford University Press.—Lewis, C. S. From English Literature in the Sixteenth Century Excluding Drama. Clarendon Press, 1944. Reproduced by permission of Oxford University Press.—Matheson, Lister M. From “English Chronicle Contexts for Shakespeare’s Death of Richard II,”
in From Page to Performance: Essays in Early English Drama. Edited by John A. Alford. Michigan State University Press, 1995. Copyright © John A. Alford. Reproduced by permission.—McGinn, Donald J. From Thomas Nashe. Twayne Publishers, 1981. Copyright © 1981 by G. K. Hall & Co. All rights reserved. Reproduced by permission of The Gale Group.—Nicholl, Charles. From A Cup of News: The Life of Thomas Nashe. Routledge & Kegan Paul, 1984. Copyright © Charles Nicholl 1984. Reproduced by permission of Taylor & Francis Books Ltd. and the author.—Ribner, Irving. From The English History Play in the Age of Shakespeare. Princeton University Press, 1957. Copyright © 1957 Princeton University Press. Reproduced by permission of Princeton University Press.—Saccio, Peter. Shakespeare’s English Kings: History, Chronicle, and Drama, Second Edition. Oxford University Press, 2000. Copyright © 1977 by Peter Saccio. Reproduced by permission of Oxford University Press, Inc.—Sonnenshein, Richard. From “Critical Introduction,” in A Fine Companion by Shakerly Marmion (1633): A Critical Edition. Garland Publishing, Inc., 1979. Copyright © 1979 by Richard Sonnenshein. All rights reserved. Reproduced by permission of Routledge, Inc., part of The Taylor & Francis Group and the author.—Spahr, Blake Lee. From Andreas Gryphius: A Modern Perspective. Camden House, 1993. Reproduced by permission of Boydell & Brewer Ltd.—Tennenhouse, Leonard. From “Strategies of State and Political Plays: A Midsummer Night’s Dream, Henry IV, Henry V, Henry VIII,” in Political Shakespeare: New Essays in Cultural Materialism. Edited by Jonathon Dollimore and Alan Sinfield. Manchester University Press, 1985. Copyright © Manchester University Press, 1985. Reproduced by permission of Cornell University Press and Manchester University Press.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 89, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Nashe, Thomas, early pen drawing. Corbis-Bettmann. Reproduced by permission.—Title page with engraving from The First and Second Volumes of Chronicles by Raphael Holinshed. Special Collections Library, University of Michigan. Reproduced by permission.
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Dr. Toby Burrows Mary Jane Marden
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