Criticism > Literary Criticism (1400-1800) > Roland, Marie-Jeanne - Copyright Page

Thomas J. Schoenberg and Lawrence J. Trudeau

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 98, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Classical and Modern Literature, v.17, fall, 1996. © 1996 CML, Inc. Reproduced by permission.—Costerus: Essays in English and American Language and Literature, v. 2, 1972. © Editions Rodopi NV, 1972. Reproduced by permission of Humanities Press International, Inc.—Eighteenth-Century Studies, v. 34, 2001. © 2001 The Johns Hopkins University Press. Reproduced by permission.—English Literary Renaissance, v. 4, winter, 1974. Copyright © 1974 by English Literary Renaissance. Reproduced by permission.—English Studies in Africa: A Journal of the Humanities, v. 6, March, 1963. Reproduced by permission.—French Studies, v. 8, April, 1954. Reproduced by permission.—Historical Journal, v. 40, June, 1997. Copyright © 1997 by Cambridge University Press. Reprinted with the permission of Cambridge University Press—Journal of the History of Ideas, v. 53, January-March, 1992. © 1992 The Johns Hopkins University Press. Reproduced by permission.—Journal of Medieval and Renaissance Studies, v. 25, fall, 1995. Copyright © 1995 by Duke University Press, Durham, NC. Used by permission.—L’Esprit createur, v. 23, summer, 1983. Copyright © 1983 by L’Esprit Createur. Reproduced by permission.—Montaigne Studies, v. 8, October, 1996. Reproduced by permission.— Review of English Studies, v. 14, July, 1938. Reproduced by permission.—Romance Notes, v. 20, fall, 1979. Reproduced by permission.—Shakespeare Quarterly, v. 22, 1971. Copyright © by 1971 Johns Hopkins University Press. Reproduced by permission.—Studies in English Literature, v. 40, spring, 2000. Copyright © 2000 by Johns Hopkins University Press. Reproduced by permission.—The Sixteenth Century Journal, v. 17, fall, 1986. Reproduced by permission.—Tulsa Studies in Women’s Literature, v.15, spring, 1996. © 1996, The University of Tulsa. Reproduced by permission.—Yale French Studies, v. 92, 1997. Copyright © 1997 Yale French Studies. Reproduced by permission.

COPYRIGHTED MATERIAL IN LC, VOLUME 98, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bauschatz, Cathleen M. From “‘Les Puissances de Vostre Empire’: Changing Power Relations in Marie de Gournay’s Le Proumenoir de Monsieur de Montaigne from 1594 to 1626,” in Renaissance Women Writers: French Texts/American Contexts. Edited by Anne R. Larsen and Colette H. Winn. Wayne State University Press, 1994. © 1994 by Wayne State University Press. All rights reserved. Reproduced with permission of the publisher and the author.—Berlin, Normand. From Thomas Sackville. Twayne Publishers, Inc., 1974. Copyright © 1974 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission.—Bevis, Richard. From The Laughing Tradition: Stage Comedy in Garrick’s Day. University of Georgia Press, 1980. Copyright © 1980 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Didier, Beatrice. From “Mme Roland: History, Memoirs, and Autobiography,” in Women Writers in Pre-Revolutionary France: Strategies of Emancipation. Edited by Colette H. Winn and Donna Kuizenga. Garland Publishing, 1997. Copyright © 1997 Colette H. Winn and Donna Kuizenga. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc.—Frazier, J. Terry. From New Brooms! (1776) and The Manager in Distress (1780): Two Preludes by George Colman the Elder. Scholars’ Facsimiles & Reprints, 1980. Copyright © 1980 by Scholars’ Facsimiles & Reprints. All rights reserved. Reproduced by permission.—Hoyles, John. From The Waning of the Renaissance, 1640-1740: Studies in the Thought and Poetry of Henry More, John Norris and Isaac Watts. Martinus Nijhoff, 1971. Copyright © 1971 by Martinus Nijhoff. All rights reserved. Reproduced by permission from Kluwer Academic Publishers.—Marshall, Madeleine Forell and Janet Todd. From English Congregational Hymns in the Eighteenth Century,. University of Kentucky, 1982. Copyright © 1982 by The University of Kentucky. All rights reserved. Reproduced by permission.—May, Gita. From Madame Roland and the Age of Revolution. Columbia University Press, 1970. Copyright © 1970 Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 61 W. 62nd St., New York, NY 10023.—May, Gita. From “Rousseau’s ‘Antifeminism’

Reconsidered,” in French Women and the Age of Enlightenment. Edited by Samia I. Spencer. Indiana University Press, 1984. All rights reserved. Reproduced by permission.—Outram, Dorinda. From The Body and the French Revolution: Sex, Class and Political Culture. Yale University Press, 1989. Copyright © 1989 Yale University. Reproduced by permission.—Pincombe, Mike. From “Sackville Tragicus: A Case of Poetic Identity,” in Sixteenth-Century Identities. Edited by

A. J. Piesse. Manchester University Press, 2000. Copyright © 2000 by Manchester University Press. All rights reserved. Reproduced by permission.—Pinto, V. de Sola. From Essays and Studies by Members of the English Association, Vol. XX, Collected by George Cookson. Clarendon Press, 1935. Reproduced by permission of The English Association.— Walker, Greg. From “Strategies of Courtship: The Marital Politics of Gorboduc,” in The Politics of Performance in Early Renaissance Drama. Cambridge Press, 1998. © Greg Walker 1998. All rights reserved. Reprinted with permission of Cambridge University Press.—Wood, E. R. From the Introduction to Plays by David Garrick and George Colman the Elder: “The Lying Valet,” “The Jealous Wife,” “The Clandestine Marriage,” “The Irish Widow,” “Bon Ton.” Edited by

E. R. Wood. Cambridge University Press, 1982. Copyright © 1982 by Cambridge University Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 98, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Roland, Mme., engraving. The Library of Congress.—Sackville, Thomas, photograph of an engraving. Corbis-Bettmann. Reproduced by permission.—Watts, Isaac, and the title page of “Psalms and Hymns,” engraving by Graves. Mary Evans Picture Library. Reproduced by permission.

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