Literary Criticism (1400-1800)

The Literature of the Counter-Reformation | Copyright Page

ISSN 0740-2880

Volume 109

Linda Pavlovski

Project Editor

Literature Criticism from 1400 to 1800, Vol. 109
Project Editor

Linda Pavlovski

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 94-29718

ISBN 0-7876-8726-X
ISSN 0740-2880

Printed in the United States of America 10987654321

Preface

L
iterature Criticism from 1400 to 1800 (LC) presents critical discussion of world literature from the fifteenth through the eighteenth centuries. The literature of this period is especially vital: the years 1400 to 1800 saw the rise of modern European drama, the birth of the novel and personal essay forms, the emergence of newspapers and periodicals, and major achievements in poetry and philosophy. LC provides valuable insight into the art, life, thought, and cultural transformations that took place during these centuries.

Scope of the Series

LC provides an introduction to the great poets, dramatists, novelists, essayists, and philosophers of the fifteenth through eighteenth centuries, and to the most significant interpretations of these authors’ works. Because criticism of this literature spans nearly six hundred years, an overwhelming amount of scholarship confronts the student. LC organizes this material concisely and logically. Every attempt is made to reprint the most noteworthy, relevant, and educationally valuable essays available.

A separate Thomson Gale reference series, Shakespearean Criticism, is devoted exclusively to Shakespearean studies. Although properly belonging to the period covered in LC, William Shakespeare has inspired such a tremendous and evergrowing body of secondary material that a separate series was deemed essential.

Each entry in LC presents a representative selection of critical response to an author, a literary topic, or to a single important work of literature. Early commentary is offered to indicate initial responses, later selections document changes in literary reputations, and retrospective analyses provide the reader with modern views. The size of each author entry is a relative reflection of the scope of the criticism available in English. Every attempt has been made to identify and include the seminal essays on each author’s work and to include recent commentary providing modern perspectives.

Volumes 1 through 12 of the series feature author entries arranged alphabetically by author. Volumes 13-47 of the series feature a thematic arrangement. Each volume includes an entry devoted to the general study of a specific literary or philosophical movement, writings surrounding important political and historical events, the philosophy and art associated with eras of cultural transformation, or the literature of specific social or ethnic groups. Each of these volumes also includes several author entries devoted to major representatives of the featured period, genre, or national literature. With volume 48, the series returns to a standard author approach, with some entries devoted to a single important work of world literature and others devoted to literary topics.

Organization of the Book

An LC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Topic entries are preceded by a Thematic Heading, which simply states the subject of the entry. Single-work entries are preceded by the title of the work and its date of publication.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.

    • vii

    Reigns of Henry VII and Henry VIII. Basil Blackwell, Ltd. 1989. Copyright copy; 1989 by Alistair Fox. All rights reserved. Reproduced by permission of Blackwell Publishers.—Jones, Emrys. From “Othello, Lepanto, and the Cyprus Wares,” in Shakespeare Survey: An Annual Survey of Shakespearian Study & Production. Edited by Kenneth Muir. Cambridge University Press, 1968. Copyright © 1968 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Latham, Jacqueline E. M. From “The Tempest and King James’ Daemonologie,” in Shakespeare Survey 28: An Annual Survey of Shakespearian Study and Production. Edited by Kenneth Muir. Cambridge University Press, 1975. Copyright © 1975 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Machwe, Prabhakar. From Kabir. Sahitya Akademi, 1968. Copyright © Sahitya Akademi, 1968. All rights reserved. Reproduced by permission.—McGugan, Ruth. From Nahum Tate and the Coriolanus Tradition in English Drama with a Critical Edition of Tate’s The Ingratitude of a Common-Wealth. Garland Publishing, Inc., 1987. Copyright © 1987 Ruth E. McGugan. All rights reserved. Reproduced by permission.—Mullett, Michael A. From The Catholic Reformation. Routledge, 1999. Copyright © 1999 Michael A. Mullett. All rights reserved. Reproduced by permission of the publisher and the author.—Olin, John C. From The Catholic Reformation: Savonarola to Ignatius Loyola: Reform in the Church, 1495-1540. Harper & Row, Publishers, 1969. Copyright © 1969 by John C. Olin. All rights reserved. Reproduced by permission of Fordham University Press.—Orme, Nicholas. From Education and Society In Medieval and Renaissance England. The Hambledon Press, 1989. Copyright © 1989 by Nicholas Orme. Reproduced by permission.—Sharpe, Kevin. From “Private Conscience and Public Duty in the Writings of James VI and I,” in Public Duty and Private Conscience in Seventeenth-Century England: Essays Presented to G. E. Aylmer. Edited by John Morrill, Paul Slack, and Daniel Woolf. Clarendon Press, 1993. Copyright © 1993 by The Several Contributors. Reproduced by permission of Oxford University Press.—Spencer, Christopher. From Nahum Tate. Twayne Publishers, Inc., 1972. Copyright © 1972 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.— Vaudeville, Charlotte. From A Weaver Named Kabir: Selected Verses With a Detailed Biographical and Historical Introduction. Oxford University Press, 1993. Copyright © Oxford University Press, 1993. All rights reserved. Reproduced by permission of Oxford University Press.—Wormald, Jenny. From “James VI and I, Basilikon Doron and The Trew Law of Free Monarchies: The Scottish Context and the English Translation,” in The Mental World of the Jacobean Court. Edited by Linda Levy Peck. Cambridge University Press, 1991. Copyright © 1991 by Cambridge University Press. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 109, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    “James I of England,” painting by Paul van Somer. Copyright © Gianni Dagli Orti/Corbis. Reproduced by permission.— The Works of James I, title page. Copyright © Historical Picture Archive/Corbis. Reproduced by permission.

    Thomson Gale Literature Product Advisory Board

    The members of the Thomson Gale Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

    Barbara M. Bibel Heather Martin

    Librarian Arts & Humanities Librarian Oakland Public Library University of Alabama at Birmingham, Sterne Library Oakland, California Birmingham, Alabama

    Dr. Toby Burrows Susan Mikula

    Principal Librarian Librarian The Scholars’ Centre Indiana Free Library University of Western Australia Library Indiana, Pennsylvania Nedlands, Western Australia

    Thomas Nixon Celia C. Daniel Humanities Reference Librarian

    Associate Reference Librarian University of North Carolina at Chapel Hill, Davis Howard University Libraries Library

    Washington, D.C. Chapel Hill, North Carolina

    David M. Durant Mark Schumacher

    Reference Librarian

    Joyner Library Jackson Library East Carolina University University of North Carolina at Greensboro

    Greenville, North Carolina Greensboro, North Carolina

    Nancy T. Guidry Gwen Scott-Miller

    Librarian Assistant Director Bakersfield Community College Sno-Isle Regional Library System Bakersfield, California Marysville, Washington

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