STAFF

Lynn M. Spampinato, Janet Witalec, Managing Editors, Literature Product
Lawrence J. Trudeau, Editor
Mark W. Scott, Publisher, Literature Product

Tom Schoenberg, Associate Editor
Russel Whitaker, Assistant Editor
Patti A. Tippett, Timothy J. White, Technical Training Specialists
Deborah Morad, Kathleen Lopez Nolan, Managing Editors
Susan M. Trosky, Director, Literature Content

Maria L. Franklin, Permissions Manager
Edna Hedblad, Permissions Specialist
Erin Bealmear, Sarah Tomasek, Permissions Assistants

Victoria B. Cariappa, Research Manager
Barbara McNeil, Gary J. Oudersluys, Maureen Richards, Cheryl L. Warnock, Research Specialists
Tamara C. Nott, Tracie A. Richardson, Research Associates
Scott Floyd, Timothy Lehnerer, Ron Morelli, Research Assistants

Dorothy Maki, Manufacturing Manager
Stacy L. Melson, Buyer

Mary Beth Trimper, Manager, Composition and Electronic Prepress
Carolyn Fischer, Composition Specialist

Michael Logusz, Graphic Artist
Randy Bassett, Image Database Supervisor
Robert Duncan, Imaging Specialist
Pamela A. Reed, Imaging Coordinator
Kelly A. Quin, Image Editor

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.

All rights to this publication will be vigorously defended.

Copyright © 2000 Gale Group, Inc.
27500 Drake Road
Farmington Hills, MI 48331-3535

All rights reserved, including the right of reproduction in whole or in part in any form.

Gale Group and Design is a trademark used herein under license.

Library of Congress Catalog Card Number 94-29718
ISBN 0-7876-3271-6
ISSN 0740-2880
Printed in the United States of America

10987654321

COPYRIGHTED EXCERPTS IN LC, VOLUME 56, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

English Studies, v. 78, September, 1997. (c) 1997 Swets & Zeitlinger. Reproduced by permission.—Grand Street, v. 9, Autumn, 1989. Reproduced by permission.—MLN, v. 106, September, 1991. (c) copyright 1991 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Modern Language Quarterly, v. 56, September, 1995. Copyright (c) 1995 by Duke University Press, Durham, NC. Reproduced by permission.—Representations, Fall, 1989 for “Chaucer’s Maiden’s Head: ‘The Physician’s Tale’ and the Poetics of Virginity” by R. Howard. Bloch. Copyright (c) 1989 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—The Romantic Review, v. LXXXI, January, 1990; v. 83, November, 1992. Both reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 56, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Beckwith, Sarah. For “A Very Material Mysticism: The Medieval Mysticism of Margery Kempe” from Gender and Text in the Later Middle Ages. Edited by Jane Chance. University Press of Florida, 1996. Copyright (c) 1996 by The Board of Regents of the State of Florida. All rights reserved. Reprinted with the permission of the University Press of Florida.— Bettelheim, Bruno. From The Uses of Enchantment: The Meaning and Importance of Fairy Tales. Alfred A. Knopf, 1986. Copyright (c) 1975, 1976 by Bruno Bettelheim. All rights reserved. Reproduced by permission of Alfred A. Knopf, Inc. In the British Commonwealth by Raine & Raines.—Box, M. A. From The Suasive Art of David Hume. Princeton University Press, 1990. Copyright (c) 1990 Princeton University Press. All rights reserved. Reproduced by permission.— Christensen, Jerome. From Practicing Enlightenment: Hume and the Formation of Literary Career. University of Wisconsin Press, 1987. Copyright (c) 1987 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Dinshaw, Carolyn. From Chaucer’s Sexual Poetics. The University of Wisconsin Press, 1989. Copyright (c) 1989 by The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Donaldson, E. Talbot. From Speaking of Chaucer. W. W. Norton & Company, 1970. Copyright (c) 1970 by E. Talbot Donaldson. Reproduced by permission of The Athlone Press Limited.—Glenn, Cheryl. For “Reexamining The Book of Margery Kempe: A Rhetoric of Autobiography” from Reclaiming Rhetorica: Women in the Rhetorical Tradition. Edited by Andrea A. Lunsford. University of Pittsburgh Press, 1995. Copyright (c) 1995, University of Pittsburgh Press. All rights reserved. Reproduced by permission.—Hansen, Elaine Tuttle. From Chaucer and the Fictions of Gender. University of California Press, 1992. Copyright (c) 1992 by The Regents of the University of California. All rights reserved. Reproduced by permission of the publisher and the author.—Harding, Wendy. For “Body into Text: The Book of Margery Kempe” from Feminist Approaches to the Body in Medieval Literature. Edited by Linda Lomperis and Sarah Stanbury. University of Pennsylvania Press, 1993. Copyright (c) 1993 University of Pennsylvania Press. All rights reserved. Reproduced by permission.—Kennelly, Laura B. For “Women, Religion, and Zeal: Hume’s Rhetoric in the History of England” from Compendious Conversations: The Method of Dialogue in the Early Enlightenment. Edited by Kevin L. Cope. Peter Lang, 1992. (c) Verlag Peter Lang GmbH, Frankfurt. All rights reserved. Reproduced by permission of Kevin Cope.— Lewis, Philip. From Seeing Through the Mother Goose Tales: Visual Turns in the Writings of Charles Perrault. Stanford University Press, 1996. (c) 1996 by the Board of Trustees of the Leland Stanford Junior University. Reproduced with the permission of the publishers, Stanford University Press.—Livingston, Donald W. From Philosophical Melancholy and Delirium: Hume’s Pathology of Philosophy. The University of Chicago Press, 1998. Copyright (c) 1998 by The University of Chicago Press. All rights reserved. Reproduced by permission of the publisher and the author.—Lochrie, Karma. From Margery Kempe and Translations of the Flesh. University of Pennsylvania Press, 1991. Copyright (c) 1991 University of

Pennsylvania Press. All rights reserved. Reproduced by permission.—Martin, Priscilla. From Chaucer’s Women: Nuns, Wives and Amazons. Macmillan (London), 1990. (c) Priscilla Martin 1990. All rights reserved. Reproduced by permission of Macmillan, London and Basingstoke.—McGlathery, James M. From Fairy Tale Romance: The Grimms, Basile, and Perrault. University of Illinois Press, 1991. (c) 1991 by the Board of Trustees of the University of Illinois. Reproduced by permission of the University of Illinois Press.—Morgan, Jeanne. From Perrault’s Morals for Moderns. Peter Lang, 1985.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 56, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Chaucer, Geoffrey (wearing dark robe with standing collar, dark turban), illustration.—Hume, David, engraving, The Library of Congress.—Perrault, Charles, photograph. Corbis/Bettmann. Reproduced by permission.