Hogarth, William | Copyright Page
ISSN 0740-2880
Volume 112
Thomas J. Schoenberg Lawrence J. Trudeau
Project Editors
Literature Criticism from 1400 to 1800, Vol. 112
Project Editors
Thomas J. Schoenberg and Lawrence J. Trudeau
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Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c, Michelle Lee, Russel Whitaker
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LIBRARY OF CONGRESS CATALOG CARD NUMBER 94-29718
ISBN 0-7876-8729-4
ISSN 0740-2880
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN LC, VOLUME 112, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. 9, May, 1937; v. 47, January, 1976. Copyright © 1937, 1976 Duke University Press. All rights reserved. Both reproduced by permission of Duke University Press, Durham, NC.—Art Bulletin, v. 80, June, 1998. Reproduced by permission.—Early American Literature, v. 11, winter, 1976-77. Copyright © 1977 by the University of North Carolina Press. Used by permission.—Eighteenth-Century Life, v. 23, February, 1999. Copyright © 1999 The Johns Hopkins University Press. All rights reserved. Reproduced by permission of Duke University Press.—English Studies,v. 79, September, 1998. Copyright © 1998, Swets & Zeitlinger. Reproduced by permission.—Fifteenth-Century Studies,v. 22, 1996; v. 26, 2001. Both reproduced by permission.—Genre, v. 9, spring, 1976. Reproduced by permission.—Gutenberg Jahrbuch, v. 59, 1984 for “Sebastian Brant as an Editor of Juristic Texts” by Barbara Halporn. Reproduced by permission of the author.—Journal of American Studies, v. 28, August, 1994. Copyright © 1994 Cambridge University Press. Reproduced by permission of Cambridge University Press.—Journal of Popular Culture, v. 33, fall, 1999. Reproduced by permission of Blackwell Publishers.—Modern Language Review, v. 64, July, 1969 for “The Destination of the Ship of Fools: Religious Allegory in Brant’s Narrenschiff” by Peter Skrine. Copyright © Modern Humanities Research Association 1969. Reproduced by permission of the publisher and the author.—Papers of the Bibliographic Society of America,v.87, December, 1993 for “Johannes Factotum: Henry Chettle and Greene’s Groatsworth of Wit” by John Jowett. Reproduced by permission of the publisher and the author.—PMLA, v. 83, 1968. Copyright © 1968 by the Modern Language Association of America. Reproduced by permission of the Modern Language Association of America.—Renaissance & Modern Studies, v. 22, 1978. Reproduced by permission.—Review of English Studies, v. 45, August, 1994 for “Notes on Henry Chettle” by John Jowett; v. 45, November, 1994 for “Notes on Henry Chettle (Concluded)” by John Jewett. © Oxford University Press 1994. Both reproduced by permission of the publisher and the author.—The Shakespeare Newsletter,v. 20, December, 1970. Reproduced by permission.—The Southern Literary Journal, v. 15, fall, 1982. Copyright © 1982 by the Department of English at the University of North Carolina at Chapel Hill. Reproduced by permission.—University of Leeds Review, v. 16, 1973 for “Brant and The Ship of Fools: An Introduction” by J. R. Wilkie. Reproduced by permission of The University of Leeds and the Estate of the author.—Upstart Crow, v. 16, 1996. Reproduced by permission.—Word & Image, v. 14, July-September, 1998 for “Hogarth’s Plotting of Marriage à la Mode” by James Lawson. Copyright © 1998 Taylor & Francis Ltd. Reproduced by permission.
COPYRIGHTED MATERIAL IN LC, VOLUME 112, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Burnett, Mark Thornton. From Framing Elizabethan Fictions: Contemporary Approaches to Early Modern Narrative Prose. The Kent State University Press, 1996. Copyright © 1996 by The Kent State University Press, Kent, Ohio 44242. All rights reserved. Reproduced by permission.—Dünnhaupt, Gerhard. From “Sebastian Brant: The Ship of Fools,”in The Renaissance and Reformation in Germany: An Introduction. Edited by Gerhart Hoffmeister. Frederick Ungar Publishing Co., 1977. Copyright © 1977 by Frederick Ungar Publishing Co., Inc. Reproduced by permission of the Continuum International Publishing Group.—Halsband, Robert. From “Hogarth’s Graphic Friendships: Illustrating Books by Friends,” in Johnson and His Age. Edited by James Engell. Harvard University Press, 1984. Copyright © 1984 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of Harvard English Studies.—Kunzle, David. From “William Hogarth: The Ravaged Child in the Corrupt City,” in Changing Images of the Family. Edited by Virginia Tufte and Barbara Myerhoff. Yale University Press, 1979. Copyright © 1979 by Yale University. All rights reserved. Reproduced by permission.—Lindberg, Mary Klinger. From “Stylistic Strategies in William Hogarth’s Theatrical Satires,” in The Question of Style in Philosophy and the Arts. Edited by Caroline Van Eck, James Mcallister, and Renée
Van de Vall. Cambridge University Press, 1995. Copyright © Cambridge University Press 1995. Reproduced by permission of Cambridge University Press.—Lockridge, Kenneth A. From On the Sources of Patriarchal Rage: The Commonplace Books of William Byrd and Thomas Jefferson and the Gendering of Power in the Eighteenth Century. New York University Press, 1992. Copyright © 1992 by New York University. All rights reserved. Reproduced by permission of the publisher and the author.—Lowe, N. F. From “The Meaning of Venereal Disease in Hogarth’s Graphic Art,” in The Secret Malady: Venereal Disease in Eighteenth-Century Britain and France. Edited by Linda E. Merians. The University Press of Kentucky, 1996. Copyright © 1996 by The University Press of Kentucky. Reproduced by permission.—Macey, Samuel
L. From “Hogarth and the Iconography of Time,” in Studies in Eighteenth-Century Culture, Volume 5. Edited by Ronald
C. Rosbottom. University of Wisconsin Press, 1976. Copyright © 1976 American Society for Eighteenth-Century Studies. Reproduced by permission.—Marambaud, Pierre. From William Byrd of Westover. University Press of Virginia, 1971. Copyright © 1971 by the Rector and Visitors of the University of Virginia. Reproduced by permission of the University of Virginia Press.—Moxey, Keith P. F. From “The Ship of Fools and the Idea of Folly in Sixteenth-Century Netherlandish Literature,” in The Early Illustrated Book: Essays in Honor of Lessing J. Rosenwald. Edited by Sandra Hindman. Library of Congress, 1982. Copyright © 1982 by Keith P.F. Moxey. Reproduced by permission of the author.—Nordenfalk, Carl. From “The Moral Issue in Sebastian Brant’s The Ship of Fools,”in The Humanist as Citizen. Edited by John Agresto and Peter Riesenberg. National Humanities Center, 1981. Copyright © 1981 National Humanities Center. All rights reserved. Reproduced by permission.—Paulson, Ronald. From “Hogarth’s Self-Representations,” in The Culture of Autobiography: Constructions of Self-Representation. Edited by Robert Folkenflik. Stanford University Press, 1993. Copyright © 1993 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permission of Stanford University Press, www.sup.org.—Paulson, Ronald. From “Politics and Aesthetics: Hogarth in 1759,” in British Art 1740-1820: Essays in Honor of Robert R. Wark. Edited by Guilland Sutherland. Huntington Library, 1992. Reproduced with the permission of the Henry E. Huntington Library.—Wagner, Peter. From Reading Iconotexts: From Swift to the French Revolution. Reaktion Books, London, 1995. Copyright © Peter Wagner, 1995. All rights reserved. Reproduced by permission.—Wagner, Peter. From “The Satire on Doctors in Hogarth’s Graphic Works,” in Literature and Medicine during the Eighteenth Century. Edited by Marie Mulvey Roberts and Roy Porter. Routledge, 1993. Copyright © 1993 Marie Mulvey Roberts and Roy Porter, selection and editorial matter; individual contributors, their chapters. All rights reserved. Reproduced by permission of the publisher.—Wright, Louis B. From The First Gentlemen of Virginia: Intellectual Qualities of the Early Colonial Ruling Class. The Huntington Library, 1940. Copyright © 1940, renewed 1967 Henry R. Hungtington Library & Art Gallery. Reproduced by permission.—Zeydel, Edwin H. From “Sebastian Brant and His Public,” in Germanic Studies in Honor of Edward Henry Sehrt. Edited by Frithjof Andersen Raven, Wolfram Karl Leger, and James Cecil King. University of Miami Press, 1968. Copyright © 1968 by University of Miami Press. Reproduced by permission.—Zeydel, Edwin H. From Sebastian Brant. Twayne Publishers, Inc., 1967. Copyright © 1967 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of The Gale Group.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 112, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Byrd, William, painting. The Library of Congress.—“Hullabaloo against a Tailor,” engraving by William Hogarth. Archives Charmet/Bridgeman Art Library.—“Rake’s Progress” Plate 8: “Scene in Bedlam,” by William Hogarth, photograph of engraving, photograph by Barney Burstein. Copyright © Burstein Collection/Corbis-Bettmann.
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