Literary Criticism (1400-1800)

Henryson, Robert | Copyright Page

ISSN 0740-2880

Volume 110

Thomas J. Schoenberg and Lawrence J. Trudeau

Project Editors

Literature Criticism from 1400 to 1800, Vol. 110
Project Editor

Thomas J. Schoenberg and Lawrence J. Trudeau

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 94-29718

ISBN 0-7876-8727-8
ISSN 0740-2880

Printed in the United States of America 10987654321

Preface

L
iterature Criticism from 1400 to 1800 (LC) presents critical discussion of world literature from the fifteenth through the eighteenth centuries. The literature of this period is especially vital: the years 1400 to 1800 saw the rise of modern European drama, the birth of the novel and personal essay forms, the emergence of newspapers and periodicals, and major achievements in poetry and philosophy. LC provides valuable insight into the art, life, thought, and cultural transformations that took place during these centuries.

Scope of the Series

LC provides an introduction to the great poets, dramatists, novelists, essayists, and philosophers of the fifteenth through eighteenth centuries, and to the most significant interpretations of these authors’ works. Because criticism of this literature spans nearly six hundred years, an overwhelming amount of scholarship confronts the student. LC organizes this material concisely and logically. Every attempt is made to reprint the most noteworthy, relevant, and educationally valuable essays available.

A separate Thomson Gale reference series, Shakespearean Criticism, is devoted exclusively to Shakespearean studies. Although properly belonging to the period covered in LC, William Shakespeare has inspired such a tremendous and evergrowing body of secondary material that a separate series was deemed essential.

Each entry in LC presents a representative selection of critical response to an author, a literary topic, or to a single important work of literature. Early commentary is offered to indicate initial responses, later selections document changes in literary reputations, and retrospective analyses provide the reader with modern views. The size of each author entry is a relative reflection of the scope of the criticism available in English. Every attempt has been made to identify and include the seminal essays on each author’s work and to include recent commentary providing modern perspectives.

Volumes 1 through 12 of the series feature author entries arranged alphabetically by author. Volumes 13-47 of the series feature a thematic arrangement. Each volume includes an entry devoted to the general study of a specific literary or philosophical movement, writings surrounding important political and historical events, the philosophy and art associated with eras of cultural transformation, or the literature of specific social or ethnic groups. Each of these volumes also includes several author entries devoted to major representatives of the featured period, genre, or national literature. With volume 48, the series returns to a standard author approach, with some entries devoted to a single important work of world literature and others devoted to literary topics.

Organization of the Book

An LC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Topic entries are preceded by a Thematic Heading, which simply states the subject of the entry. Single-work entries are preceded by the title of the work and its date of publication.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.

    • vii

    Comedy. Zaklad Naradowy im Ossolinskich-Wydawnictwo, 1969. Reproduced by permission.—Gray, Douglas. From Robert Henryson. Leiden/E. J. Brill, 1979. Copyright © 1979 by E. J. Brill, Leiden, The Netherlands. All rights reserved. Reproduced by permission.—Greentree, Rosemary and McKenna, Steven R. From “‘The Hurt Off ane Happie the Vther Makis’: Henryson’s Construction of his Audience,” in Selected Essays on Scottish Language and Literature. Edited by Steven R. McKenna. The Edwin Mellen Press, 1992. Copyright © 1992 The Edwin Mellen Press. All rights reserved. Reproduced by permission.—Jackson, Gabriele Bernhard. From an introduction to Ben Jonson: Every Man in His Humour. Edited by Gabriele Bernhard Jackson. Yale University Press, 1969. Copyright © 1969 by Yale University. Reproduced by permission.—Keener, Frederick M. From “Candide: Structure and Motivation,” in Studies in Eighteenth-Century Culture, Volume IX. Edited by Roseann Runte. Madison: The University of Wisconsin Press, 1979. Copyright © 1979 by the Board of the Regents of the Univerisity of Wisconsin System. Reproduced by permission of the publisher.—Kindrick, Robert L. From Robert Henryson. Twayne Publishers, 1979. Copyright © 1979 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the Gale Group.—Knapp, Bettina. From Voltaire Revisited. Twayne Publishers, 2000. Copyright © 2000 by Twayne Publishers. All rights reserved. Reproduced by permission of the Gale Group.—Lever, J. W. From an introduction to Every Man in His Humour: A Parallel-Text Edition of the 1601 Quarto and the 1616 Folio. Edited by J. W. Lever. University of Nebraska Press, 1971. Copyright © 1971, 1999 by the University of Nebraska Press. All rights reserved. Reproduced by permission.—Mason, Haydn. From Candide: Optimism Demolished. Twayne Publishers, 1992. Copyright © 1992 by Twayne Publishers. All rights reserved. Reproduced by permission of the Gale Group.— McKenna, Steven R. From Robert Henryson’s Tragic Vision. Peter Lang, 1994. Copyright © Peter Lang Publishing, Inc., New York 1994. All rights reserved. Reproduced by permission.—Reed, Gail S. From “Candide: Radical Simplicity and the Impact of Evil,” in Literature and Psychoanalysis. Edited by Edith Kurzweil and William Phillips. Copyright © 1985 Columbia University Press. Reproduced from permission of Copyright Clearance Center.—Riddy, Felicity. From “Abject odious’: Feminine and Masculine in Henryson’s Testament of Cresseid,” in The Long Fifteenth Century: Essays for Douglas Gray. Edited by Helen Cooper and Sally Mapstone. Clarendon Press, 1997. Copyright © The several contributors 1997. All rights reserved. Reproduced by permission of Oxford at the Claredon Press. www.oup.co.uk .—Seymour-Smith, Martin. From an introduction to Every Man in His Humour. Edited by Martin Seymour-Smith. Ernest Benn Limited, 1966. Copyright © 1966 by Ernest Benn Limited. Reproduced by permission.—Summers, Claude J., and Ted-Larry Pebworth. From Ben Jonson Revised. Twayne Publishers, 1999. Copyright © 1999 by Twayne Publishers. Reproduced by permission of the Gale Group.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 110, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Johnson, Ben, painting by Isaac Oliver. Copyright © Bettmann/Corbis. Reproduced by permission.—Title page of Every Man in His Humour. A Comedy, by Ben Jonson published in 1752. Special Collections Library, University of Michigan. Reproduced by permission.—Voltaire, photograph. Corbis/Bettmann. Reproduced by permission.

    Thomson Gale Literature Product Advisory Board

    The members of the Thomson Gale Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

    Barbara M. Bibel Heather Martin

    Librarian Arts & Humanities Librarian Oakland Public Library University of Alabama at Birmingham, Sterne Library Oakland, California Birmingham, Alabama

    Dr. Toby Burrows Susan Mikula

    Principal Librarian Librarian The Scholars’ Centre Indiana Free Library University of Western Australia Library Indiana, Pennsylvania Nedlands, Western Australia

    Thomas Nixon Celia C. Daniel Humanities Reference Librarian

    Associate Reference Librarian University of North Carolina at Chapel Hill, Davis Howard University Libraries Library

    Washington, D.C. Chapel Hill, North Carolina

    David M. Durant Mark Schumacher

    Reference Librarian

    Joyner Library Jackson Library East Carolina University University of North Carolina at Greensboro

    Greenville, North Carolina Greensboro, North Carolina

    Nancy T. Guidry Gwen Scott-Miller

    Librarian Assistant Director Bakersfield Community College Sno-Isle Regional Library System Bakersfield, California Marysville, Washington

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