Thomas J. Schoenberg and Lawrence J. Trudeau

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 102, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Bulletin of Hispanic Studies, v. 55, October, 1978. Copyright PC 1978, by Liverpool University Press. Reproduced by permission.—Bulletin of the Comediantes, v. 46, summer, 1994 for “The Fallacy of False Dichotomy in Maria de Zayas’s La Traicion en la Amistad” by Valerie Hegstrom Oakey. Copyright PC 1994 by Bulletin of the Comediantes. Reproduced by permission of the author.—Cervantes, v. 10, spring, 1990. Copyright PC 1990 by the Cervantes Society of America. Reproduced by permission.—Cincinnati Romance Review, v. 7, 1988; v. 16, 1997. Copyright PC 1988, 1997 by Cincinnati Romance Review. Both reproduced by permission.—The Comparative Drama, v. 27, fall, 1993. Copyright PC 1993, by the Editors of Comparative Drama. Reproduced by permission.—Hispanic Review, v. 71, spring, 2003. Copyright PC 2003 by the University of Pennsylvania. Reproduced by permission.—Hispanofila, v. 62, 1978; v. 115, 1995. Copyright PC 1978, 1995 by Hispanofila. Both reproduced by permission.—IJHL: Indiana Journal of Hispanic Literatures, v. 2, fall, 1993. Copyright PC 1993 by Indiana Journal of Hispanic Literatures. Reproduced by permission.—INTI, Revista De Literatura Hispanica, fall-spring, 1994-1995. Copyright PC 1995 by INTI Revista de Literatura Hispanica. Reproduced by permission.—Modern Philology, v. 94, November, 1996. Copyright PC 1996 by The University of Chicago Press. Reproduced by permission.—Neophilologus, v. 69, 1985 for “Love, Friendship, and Deceit in La Tracion en la amistad, by Maria de Zayas” by Matthew Stroyd. Copyright PC 1985, by Neophilologus. Reproduced by permission of Kluwer Academic Publishers and the author.—Renaissance Quarterly, v. 44, spring, 1991. Copyright PC 1991, by the Renaissance Society of America. Reproduced by permission.—Restoration and 18th Century Theatre Research, v.10, summer, 1995; v. 11, summer, l996. Copyright PC 1995, 1996 by the Loyola University Chicago. Both reproduced by permission.—South Central Review, v. 5, summer, 1988 for “Ideological Contradiction and Imperial Decline” by William Clamurro. Copyright PC 1988 by the South Central Modern Language Association. Reproduced by permission of the publisher and the author.—Studies in English Literature 1500-1900, v. 40, summer, 2000. Copyright PC 2000 Rice University. Reproduced by permission of The John Hopkins University Press.—Texas Studies in Literature and Language, v. 37, summer, 1995. Copyright PC 1995 by The University of Texas Press. All rights reserved. Reproduced by permission.

COPYRIGHTED MATERIAL IN LC, VOLUME 102, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Boyer, H. Patsy. From The Enchantments of Love. University of California Press, 1990. Translated by H. Patsy Boyer. Copyright PC 1990 by The Regent of the University of California. Reproduced by permission.—Brownlee, Marina. From The Cultural Labyrinth of Maria de Zayas. University of Pennsylvania Press, 2000. Copyright PC 2000 by the University of Pennsylvania Press. Reproduced by permission.—Burke, Helen. From “Law-suits, Love-suits, and the Family Property in Wycherley’s ‘The Plain Dealer,’” in Cultural Readings of Restoration and Eighteenth-Century English Theater. Edited by J. Douglas Canfield and Deborah C. Payne. Copyright PC 1995 by The University of Georgia Press. All rights reserved. Reproduced by permission.—Fox-Lockert, Lucia. From Women Novelists in Spain and Spanish America. The Scarecrow Press, 1979. Copyright PC 1979 by Lucia Fox-Lockert. Reproduced by permission.—Gamboa, Yolanda. From “Gender Coding in the Narratives of Maria de Zayas,” in Women, Society and Constraints: A Collection of Contemporary South African Gender Studies. Edited by Jeanette Malherbe, Marc Kleijwegt, and Elize Koen. Unisa Press, 2000. Reproduced by permission.—Hogan, Robert, and Edward A. Nickerson. From The Faithful Shepherd: A Translation of Battista Guarini’s Il Pastor Fido, by Dr. Thomas Sheridan. University of Delaware Press, 1989. Copyright PC 1989 by Associated University Presses, Inc. Reproduced by permission.—Jehenson, Yvonne, and Marcia L. Welles. From “Maria de Zayas’s Wounded Women: A Semiotics of Violence,” in Gender, Identity, and Representation in Spain’s Golden Age. Edited by Anita K. Stoll and Dawn L. Smith. Bucknell University Press, 2000. Copyright PC 2000 by Associated University Presses,

Inc. Reproduced by permission.—Loewenstein, Joseph. From “Guarini and the Presence of Genre,” in Renaissance Tragicomedy: Explorations in Genre and Politics. Edited by Nancy Klein Maguire. AMS Press, 1987. Copyright PC 1987 by AMS Press, Inc. All rights reserved.—Marshall, W. Gerald. From an Introduction to A Great Stage of Fools: Theatricality and Madness in the Plays of William Wycherley. AMS Press, 1993. Copyright PC 1993 by AMS Press Inc. All rights reserved. Reproduced by permission.—Paun de Garcia, Susan. From “Zayas as a Writer: Hell Hath No Fury,” in Maria de Zayas: The Dynamics of Discourse. Edited by Amy R. Williamsen and Judith A. Whitenack. Fairleigh Dickinson University Press, 1995. Copyright PC 1995 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Soufas, Teresa S. From “Maria de Zayas’s (Un)Conventional Play, La traicion en la amistad,” in The Golden Age Comedia: Text, Theory, and Performance. Edited by Charles Ganelin and Howard Mancing. Purdue University Press, 1994. Copyright PC 1994 by Purdue Research Foundation. All rights reserved. Reproduced by permission.—Vance, John

A. From William Wycherley and the Comedy of Fear. University of Delaware Press, 2000. Copyright PC 2000 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Whitenack, Judith A. From “‘Lo que ha menester’: Erotic Enchantment in ‘La inocencia castigada,’” in Maria de Zayas: The Dynamics of Discourse. Edited by Amy R. Williamsen and Judith A. Whitenack. Fairleigh Dickinson University Press, 1995. Copyright PC 1995 by Associated University Presses, Inc. Reproduced by permission.—Whitfield, J. H. From an Introduction to Battista Guarini: Il Pastor Fido/The Faithful Shepherd. Edited by J. H. Whitfield. Edinburgh University Press, 1976. Copyright PC 1976 by

J. H. Whitfield. All rights reserved. Reproduced by permission.—Young, Douglas M. From The Feminist Voices in Restoration Comedy. University Press of America, 1997. Copyright PC 1997 by University Press of America, Inc. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 102, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Guarini, Giovanni Battista, engraving. Mary Evan Picture Library. Reproduced by permission.—Wycherley, William, photograph by Michael Nicholson. Corbis-Bettmann. Reproduced by permission.

Thomson Gale Literature Product Advisory Board

The members of the Thomson Gale Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

Dr. Toby Burrows

Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia

Celia C. Daniel

Associate Librarian, Reference Howard University Washington, D.C.

David M. Durant

Reference Librarian Joyner Library East Carolina University Greenville, North Carolina

Nancy Guidry

Librarian Bakersfield Community College Bakersfield, California

Steven R. Harris

English Literature Librarian University of Tennessee Knoxville, Tennessee

Mary Jane Marden

Collection Development Librarian St. Petersburg College Pinellas Park, Florida

Heather Martin

Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama

Susan Mikula

Director Indiana Free Library Indiana, Pennsylvania

Thomas Nixon

Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina

Mark Schumacher

Jackson Library University of North Carolina Greensboro, North Carolina

Gwen Scott-Miller

Assistant Director Sno-Isle Regional Library System Marysville, Washington

Donald Welsh

Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia