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COPYRIGHTED EXCERPTS IN LC, VOLUME 73, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Asian Theatre Journal, v. 4, Spring, 1987; v. 5, Fall, 1988. © 1987, 1988 by University of Hawaii Press. Reproduced by permission. —Bulletin of the Comedaintes, v. 27, Spring, 1975 for “Tirso’s View of Women in ‘El Burlador de Sevilla,’” by Ruth Lundelius; v. 30, Spring, 1978 for “Dona Ana’s Seduction in ‘El burlador de Sevilla,’” by Luis Gonzalez-del-Valle; 30, Spring, 1978 for “Tirso’s Don Juan as Social Rebel” by Alfred Rodriguez; v. 32, Spring, 1979 for “Dona Ana’s Seduction in ‘El Burlador de Sevilla’: Further Evidence Against” by Jose M. Ruano de la Haza; v. 33, Spring, 1981 for “Don Juan’s Women in ‘El Burlador de Sevilla,’” by Armand E. Singer. Reproduced by permission of the respective authors. —Comparative Drama, v. 33, Winter, 2000. © copyright 2000, by the Editors of Comparative Drama. Reproduced by permission. —Eighteenth Century Studies, v. 2, December, 1968. © The Johns Hopkins University Press. Reproduced by permission. —ELH, v. 41, Winter, 1974. © The Johns Hopkins University Press. Reproduced by permission. —Harvard Journal of Asiatic Studies, v. 18, December, 1955. © 1955 Harvard-Yenching Institute. Reproduced by permission. —Journal of Medieval and Renaissance Studies, v. 23, Spring, 1993. Reproduced by permission.—Kentucky Romance Quarterly, v. 27, 1980. Copyright © 1980 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802. —Literature East & West, v. XVII, June-December, 1973. Reproduced by permission. —Modern Language Quarterly, v. xxvii, June, 1966; v. 57, December, 1996. © 1998 University of Washington. Reproduced by permission of Duke University Press. —Monumenta Nipponica, v. 38, Winter, 1983. © 1983 Sophia University. Reproduced by permission. —New Literary History, v. 27, Spring, 1996. © The Johns Hopkins University Press. Reproduced by permission. —Papers on Language & Literature, v. 19, Fall, 1983; v. 22, Fall, 1986. Copyright © 1983, 1986 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission. —Revista Canadiense de Estudios Hispanicos, v. x, Winter, 1986 for “Enrico in ‘El Condenado por desconfiado’: A Psychoanalytical View,” by Raymond Conlon. Reproduced by permission of the publisher and author.

COPYRIGHTED EXCERPTS IN LC, VOLUME 73, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Abraham, James T. From El arte nuevo de estudiear comedias: Literary Theory and Spanish Golden Age Drama. Edited by Barbara Simerka. Bucknell University Press, 1996. Reproduced by permission. —Arnott, Peter. From The Theatres of Japan. Macmillan and Co. Ltd., 1969. © Peter Arnott 1969. Reproduced by permission of Macmillan, London and Basingstoke. —Banks, Theodore Howard. From “Introduction,” in The Poetical Works of Sir John Denham, Second Edition. Edited by Theodore Howard Banks. Archon Books, 1969. © 1969 by Theodore Howard Banks. Reproduced by permission of Yale University Press. —Barash, Carol. From English Women’s Poetry, 1649-1714: Politics, Community, and Linguistic Authority. Clarendon Press, 1996. © Carol Barash, 1996. All rights reserved. Reproduced by permission. —Brandon, James R. From ‘The Theft of ‘Chushingura’: or The Great Kabuki Caper,” in Chushingura: Studies in Kabuki and the Puppet Theater. Edited by James R. Brandon. University of Hawaii Press, 1982. Copyright © 1982 by University of Hawaii Press. All rights reserved. Reproduced by permission. —Hathaway, Robert L. From Tirso’s Don Juan: The Metamorphosis of a Theme. Edited by Josep M. Sola-Sole and George E. Gingras. The Catholic University of America Press, 1988. Copyright © 1988 The Catholic University. Reproduced by permission. —Trubiano, Mario F. From Tirso’s Don Juan: The Metamorphosis of a Theme. Edited by Josep M. Sola-Sole and George E. Gingras. The Catholic University of America Press, 1988. Copyright © 1988 The Catholic University. Reproduced by permission. —Hobby, Elaine. From Virtue of Necessity: English Women’s Writing, 1646-1688. Virago Press, Ltd., 1988. Copyright © Elaine Hobby 1988. All rights re

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served. Reproduced by permission. —Loloi, Parvin. From “Introduction,” in Two Seventeenth-Century Plays, Volume 1: The Sophy by Sir John Denham. Edited by Parvin Loloi. University of Salzburg, 1998. © Parvin Loloi. Reproduced by permission. —O Hehir, Brendan. From Expans’d Hieroglyphicks: A Critical Edition of Sir John Denham’s “Cooper Hill.” University of California Press, 1969. © 1969 by The Regents of the University of California. Reproduced by permission. —Ortolani, Benito. From The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism. E. J. Brill, 1990. © Copyright 1990 by E. J. Brill, Leiden, The Netherlands. All rights reserved. Reproduced by permission. —Scott,

A. C. From The Kabuki Theatre of Japan. George Allen & Unwin Ltd., 1955. © George Allen & Unwin Ltd. 1955. Reproduced by permission. —Shively, Donald H. From “The Social Environment of Kabuki,” in Studies in Kabuki: Its Acting, Music, and Historical Context. Edited by James R. Brandon, William P. Malm, and Donald H. Shively. The University Press of Hawaii, 1978. Copyright © 1978 by the University Press of Hawaii. All rights reserved. Reproduced by permission. —Turner, James. From The Politics of Landscape: Rural Scenery and Society in English Poetry, 1630-1660. Harvard University Press, 1979. © James G. Turner 1979. All rights reserved. Reproduced by permission. —Wade, Gerald

E. From Hispanic Studies in Honor of Nicholson B. Adams. Edited by John Esten Keller and Karl-Ludwig Selig. Copyright © 1966 by the University of North Carolina, 1966. Reproduced by permission. —Wasserman, Earl R. From The Subtler Language: Critical Readings of Neoclassic and Romantic Poems. The Johns Hopkins Press, 1959. © 1959 by The Johns Hopkins Press. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 73, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Ennosuke Ichikawa, Tokyo, Japan, 1986, photograph. © Reuters/Kimimasa Mayama/Archive Photos. Reproduced by permission. —Killigrew, Anne, portrait, painting. © Michael Nicholson/Corbis. Reproduced by permission. —Tirso de Molina (Gabriel Tellez), engraving. The Library of Congress.

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Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and Ann Marie Wiescinski English and Comparative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan

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