Literary Criticism (1400-1800)

Golding, Arthur | Copyright Page

ISSN 0740-2880

Volume 101

Janet Witalec

Project Editor

Literature Criticism from 1400 to 1800, Vol. 101
Project Editor

Janet Witalec

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Jelena O. Krstovic´, Michael L. LaBlanc, Michelle Lee, Marie Toft, Thomas J. Schoenberg, Lemma Shomali, Lawrence J. Trudeau, Russel Whitaker

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 101, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Ball State University Forum, v. 17, Autumn, 1976. Copyright © 1976 Ball State University. Reproduced by permission.— Bucknell Review, v. xvi, 1966. Reproduced by permission.—English Language Notes, v. 7, September, 1969. Copyright © 1969, Regents of the University of Colorado. Reproduced by permission.—The English Record, v. 4, April 1968 for “The Timelessness of A Modest Proposal” by Samuel J. Rogal. Reproduced by permission of the author.—Essays in Criticism,

  • v. 51, October, 2001. Copyright © Oxford University Press 2001. Reproduced by permission.—Exemplaria, v. 7. spring, 1995. Copyright © Center for Medieval and Early Renaissance Studies, SUNY, Binghamton, NY. Copyright © 1995 by the Center for Medieval and Early Renaissance Studies, Binghamton, New York. Reproduced by permission.—The Georgia Review, v. 14, fall, 1960. Copyright © 1960, renewed 1988 by the University of Georgia. Reproduced by permission.—The Huntington Library Quarterly, v. 60, 1999. Reproduced with the permission of the Henry E. Huntington Library.— Journal of the Australasian Universities Language and Literature Association, v. 77, May, 1992. Copyright © 1992, by the Australasian Universities Language and Literature Association. Reproduced by permission.—The Lock Haven Review,
  • v. 10, 1968. Copyright © 1968, The Lock Haven Review. Reproduced by permission.—Neuphilologische Mitteilungen, v. 74, 1973. Copyright © Modern Language Society, Helsinki, 1973. Reproduced by permission.—North American Review, v. 275, September, 1990. Copyright © 1990 by the University of Northern Iowa. Reproduced by permission from The North American Review.—Notes and Queries, v. 244, September, 1999. Copyright © 1999, by Notes and Queries. Reproduced by permission.—Papers on Language and Literature, v. 10, summer, 1974. Copyright © 1974 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Philological Quarterly, v. 55, summer, 1976. Copyright © 1976 by The University of Iowa. Reproduced by permission.—Renaissance Quarterly, v. 29, spring, 1976. Copyright © 1976 by The Renaissance Society of America. Reproduced by permission.—Renaissance Studies, v. 16, June, 2002. Copyright © 2002 by The Society for Renaissance Studies, Oxford University Press. Reproduced by permission.— Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, v. 42, 1990. Copyright © Cambridge University Press 1990. Reproduced by permission of Cambridge University Press.—Sixteenth Century Journal, v, 28, fall, 1997. Reproduced by permission.—Studies in English Literature 1500-1900, v. 10, winter, 1970; v. 36, summer, 1996. Copyright © The Johns Hopkins University Press. Both reproduced by permission.—Texas Studies in Language and Literature, v. 15, spring, 1973 for “The Imagery of Roger Ascham” by Linda Bradley Salamon. Copyright © 1973 by The University of Texas Press. Reproduced by permission of the publisher and the author.

    • COPYRIGHTED MATERIAL IN LC, VOLUME 101, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Booth, Wayne C. From A Rhetoric of Irony. The University of Chicago Press, 1974. Copyright © 1974 by The University of Chicago. All rights reserved. Reproduced by permission.—Braden, Gordon. From The Classics and English Renaissance Poetry: Three Case Studies. Yale University Press, 1978. Copyright © 1978 by Yale University. All rights reserved. Reproduced by permission.—Brown, Sarah Annes. From Translation and Literature, Volume 3. Copyright © Edinburgh University Press Ltd., 1994. Reproduced by permission.—Carlson, Leland H. From English Satire: Papers Read at a Clark Library Seminar, January 15, 1972. William Andrews Clark Memorial Library, UCLA, 1972. Copyright © by The William Andrews Clark Memorial Library, University of California, Los Angeles. Reproduced by permission.—Donoghue, Denis. From Jonathan Swift, a Critical Introduction. The University Press, 1969. Copyright © Cambridge University Press, 1969. Reproduced by permission of Cambridge University Press.—Helgerson, Richard. From “Barbarous Tongues: The Ideology of Poetic Form in Renaissance England,” in The Historical Renaissance, New Essays on Tudor and Stuart Literature and Culture. Edited by Heather Dubrow and Richard Strier. The University of Chicago Press 1988. Copyright ©

    1988 by The University of Chicago. All rights reserved. Reproduced by permission.—Hunting, Robert. From Jonathan Swift. Twayne Publishers, 1989. Copyright © 1989 by G. K. Hall & Co. All rights reserved. Reproduced by permission.— Kendall, Ritchie D. From The Drama of Dissent: The Radical Poetics of Nonconformity, 1380-1590. University of North Carolina Press, 1986. Copyright © 1986 The University of North Carolina Press. All rights reserved. Used by permission of the publisher.—Lyne, Raphael. From Translation and Literature, Volume 5. Edinburgh University Press, 1996. Copyright

    © Edinburgh University Press Ltd., 1996. Reproduced by permission.—Lyne, Raphael. From “Ovid, Golding, and the ‘Rough Magic’ of The Tempest,” in Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems. Edited by A. B. Taylor. Copyright © Cambridge University Press, 2000. Reproduced by permission of Cambridge University Press.— Mahoney, Robert. From 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, Volume 4. AMS Press, 1998. Copyright © 1998 by AMS Press, Inc. Reproduced by permission.—Manlove, C. N. From Literature and Reality. MacMillan Press, 1978. Copyright © C. N. Manlove 1978. All rights reserved. Reproduced by permission.—Nokes, David. From Jonathan Swift, A Hypocrite Reversed: A Critical Biography. Oxford University Press, 1985. Copyright © David Nokes, 1985. Reproduced by permission.—Rawson, C. J. From A Reading of A Modest Proposal. Leicester University Press, 1978. Copyright © Leicester University Press, 1978. Reproduced by permission of the author.—Rosenheim, Edward W., Jr. From Swift and the Satirist’s Art. The University of Chicago Press, 1963. Copyright © 1963 by The University of Chicago. Renewed 1991 by Edward W. Rosenheim. All rights reserved. Reproduced by permission.—Stewart, Alan. From Close Readers: Humanism and Sodomy in Early Modern England. Princeton University Press, 1997. Copyright © 1997 by Princeton University Press. All rights reserved. Reproduced by permission.—Wilson, Kenneth J. From Incomplete Fictions: The Formations of English Renaissance Dialogue. Catholic University of America Press, 1985. Copyright © 1985 The Catholic University of America Press. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 101, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Sixteenth-century printing shop showing engravers and hand-operated printing presses, illustration. Copyright © Hilton-Deutsch Collection/Corbis. Reproduced by permission.—Gillon, Edmund V., Jr., illustrator. From a cover of A Modest Proposal, by Jonathan Swift. Dover Publications, Inc., 1996. Reproduced by permission.—Guarini, Giovanni Battista, engraving. Mary Evans Picture Library. Reproduced by permission.—Swift, Jonathan, woodcut.

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