Literary Criticism (1400-1800)

Fifteenth-Century Spanish Poetry | Copyright Page

ISSN 0740-2880

Volume 100

Thomas J. Schoenberg and Lawrence J. Trudeau

Project Editors

Literature Criticism from 1400 to 1800, Vol. 100
Project Editors

Thomas J. Schoenberg and Lawrence J. Trudeau

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Jelena O. Krstovic´, Michael L. LaBlanc, Michelle Lee, Marie Toft, Lemma Shomali, Russel Whitaker

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 100, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Bulletin of Hispanic Studies, v. 62, January, 1985. Copyright © 1985 by Bulletin of Hispanic Studies. Reproduced by permission of Liverpool University Press.—Bulletin of the John Rylands University Library of Manchester, v. 76, autumn, 1994. Copyright © 1994 by the John Rylands University Library of Manchester. Reproduced by courtesy of the Director and University Librarian, the John Rylands University Library of Manchester.—Comparative Drama, v. 9, spring, 1975; v. 13, summer, 1979. Copyright © 1975, 1979 by the Editors of Comparative Drama. Both reproduced by permission.—Comparative Literature, v. 3, summer, 1975. Copyright © 1975 by the University of Oregon. Reproduced by permission of Comparative Literature.—Essays in Theatre, v. 16, May, 1998 for “Naming and Social Disintegration in The Witch of Edmonton” by Richard W. Grinnell. Reproduced by permission of the author.—Hispanofila, v. 56, 1976; v. 27, 1984. Copyright © 1976, 1984 by Hispanofila. Both reproduced by permission.—The Humanities Association, v. 25, 1974 for “The Spanish Gypsy” by A. L. Kistner and M. K. Kistner. Reproduced by permission of the authors.—L’Esprit Createur, v. 29, fall, 1989. Copyright © 1989 by L’Esprit Createur. Reproduced by permission.—Marvel and Tales, v. 15, 2001. Copyright © 2001 by Wayne State University Press. Reproduced with permission of the Wayne State University Press.—Medievalia et Humanistica, v. 13, 1985. Copyright © 1985 by Medievalia et Humanistica. Reproduced by permission.—Neophilologus, v. 82, April,1998. Copyright © 1998 by Kluwer Academic Publishers. Reproduced by permission.— Notes and Queries, v. 44, December, 1997 for “William Rowley and the Authorship of The Thracian Wonder” by Michael Nolan. Reproduced by permission of Oxford University Press and the author.—Papers in French Seventeenth-Century Literature, v. 51, 1999. Copyright © 1999 by Gunter Narr Verlag Tubingen. All rights reserved. Reproduced by permission.—Papers of the Bibliographical Society of America, v. 75, 1981 for “The Date of William Rowley’s A New Wonder, a Woman Never Vext” by George Cheatham. Copyright © 1981 by Papers of the Bibliographical Society of America. Reproduced by permission of the publisher and the author.—Renaissance Drama, v. 3, 1970; v. 11, 1980. Copyright © 1970, 1980 by Renaissance Drama. Both reproduced by permission.—Studies in English Literature, v. 20, spring, 1980. Copyright © 1980 by The Johns Hopkins University Press. Reproduced by permission.—Tennessee Studies in Literature,

v. 23, 1978. Copyright © 1978 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Texas Studies in Literature and Language, v. 16, 1975 for “The Constancy of Change: Character and Perspective in The Changeling” by Henry E. Jacobs. Reproduced by permission of the University of Texas Press and the author.—Textual Practice, v. 9, 1995 for “Family Values: Euthanasia, Editing, and The Old Law” by Jeffrey Masten. Copyright © 1995 by Taylor & Francis Books Ltd. Reproduced by permission of the publisher and the author.

COPYRIGHTED MATERIAL IN LC, VOLUME 100, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Brown, M. A. L. From “Lenz’s Hofmeister and the Drama of Storm and Stress,” in Periods in German Literature: Volume

  • II: Texts and Contexts. Edited by J. M. Ritchie. Oswald Wolff (Publishers) Ltd. Oswald Wolff Publishers, Ltd. Copyright © 1969 by Oswald Wolff Publishers Ltd. Reproduced by permission of Berg Publishers Ltd.—Caravaggi, Giovanni. From Petrarch’s Triumphs: Allegory and Spectacle. Edited by Konrad Eisenbichler and Amilcare A. Iannucci. Dovehouse Editions, Inc., 1990. Copyright © 1990 by Dovehouse Editions, Inc. Reproduced by permission.—Clarke, Dorothy Clotelle. From Morphology of Fifteenth-Century Castillian Verse. Duquesne University Press, 1964. Copyright © 1964 by Duquesne University Press. All rights reserved. Reproduced by permission.—Clarke, Dorothy Clotelle. From Hispanic Medieval Studies in Honor of Samuel G. Armistead. The Hispanic Seminary of Medieval Studies, Ltd., 1992. Copyright © 1992 by The Hispanic Seminary of Medieval Studies, Ltd. Reproduced by permission.—Comensoli, Viviana. From “Witchcraft and Domestic Tragedy in The Witch of Edmonton,”in The Politics of Gender in Early Europe. Edited by Jean
  • R. Brink, Allison P. Coudert, and Maryanne C. Horowitz. Sixteenth Century Journal Publishers, 1989. Copyright © 1989 by Sixteenth Century Journal Publishers, Inc. All rights reserved. Reproduced by permission.—Day, Shirley Jones. From The Search for Lyonnesse: Women’s Fiction in France, 1670-1703. Peter Lang, 1999. Copyright © 1999 by Peter Lang AG, European Academic Publishers, Berne. All rights reserved. Reproduced by permission.—De Langbehn, Regula Rohland. From Poetry at Court in Trastamaran Spain: From the Cancionero de Baena to the Cancionero General. Edited by E. Michael Gerli and Julian Weiss. Medieval & Renaissance Texts & Studies, 1998. Copyright © 1998 by Arizona Board of Regents for Arizona State University. Reproduced by permission.—Diffey, Norman R. From “J. M. R. Lenz and the Humanizing Role of Literature,” in Man and Nature: Proceedings of the Canadian Society for Eighteenth-Century Studies: Volume IX. Edited by Hans-Gunther Schwarz, David McNeil, and Roland Bonnel. Academic Printing and Publishing, 1990. Copyright © 1990 by the Canadian Society for Eighteenth-Century Studies. Reproduced by permission.—Duncan, Bruce. From Lovers, Parricides, and Highwaymen: Aspects of Sturm und Drang Drama. Camden House, 1999. Copyright © 1999 by Bruce Duncan. All rights reserved. Reproduced by permission of Boydell & Brewer Ltd.—Garcia, Michel. From Poetry at Court in Trastamaran Spain: From the Cancionero de Baena to the Cancionero General. Edited by E. Michael Gerli and Julian Weiss. Medieval & Renaissance Texts & Studies, 1998. Copyright © 1998 by Arizona Board of Regents for Arizona State University. Reproduced by permission.—Jackson, MacD. P. From Studies in Attribution: Middleton and Shakespeare. Institute für Angelistik und Amerikanistik, University Salzburg, 1979. Copyright
  • © 1979 by University of Salzburg. Reproduced by permission.—Korb, Richard Alan. From “Der Hofmeister: Lenz’s Sex Comedy,” in Space to Act: The Theater of J. M. R. Lenz. Edited by Alan C. Leidner and Helga S. Madland. Camden House, 1993. Copyright © 1993 by Camden House, Inc. All rights reserved. Reproduced by permission of Boydell & Brewer Ltd.—Leidner, Alan C., and Karin A. Wurst. From Unpopular Virtues: The Critical Reception of J. M. R. Lenz. Camden House, Inc., 1999. Copyright © 1999 by Alan C. Leidner and Karin A. Wurst. All rights reserved. Reproduced by permission of Boydell & Brewer Ltd.—Madland, Helga. From “Imitation to Creation: The Changing Concept of Mimesis from Bodmer and Breitinger to Lenz,” in Eighteenth-Century German Authors and their Aesthetic Theories: Literature and the Other Arts. Edited by Richard Critchfield and Wulf Koepke. Camden House, 1988. Copyright © 1988 by Camden House, Inc. Reproduced by permission of Boydell & Brewer Ltd.—Madland, Helga Stipa. From Image and Text: J. M. R. Lenz. Editions Rodopi B.V., 1994. Copyright © 1994 by Editions Rodopi B.V. Reproduced by permission.—McInnes, Edward. From Lenz: Der Hofmeister. Grant & Cutler Ltd, 1992. Copyright © 1992 by Grant & Cutler Ltd. Reproduced by permission.—Mitchell, Jane Tucker. From A Thematic Analysis of Mme. d’Aulnoy’s Contes de F´ees by Romance Monographs, 1978. Copyright © 1978 by Romance Mongraphs. All rights reserved. Reproduced by permission. —O’Regan, Brigitta. From Self and Existence: J. M. R. Lenz’s Subjective Point of View. Peter Lang Publishing, Inc., 1997. Copyright
  • © 1997 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Tucker, Holly. From “Fairies, Midwives, and Birth Spaces in the Tales of Madame D’Aulnoy” in Classical Unities: Place, Time, Action. Edited by Erec
  • R. Koch. Gunter Narr Verlag, 2002. Copyright © 2002 by Gunter Narr Verlag. Reproduced by permission.—Whetnall, Jane. From What’s Past is Prologue: A Collection of Essays in Honour of L. J. Woodward. Scottish Academic Press, 1984. Copyright © 1984 by Scottish Academic Press Ltd. All rights reserved. Reproduced by permission.—Weiss, Julian. From The Poet’s Art: Literary Theory in Castile c. 1400-60. The Society for the Study of Mediaeval Languages and Literature, 1990. Copyright © by 1990 Julian Weiss. Reproduced by permission.—Williams, George Walton. From an Introduction to The Changeling, by Thomas Middleton and William Rowley. Edited by George Walton Williams. University of Nebraska Press, 1966. Copyright © 1966 by the University of Nebraska Press. All rights reserved. Reproduced by permission.— Zuerner, Adrienne E. From “Reflections on the Monarchy in d’Aulnoy’s Belle-Belle ou le chevalier Fortune,”in The Origins of the Literary Fairy Tale in Italy and France. Edited by Nancy L. Canepa. Wayne State University Press, 1997. Copyright © 1997 by Wayne State University Press. All rights reserved. Reproduced by permission of the Wayne State University Press and the author.
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