Literary Criticism (1400-1800)

Fielding, Sarah | Deborah Downs-Miers (essay date 1986)

Deborah Downs-Miers (essay date 1986)

SOURCE: "Springing the Trap: Subtexts and Subversions," in Fetter'd or Free?: British Women Novelists, 1670-1815, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, 1986, pp. 308-323.

[In the following essay, Downs-Miers examines the literary strategies and conventions Fielding used to create texts that would appeal to a middle-class market, even though her narratives included unconventional explorations of the female psyche and challenges to prevailing eighteenth-century views of womanhood.]

Sarah Fielding (1710-68), like Virginia Woolf two hundred years later, was a popular novelist, a conscious experimenter in the art of fiction, a journalist, a self-taught classicist, and a feminist. Her works reveal two primary concerns; the exploration of one becomes the various assertions of the other. These concerns are "the labyrinths of the mind" and the absolute necessity that women...

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