Literary Criticism (1400-1800)

Durfey, Thomas | Copyright Page

ISSN 0740-2880

Volume 94

Michael L. LaBlanc

Project Editor

Literature Criticism from 1400 to 1800, Vol. 94
Project Editor

Michael L. LaBlanc

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Jelena O. Krstovic´, Michelle Lee, Thomas J. Schoenberg, Marie Toth, Lawrence J. Trudeau, Lemma Shomali, Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 94-29718

ISBN 0-7876-6975-X
ISSN 0740-2880

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN LC, VOLUME 94, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Annali d’Italianistica, v. 12, 1994. Reproduced by permission.—Archiv fur das Studium der Neueren Sprachen und Literaturen, v. 216, 1979 for “Durfey’s Revisions of The Richmond Heiress” by Peter Holland. Reproduced by permission of the author.—English Literary Renaissance, v. 15, autumn, 1985. Reprinted with permission of the editors.—The French Review, v. 39, November, 1965; v. 52, April, 1979. Both reproduced by permission.—French Studies, v. 53, October, 1999. Reproduced by permission.—Italica, v. 74, autumn, 1997. Reproduced by permission.—Journal of English and Germanic Philology, v. 95, October, 1996. Copyright 1996 by the Board of Trustees of the University of Illinois. Reproduced by permission of the University of Illinois Press.—Notes and Queries, v. 28, December, 1981 for “The Dramatis Personae in Barnabe Googe’s Critique of the Marian Persecution” by J. D. Alsop. Reproduced by permission of Oxford University Press.—Quarterly Journal of Speech, v. 53, December, 1967 for “Persevering, Unexhausted Bard: Tom D’Urfey” by Jack A.Vaughn. Reproduced by permission of Taylor & Francis Ltd., and the author.—Renaissance Quarterly, v. 43, spring, 1990. Reproduced by permission.—Restoration, v. 8, fall, 1984 for “Thomas D’Urfey and Three Centuries of Critical Response” by Jack Knowles. Reproduced by permission of the publisher and the author.—Romania, v. 114, 1996. Reproduced by permission.—Stanford Italian Review, v. 7, 1987; v. 9, 1990. Both reproduced by permission.—Studies in Eighteenth-Century Culture, v. 22, 1992. Reproduced by permission.—Studies in Philology, v. 69, 1972; v. 90, fall, 1993. Both reproduced by permission.—Theatre Notebook, v. 41, 1987. Reproduced by permission.—Yale French Studies, v. 95, 1999 for “The Allegoresis of Everyday Life” by David F. Hult. Reproduced by permission of the publisher and the author.

COPYRIGHTED MATERIAL IN LC, VOLUME 94, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Appleton, William W. From his Introduction to Thomas D’Urfey, Wonders In The Sun, Or, The Kingdom of The Birds. William Andrews Clark Memorial Library, 1964. Reproduced by permission.—Biswanger, Raymond Adam, Jr. From Thomas D’Urfey’s The Richmond Heiress: An Edition with Introduction and Notes. Garland Publishing, 1987. Copyright © 1987 by Raymond Adam Biswanger, Jr. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc.—Brand, C. P. From Torquato Tasso: A Study of the Poet and of his Contribution to English Literature. Cambridge University Press, 1965. Copyright © 1965 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press.—Carpenter, William E. From his Introduction to Thomas D’Urfey’s The Virtuous Wife: A Critical Edition. Garland Publishing, 1987. Copyright © 1987 by William E. Carpenter. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc.—Fichter, Andrew. From Poets Historical: Dynastic Epic in the Renaissance. Yale University Press, 1982. Copyright © 1982 by Yale University. All rights reserved. Reproduced by permission.—Fieler, Frank B. From his Introduction to Eglogs, Epytaphes, and Sonettes, by Barnabe Googe. Scholars’ Facsimiles & Reprints, 1968. Reproduced by permission.—Laidlaw, J. C. From “The Poems,” in The Poetical Works of Alain Chartier. Edited by J. C. Laidlaw. Cambridge University Press, 1974. Copyright © 1974 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press.—Looney, Dennis. From Compromising the Classics: Romance Epic Narrative in the Italian Renaissance. Wayne State University Press, 1996. Copyright © 1996 by Wayne State University Press. Reproduced by permission.—McKeown, Simon, and William E. Sheidley. From their Introduction to The Shippe of Safegarde, by Barnabe Googe. Edited by Simon McKeown and William E. Sheidley. Arizona Center for Medieval and Renaissance Studies, 2001. Copyright © 2001 by Arizona Board of Regents for Arizona State University. All rights reserved. Reproduced by permission.—Peterson, Douglas L. From The English Lyric from Wyatt to Donne: A History of the Plain and Eloquent Styles. Princeton University Press, 1967. Copyright © 1967 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University

Press.—Sheidley, William E. From Barnabe Googe. Twayne Publishers, 1981. Copyright © 1981 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the author.—Sherbert, Garry. From Menippean Satire and the Poetics of Wit: Ideologies of Self-Consciousness in Dunton, D’Urfey, and Sterne. Peter Lang, 1996. Copyright © 1996 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Stephens, Walter. From “Trickster, Textor, Architect, Thief: Craft and Comedy in Gerusalemme Liberata,” in Renaissance Transactions: Ariosto and Tasso. Edited by Valeria Finucci. Duke University Press, 1999. Copypright © 1999 by Duke University Press. All rights reserved. Reproduced by permission.—Thorson, James L. From his Introduction to Butler’s Ghost, by Thomas D’Urfey. Scholar’s Facsimiles & Reprints, 1984. New matter in this edition copyright © 1984 by Scholars’ Facsimiles’ & Reprints, Inc. All rights reserved. Reproduced by permission.—Tuve, Rosemond. From The Zodiake of Life by Marcellus Palingenius. Translated by Barnabe Googe. Scholars’ Facsimiles & Reprints, 1947. Copyright © 1947, renewed 1975 by Scholars’ Facsimiles & Reprints. All rights reserved. Reproduced by permission.—Zatti, Sergio. From “Epic in the Age of Dissimulation: Tasso’s Gerusalemme Liberata,” in Renaissance Transactions: Ariosto and Tasso. Edited by Valeria Finucci. Duke University Press, 1999. Copyright © 1999 by Duke University Press. All rights reserved. Reproduced by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 94, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Chartier, Alain, photograph. Mary Evans Picture Library. Reproduced by permission.—Durfey, Thomas, photograph. Mary Evans Picture Library. Reproduced by permission.—Tasso, Torquato, photograph. © Bettmann/Corbis. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

Dr. Toby Burrows

Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia

Celia C. Daniel

Associate Librarian, Reference Howard University Washington, D.C.

David M. Durant

Reference Librarian Joyner Library East Carolina University Greenville, North Carolina

Nancy Guidry

Librarian Bakersfield Community College Bakersfield, Calafornia

Steven R. Harris

English Literature Librarian University of Tennessee Knoxville, Tennessee

Mary Jane Marden

Collection Development Librarian St. Petersburg Jr. College Pinellas Park, Florida

Heather Martin

Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama

Susan Mikula

Director Indiana Free Library Indiana, Pennsylvania

Thomas Nixon

Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina

Mark Schumacher

Jackson Library University of North Carolina

Gwen Scott-Miller

Assistant Director Sno-Isle Regional Library System Marysville, Washington

Donald Welsh

Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia

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