Dec 22, 2009
ISSN 0740-2880
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ISSN 0740-2880
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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of LC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
Brockport Writer’s Forum, March, 1969 for “Picaresque and Modern Literature: A Conversation with W. M. Frohock,” by Gregory Fitz Gerald and Eric Steel. Copyright © 1969 State University of New York, College at Brockport. Reproduced by permission.—Genre, v. 11, Spring, 1978. Copyright © 1978 by the University of Oklahoma. Reprinted by permission.— Huntington Library Quarterly, v. 43, Winter, 1979. Reproduced with the permission of the Henry E. Huntington Library.—Kentucky Romance Quarterly, v. 26, 1979. Copyright © 1979 by The University Press of Kentucky. Reproduced by permission.—Restoration and 18th Century Theatre Research, v. 1, Winter, 1986. Reproduced by permission.—SEL: Studies in English Literature, v. 30, Summer, 1990. © The Johns Hopkins University Press. Reproduced by permission.
Babcock, Barbara A. From “‘Liberty’s a Whore’: Inversions, Marginalia, and Picaresque Narrative,” in The Reversible World: Symbolic Inversion in Art and Society. Edited by Barbara A. Babcock. Cornell University Press, 1978. Copyright © 1978 by Cornell University. All rights reserved. Used by permission of the publisher, Cornell University Press.—Binns,
J. W. From “The Latin Poetry of Thomas Campion,” in The Latin Poetry of English Poets. Edited by J. W. Binns. Routledge & Kegan Paul, 1974. © Routledge & Kegan Paul Ltd. 1974. Reproduced by permission.—Birdsall, Virginia Ogden. From Wild Civility: The English Comic Spirit on the Restoration Stage. Indiana University Press, 1970. Copyright © 1970 by Indiana University Press. All rights reserved. Reproduced by permission.—Cordner, Michael. From “Etherege’s “She Would If She Could: Comedy, Complaisance and Anti-climax,” in English Comedy. Edited by Michael Cordner, Peter Holland, and John Kerrigan. Cambridge University Press, 1994. © Cambridge University Press 1994. Reproduced by permission.—Davis, Walter. From “Masques,” in Thomas Campion. Edited by Arthur F. Kinney. Twayne Publishers, 1987. Copyright © 1987 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—Friedman, Edward H. From The Antiheroine’s Voice: Narrative Discourse and Transformations of the Picaresque. University of Missouri Press, 1987. Copyright © 1987 by The Curators of the University of Missouri. All rights reserved. Reprinted by permission of the University of Missouri Press.—Fujimura, Thomas H. From The Restoration Comedy of Wit. Princeton University Press, 1952. Copyright, 1952, by Thomas H. Fujimura. Reprinted by permission of Princeton University Press.—Guillen, Claudio. From Literature as System: Essays Toward the Theory of Literary History. Princeton University Press, 1971. Copyright © 1971 by Princeton University Press. All rights reserved. Reprinted by permission of Princeton University Press.—Holland, Norman N. From The First Modern Comedies: The Significance of Etherege, Wycherley and Congreve. Harvard University Press, 1959. © Copyright, 1959, by the President and Fellows of Harvard College, copyright © renewed 1987 by Norman N. Holland. All rights reserved. Reprinted by permission of the publisher.—Ing, Catherine. From Elizabethan Lyrics: A Study in the Development of English Metres and Their Relation to Poetic Effect. Chatto & Windus, 1968. © Catherine Ing 1951.–Kaler, Anne K. From The Picara: From Hera to Fantasy Heroine. Bowling Green State University Popular Press, 1991. Copyright © 1991 Bowling Green State University Popular Press. Reproduced by permission.— Lindley, David. From Thomas Campion. E. J. Brill, 1986. Copyright 1986 by E. J. Brill, Leiden, The Netherlands. All rights reserved. Reproduced by permission.—Maiorino, Giancarlo. From “Picaresque Econopoetics: At the Watershed of Living Standards,” in The Picaresque: Tradition and Displacement. Edited by Giancarlo Maiorino. University of Minnesota Press, 1996. Copyright © 1996 by the Regents of the University of Minnesota. All rights reserved. Reproduced by permission.—Markley, Robert. From Two-Edg’d Weapons: Style and Ideology in the Comedies of Etherege, Wycherley and Congreve. Clarendon Press, 1988. © Robert Markley 1988. All rights reserved. Reproduced by permission.—Meeker, Joseph W. From The Comedy of Survival: Literary Ecology and a Play Ethic. University of Arizona Press, 1997. © 1997
Joseph W. Meeker. All rights reserved. Reproduced by permission of the University of Arizona Press.—Mellers, Wilfrid. From “Thomas Campion and the Solo Ayre,” in Harmonious Meeting: A Study of the Relationship Between English Music, Poetry and Theatre, c. 1600-1900. Dennis Dobson, 1965. © 1965 Wilfrid Mellers. Reproduced by permission of the author.—Parker, Alexander A. From Literature and the Delinquent: The Picaresque Novel in Spain and Europe, 1599-1753. Edinburgh at the University Press, 1967. © A. A. Parker 1967.—Ratcliffe, Stephen. From Campion: On Song. Routledge & Kegan Paul, 1981. Copyright © Stephen Ratcliffe, 1981. Reproduced by permission.—Reed, Walter L. From An Exemplary History of the Novel: The Quixotic versus the Picaresque. The University of Chicago Press, 1981. © 1981 by The University of Chicago. All rights reserved. Reproduced by permission.—Sieber, Harry. From “Literary Continuity, Social Order, and the Invention of the Picaresque,” in Cultural Authority in Golden Age Spain. Edited by Marina S. Brownlee and Hans Ulrich Gumbrecht. Johns Hopkins University Press, 1995. © 1995 The Johns Hopkins University Press. All rights reserved. Reprinted with permission of The Johns Hopkins University Press.—Spink, Ian. From “Campion’s Entertainment at Brougham Castle, 1617,” in Music in English Renaissance Drama. Edited by John H. Long. University of Kentucky Press, 1968. Copyright © 1968 University of Kentucky Press. Reproduced by permission.—Wicks, Ulrich. From Picaresque Narrative, Picaresque Fictions: A Theory and Research Guide. Greenwood Press, 1989. Copyright © 1989 by Ulrich Wicks. All rights reserved. Reproduced by permission.
Quevedo y Villegas, Francisco Gomez de, engraving. Getty Images. Reproduced by permission.—Title page from theatrical production of The Comical Revenge; or, Love in a Tub, written by George Etherege, preformed at Her Majesty’s Theatre. The University of Michigan Library. Reproduced by permission.—Title page from theatrical production of The Man of Mode, or, Sr Fopling Flutter, written by George Etherege, preformed at Duke’s Theatre. The University of Michigan Library. Reproduced by permission.—Title page from theatrical production of She Wou’d if She Cou’d, written by George Etherege, performed at His Highness the Duke of York’s Theater. The University of Michigan Library. Reproduced by permission.
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