Criticism > Literary Criticism (1400-1800) > Berkeley, George - Copyright Page

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Library of Congress Catalog Card Number 94-29718
ISBN 0-7876-4683-0
ISSN 0740-2880
Printed in the United States of America

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COPYRIGHTED EXCERPTS IN LC, VOLUME 65, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Comparative Drama, v. 17, Summer 1983; v. 33, Summer 1999. © copyright 1983, 1999 by the Editors of Comparative Drama. Both reproduced by permission.—English Language Notes, v. XXIX, December 1991. © copyrighted 1991, Regents of the University of Colorado. Reproduced by permission.—French Forum, v. 2, September 1977; v. 18, January 1993. Copyright © 1977, 1993 by French Forum, Publishers, Inc. Both reproduced by permission.—International Folklore Review, v. 4, 1986. Reproduced by permission.—Medieval English Theatre, v. 16, 1994 for “Royal Throne, Royal Bed: John Heywood and Spectacle,” by Richard Axton. Reproduced by permission of the author; v. 18, 1996. Reproduced by permission.—Modern Language Review, v. XLV, July 1950 for “The True Source of John Heywood’s ‘Johan Johan’,” by

T. W. Craik. © Modern Humanities Research Association 1950. Reproduced by permission of the publisher and the author.—Nous, v. 9, 1974. Reproduced by permission.—Papers in Language and Literature, v. 22, Winter 1986. Copyright © 1986 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Philosophical Review, v. 83, January 1974 for “Berkeley’s Master Argument,” by Andre Gallois. Copyright 1974 Cornell University. Reprinted by permission of the publisher.—Renaissance Drama, v. VII, 1964. Copyright © 1964 by Northwestern University Press. Reproduced by permission.—Representations, v. 23, 1988 for “Language, Money, Father, Phallus in Cyrano de Bergerac’s Utopia,” by Jean-Joseph Goux. Translated by Katharine Steip. Copyright © 1988 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Science Fiction Studies, v. 25, November 1998. Copyright © 1988 by SFS Publications. Reproduced by permission.—Studies in English Literature 1500-1900, v. 39, Spring 1999. © The Johns Hopkins University Press. Reproduced by permission.—Studies in the Literary Imagination, v. 26, Spring 1993; v. 32, Fall, 1999. Copyright 1993, 1999 Department of English, Georgia State University. Both reproduced by permission.—Trivium, v. 14, May 1979 for “John Heywood and The Four PP,” by Alcuin Blamires. Reproduced by permission of the author.—The University of Dayton Review, v. 21, Spring 1992. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 65, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Allaire, Edwin B. From “Berkeley’s Idealism: Yet Another Visit,” in Berkeley’s Metaphysics: Structural, Interpretive, and Critical Essays. Edited by Robert G. Muehlmann. The Pennsylvania State University Press, 1995. Copyright © 1995 The Pennsylvania State University Press. Reproduced by permission of the publisher.—Axton, Richard and Peter Happé. From “Life and Works” and “The Plays,” in The Plays of John Heywood. Edited by Richard Axton and Peter Happé. D. S. Brewer, 1991. Editorial matter © Richard Axton and Peter Happé 1991. Reproduced by permission.—Bolton, Martha Brandt. From “Berkeley’s Objection to Abstract Ideas and Unconceived Objects,” in Essays on the Philosophy of George Berkeley. Edited by Ernest Sosa. D. Reidel Publishing Company, 1987. © 1987 by D. Reidel Publishing Company, Dordrecht, Holland. Reproduced by permission with kind permission from Kluwer Academic Publishers.—Bryant, James C. From “The Pardoner and the Friar as Reformation Polemic,” in Renaissance Papers 1971. Edited by Dennis G. Donovan and A. Leigh Deneef. The Southeastern Renaissance Conference, 1972. Reproduced by permission.—Butler, Douglas R. From “Plot and Politics in Susanna Centlivre’s A Bold Stroke for a Wife,”in Curtain Calls: British and American Women and the Theatre, 1660-1820. Edited by Mary Anne Schofield and Cecilia Macheski. Ohio University Press, 1991. © copyright 1991 by Ohio University Press. All rights reserved. Reproduced by permission.—Finkelstein, Richard. From “Formation of the Christian Self in The Four P.P.,”in Acta Volume XIII: Early Drama to 1600, 1987. Edited by Albert H. Tricomi. The Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 1987. Copyright © 1987 Center for Medieval and Early Renaissance Studies State University of New York at Binghamton.— Foster, John. From “Berkeley on the Physical World,” in Essays on Berkeley: A Tercentennial Celebration. Edited by John

Foster and Howard Robinson. Oxford at the Clarendon Press, Oxford, 1985. Copyright © John Foster and Howard Robinson, 1985. Reproduced by permission of Oxford University Press.—Harth, Erica. From Cyrano de Bergerac and the Polemics of Modernity. Columbia University Press, 1970. Copyright © 1968, 1970 Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 562 W. 113th St., New York, NY 10025.—Hussey, Maurice and Surendra Agarwala. From an introduction to The Play of the Weather by John Heywood and Other Tudor Comedies. Adapted into Modern English by Maurice Hussey and Surendra Agarwala. Theatre Arts Books, 1968. © Copyright by Maurice Hussey and Surendra Agarwala 1968. Reproduced by permission of Maurice Hussey.—Johnston, G. A. From The Development of Berkeley’s Philosophy. Russell & Russell, Inc., 1965. Reproduced by permission of Palgrave.—Kinney, Suz-Anne. From “Confinement Sharpens the Invention: Aphra Behn’s The Rover and Susanna Centlivre’s The Busie Body,”in Look Who’s Laughing: Gender and Comedy. Edited by Gail Finney. Gordon and Breach, 1994. Copyright © 1994 by OPA B.V. All rights reserved. Reproduced by permission of Taylor & Francis Ltd.— Lanius, Edward W. From Cyrano de Bergerac and the Universe of the Imagination. Librairie Droz, 1967. © 1967 by Librairie Droz. Reproduced by permission.—Lock, F. P. From Susanna Centlivre. Twayne Publishers, 1979. Copyright © 1979 by G. K. Hall & Co. All rights reserved. The Gale Group.—Mason, Haydn. From Cyrano de Bergerac: L’Autre Monde. Grant & Cutler, Ltd., 1984. © Grant & Cutler, Ltd., 1984. Reproduced by permission.—Muehlmann, Robert G. From “The Substance of Berkeley’s Philosophy” in Berkeley’s Metaphysics: Structural, Interpretive, and Critical Essays. Edited by Robert G. Muehlmann. The Pennsylvania State University Press, 1995. Copyright © 1995 The Pennsylvania State University Press. Reproduced by permission of the publisher.—Pitcher, George. From “Berkeley’s World View III: The Existence of Unperceived Objects,” in Berkeley. Routledge & Kegan Paul, Ltd., 1977. Copyright George Pitcher 1977. Reproduced by permission of the publisher and the author.—Rosenthal, Laura J. From Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property. Cornell University Press, 1996. Copyright © 1996 by Cornell University. All rights reserved. Reproduced by permission.—Spink, J. S. From French Free-Thought from Gassendi to Voltaire. The Athlone Press, 1960. © J.S. Spink, 1960.—Stathas, Thalia. From an introduction to A Bold Stroke for a Wife by Susanna Centlivre. Edited by Thalia Stathas. University of Nebraska Press, 1968. Copyright © 1968, renewed 1996 by the University of Nebraska Press. All rights reserved. Reproduced by permission.—Tipton, Ian. From “Berkeley’s Imagination,” in Essays on the Philosophy of George Berkeley. Edited by Ernest Sosa. D. Reidel Publishing Company, 1987. © 1987 by D. Reidel Publishing Company, Dordrecht, Holland. Reproduced by permission with kind permission from Kluwer Academic Publishers.—Urmson, J. O. From The British Empiricists. Oxford University Press, Oxford, 1992. © J. O. Urmson, 1982. Reproduced by permission of Oxford University Press.—Wild, John. From Geroge Berkeley: A Study of His Life and Philosophy. Russell & Russell, Inc., 1962. Copyright 1936 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of Harvard University Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 65, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Berkeley, George, print. The Library of Congress.—Heywood, John, engraving. Archive Photos, Inc. Reproduced by permission.