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Library of Congress Catalog Card Number 94-29718
ISBN 0-7876-4680-6
ISSN 0740-2880
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COPYRIGHTED EXCERPTS IN LC, VOLUME 62, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Bulletin of Hispanic Studies, v. LIII, July, 1976. Reproduced by permission. —Comparative Literature, v. 6, 1954. Reproduced by permission. —English Studies in Canada, v. 23, March, 1997. Reproduced by permission. —Fifteenth-Century Studies, v. 11, 1985; v. 22, 1995. Reproduced by permission. —Harvard Journal of Asiatic Studies, v. 52, June, 1992. © 1992 Harvard-Yenching Institute. Reproduced by permission. —Hispania, v. 57, 1974. © 1974 The American Association of Teachers of Spanish and Portuguese, Inc. Reproduced by permission of the publisher and the author. —Journal of Asian Studies, v. 49, May, 1990. © 1990 Association for Asian Studies, Inc. Reproduced by permission of the Association for Asian Studies, Inc. —Journal of Medieval and Renaissance Studies, v. 25, Spring, 1995. Copyright © 1995 by Duke University Press. Reproduced by permission. —Journal of Popular Culture, v. 11, 1977. Reproduced by permission. —Journal of the American Oriental Society, v. 117, January-March, 1997. © 1997 by the American Oriental Society. All rights reserved. Reproduced by permission. —Luso-Brazilian Review, v. 17, Winter, 1980; v. 22, Winter, 1985. Copyright © 1980, 1985 by the Board of Regents of the University of Wisconsin System. Reproduced by permission. —Modern Philology, v. 93, November, 1995. © 1995 by The University of Chicago. All rights reserved. Reproduced by permission. —Portuguese Studies, v. 6, 1990. Reproduced by permission. —Religion, v. 16, 1986. © 1986 Academic Press Inc. Reproduced by permission. —Renaissance and Reformation, v. XX, Winter, 1996. Reproduced by permission. —Renaissance Quarterly, v. XXIV, Autumn, 1971. Reproduced by permission. —Revista de Estudios Hispanicos, v. XVII, October, 1983. Copyright © 1983 by The University of Alabama Press. Reproduced by permission. —Romance Notes, v. 24, Spring, 1984; v. 22, Spring, 1992. Reproduced by permission. —Romance Studies, n. 24, Autumn, 1994. Reproduced by permission. —The Centennial Review, v. XXIV, Winter, 1980. © 1980 by The Centennial Review. Reproduced by permission. —The French Review, v. 66, December, 1992; v. 72, May, 1999. Reproduced by permission. —The Texas Quarterly, v. XV, Winter, 1972. Reproduced by permission. —The Yearbook of English Studies, v. 23, 1993. Reproduced by permission.

COPYRIGHTED EXCERPTS IN LC, VOLUME 62, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Adams, Barry B. From “‘King Johan’ and Sixteenth-Century Drama,” in John Bale’s King Johan. Edited by Barry B. Adams. The Huntington Library, 1969. Copyright 1969 by the Henry E. Huntington Library and Art Gallery. Reproduced by permission. —Atkinson, W. C. From Camoens and the Sons of Lusus. The Hispanic and Luso Brazilian Council, 1973. © 1973 The Hispanic and Luso Brazilian Council. Reproduced by permission. —Blyth, R. H. From A History of Haiku: From the Beginnings up to Issa, Vol. 1. The Hokuseido Press, 1963. © 1963, by R. H. Blyth. All rights reserved. Reproduced by permission. —Blyth, R. H. From Haiku. Hokuseido, 1952. Reproduced by permission. —Fein, David A. From A Reading of Villon’s “Testament.” Summa Publications, 1984. Copyright © 1984 by Summa Publications, Inc. Reproduced by permission. —Fein, David A. From François Villon and His Reader. Wayne State University Press, 1989. Copyright © 1989 by Wayne State University Press. All rights reserved. Reproduced by permission. —Fein, David A. From François Villon Revisited. Twayne, 1997. Copyright © 1997 by Twayne Publishers. All rights reserved. Reproduced by permission. —Foard, James H. From “The Loneliness of Matsuo Basho¯,” in The Biographical Process: Studies in the History and Psychology of Religion. Edited by Frank E. Reynolds and Donald Capps. Mouton, 1976. © 1976, Mouton & Co. Reproduced by permission. —The Essential Basho¯, translated by Sam Hamill. © 1998 by Sam Hamill. Reprinted by arrangement with Shambhala Publications, Inc., Boston, www.shambhala.com. —Introduction from The Vocacyon of Johan Bale, edited by Peter Happé and John N. King, MRTS vol. 70 (Binghamton, N.Y., 1990), pp. 1-24. Copyright Arizona Board of Regents for Arizona State University. —Hart, Henry H. From Luis de Camöens and the Epic of the Lusiads. University of

Oklahoma Press,1962. Copyright 1962 by The University of Oklahoma Press. Reproduced by permission. —Henderson, Harold Gould. From The Bamboo Broom: An Introduction to Japanese Haiku. Houghton Mifflin Company, 1934. Copyright 1934, by Harold G. Henderson. —Hunt, Tony. From Villon’s Last Will: Language and Authority in the “Testament.” Clarendon Press, 1996. © Tony Hunt 1996. All rights reserved. Reproduced by permission. —Kinnell, Galway. From an introduction to The Poems of François Villon. Translated by Galway Kinnell. Houghton Mifflin Company, 1977. Copyright © 1977 by Galway Kinnell. All rights reserved. Reproduced by permission. —Mattsson, May. From Five Plays about King John. Uppsala, 1977. © 1977 by May Mattsson. Reproduced by permission. —Pineas, Rainer. From “The Polemical Drama of John Bale,” in Shakespeare and Dramatic Tradition: Essays in Honor of S. F. Johnson. Edited by W. R. Elton and William B. Long. University of Delaware Press, 1989. © 1989 by Associated University Presses, Inc. All rights reserved. Reproduced by permission. —Regalado, Nancy Freeman. From “Villon’s Legacy from ‘Le Testament of Jean de Meun’: Misquotation, Memory, and the Wisdom of Fools,” in Villon at Oxford: The Drama of Text. Edited by Michael Freeman and Jane H. M. Taylor. Rodopi, 1999. © Editions Rodopi B. V., 1999. Reproduced by permission. —Stryk, Lucien. From an introduction to On Love and Barley: Haiku of Basho¯. Translated by Lucien Stryk. Penguin Books, 1985. Copyright © Lucien Stryk, 1985. All rights reserved. Reproduced by permission. —Ueda, Makoto. From an introduction to Basho¯ and His Interpreters: Selected Hokku with Commentary. Edited and translated by Makoto Ueda. Stanford University Press, 1991. © 1992 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permission. —Ueda, Makoto. From Zeami, Basho¯, Yeats, Pound: A Study in Japanese and English Poetics. Mouton & Co., 1965. © Copyright 1965 Mouton & Co. Reproduced by permission. —Vitz, Evelyn Birge. From “‘Bourde jus mise’? Villon, the Liturgy, and Prayer,” in Villon at Oxford: The Drama of Text. Edited by Michael Freeman and Jane H. M. Taylor. Rodopi, 1999. © Editions Rodopi B. V., 1999. Reproduced by permission. —Vitz, Evelyn Birge. From The Crossroads of Intentions: A Study of Symbolic Expression in the Poetry of François Villon. Mouton, 1974. Reproduced by permission. —Williams, William Carlos. From an introduction to The Complete Works of François Villon. Edited by Anthony Bonner. Bantam Books, 1960. Copyright © 1960, by Bantam Books, Inc. All rights reserved. Reproduced by permission. —Yuasa, Nobuyuki. From an introduction to Basho¯: The Narrow Road to the Deep North and other Travel Sketches. Translated by Nobuyuki Yuasa. Penguin Books, 1966. Copyright © Nobuyuki Yuasa, 1966. All rights reserved. Reproduced by permission

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN LC, VOLUME 62, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bale, John, photograph. Archive Photos. Reproduced by permission. —Camõens, Luis Vaz de, engraving. Archive Photos, Inc. Reproduced by permission. —Japanese haiku poet Basho¯, woodblock print. Corbis Corporation. Reproduced by permission. —Matsuo Basho¯, drawing by Koko.