A Lesson before Dying | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

Project Editor David Galens

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/ Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NfS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 7, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Ariel: A Review of International English Literature, v. 4, April, 1973, for "Sanity, Madness and Alice" by Neilson Graham. Copyright © 1973 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher.—Book World—The Washington Post, August 25, 1985. © 1985, Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission of the author.—The CEA Critic, v. 54, Winter, 1992. Copyright © 1992 by the College English Association, Inc. Reproduced by permission.—Chicago Tribune Books, May 9, 1993, for "End as a Man" by Charles R. Larson. © copyrighted 1993, Chicago Tribune Company. All rights reserved. Reproduced by permission of the author.—The Cimarron Review, v. 102, January, 1993. Copyright © 1993 by the Board of Regents for Oklahoma State University. Reproduced by permission.—English Studies, Netherlands, v. XLIX, February, 1968 by Swets & Zeitlinger B. V. Reproduced by permission.—Enlightenment Essays, v. IV, Spring, 1973 for "Companionship in Voltaire's Candide" by Patrick H. Hutton. Reproduced by permission of the author.—The Listener, v. 104, December 18 & 25, 1980 for "Wise-Guy-Sci-Fi" by Peter Kemp. © British Broadcasting Corp. 1980. Reprinted by permission of the author.—The Midwest Quarterly, v. XXV, Spring, 1994. Copyright 1994 by The Midwest Quarterly, Pittsburgh State University. Reproduced by permission.—The New England Quarterly, v. 52, June, 1979, for "Melville's Vision of Death in Moby-Dick: Stepping Away from the Snug Sofa" by James P. Grove. Copyright 1979 by The New England Quarterly. Reproduced by permission of the publisher.—The New York Times, January 17, 1993. Copyright © 1993 by The New York Times Company. Reproduced by permission.—The New York Times Book Review, September 8,1985; February 10,1988; February 21,1988; August 8,1993; October 6, 1996. Copyright © 1985, 1988, 1993, 1996 by The New York Times Company. All reproduced by permission.—The New Yorker, v. LXVIII, January 25, 1993, for "Day-O" by Deborah Garrison. Reproduced by permission of the author.—South Atlantic Quarterly, v. LXVI, Autumn, 1967. Copyright © 1967 by Duke University Press, Durham, NC. Reproduced by permission.— Southern Quarterly, v. 30, Winter-Spring, 1992. Copyright © 1992 by the University of Southern Mississippi. Reproduced by permission.—Studies in Short Fiction, v. 30, Fall, 1993. Copyright 1993 by Newberry College. Reproduced by permission.—The Times Literary Supplement, September 24, 1982. © The Times Supplements Limited 1982. Reproduced from The Times Literary Supplement by permission.—The Virginia Quarterly Review, v. 49, Winter, 1973. Copyright 1973 by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission.—Twentieth Century Literature, v. 40, Fall, 1994. Copyright 1994, Hofstra University Press. Reproduced by permission.—Victorian Studies, v. XVII, September, 1973, for "Alice and Wonderland: A Curious Child" by Nina Auerbach. Reproduced by permission of the Trustees of Indiana University and the author.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 7, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Burress, Lee. From "The Grapes of Wrath: Preserving Its Place in the Curriculum," in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.—Davis, James E. From "Why Nineteen Eighty-Four Should Be Read and Taught," in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.— Levant, Howard. From The Novels of John Steinbeck: A Critical Study. University of Missouri Press, 1974. Copyright © 1974 by The Curators of the University of Missouri. All rights reserved. Reproduced by permission.—Quinones, Ricardo J. From The Changes of Cain: Violence and the Lost Brother in Cain and Abel Literature. Princeton University Press, 1991. Copyright © 1991 by Princeton University Press. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 7, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Kafka, Franz, photograph. AP/Wide World Photos. Reproduced by permission.—Naylor, Gloria, photograph. AP/Wide World Photos. Reproduced by permission.—Steibeck, John, photograph. AP/Wide World Photos. Reproduced by permission.—Wright, Richard, photograph. AP/Wide World Photos. Reproduced by permission.— Adams, Douglas, 1993, photograph by Frank Capri. Archive Photos, Inc. © Frank Capri/SAGA. Reproduced by permission.—Disco dancing, c. 1970s, photograph. © Archive Photos, Inc. Reproduced by permission.—Flagg, Fannie, 1987, photograph. © Archive Photos, Inc. Reproduced by permission.—Home of Colonel Franklin, Kenya, Isle of Lamu, Africa, 1932, photograph. Archive Photos, Inc. Reproduced by permission.—"Hooverville" outside a factory during the Depression, photograph. Archive Photos, Inc./American Stock. Reproduced by permission.—Japanese student (being thrown in air), University of Tokyo, 1996, photograph. Archive Photos, Inc. Reproduced by permission.—Mad Hatter's Tea Party, scene from Disney animated version of "Alice in Wonderland," photograph. Archive Photos/Disney. Reproduced by permission.—Orwell, George, photograph. Archive Photos, Inc. Reproduced by permission.— Sugar cane plantation, Louisiana, photograph. Archive Photos, Inc. Reproduced by permission.— "White Only Store," photograph. Archive Photos, Inc. Reproduced by permission.—Gaines, Ernest J., photograph by Jerry Bauer. Reproduced by permission.—Wouk, Herman, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Artist (painting postcards on wall), photograph. Corbis/Bettmann-UPI. Reproduced by permission.—Darwell, Jane, with Henry Fonda and John Carradine in the movie The Grapes of Wrath, photograph. Corbis-Bettmann. Reproduced by permission.—Ferney, Voltaire's chateau, photograph. Corbis. Reproduced by permission.—Four army tanks in Tiananmen Square, photograph. Reuters/Corbis-Bettmann. Reproduced by permission.—Male Hitchhiker, (headed to Big Sur), 1972, photograph by Dewitt Jones. Corbis/Dewitt Jones. Reproduced by permission.—Peck, Gregory, as Captain Ahab in the film Moby Dick, 1954, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Radar room on World War II ship, China Sea, 1944, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Scene from the movie Alice in Wonderland (Alice talking with the Mock Turtle), photograph. Corbis-Bettmann. Reproduced by permission.—Women dressed as 18th-century French nobles, (seated in carriage, during parade), Versailles, France, 1989, photograph by Owen Franken. Corbis/Owen Franken. Reproduced by permission.—Yoshi-moto, Banana, photograph. Eiichiro Sakata and Kado-kawa Shoten Publishing Co., Ltd. Reproduced by permission of Grove Press.—Laurence, Margaret, photograph by David Laurence. © David Laurence Photo. Reproduced by permission of the photographer.—Carroll, Lewis, photograph by O. G. Rejlander. Liddell, Alice Pleasance and Liddell, Lorina Charlotte.—Freed slaves waiting for work opportunities, photograph. U.S. Signal Corps, National Archives and Records Administration.—Migrant mother with children, Nipomo, California, 1936, photograph by Dorothea Lange. Farm Security Administration.—Unemployed men lining up outside a depression soup kitchen, opened by Al Capone, Chicago, February 1931, photograph. National Archives and Records Administration.—Voltaire, engraving.—China's first McDonald's, China, photograph by Susan D. Rock. Reproduced by permission.—Young adult smoking, photograph by Bob Daemmrich. stock boston, inc. Reproduced by permission.—Bogart, Humphrey, with Van Johnson and Jose Ferrer, in the movie The Caine Mutiny, 1954, photograph.

The Kobal Collection. Reproduced by permission.—Hurt, John, and Richard Burton, in the movie Nineteen Eighty-Four, 1984, photograph. The Kobal Collection. Reproduced by permission.—Hurt, William, and Geena Davis, in the movie The Accidental Tourist, 1988, photograph. The Kobal Collection. Reproduced by permission.—Love, Victor, and David Rasche in the film Native Son, photograph. The Kobal Collection. Reproduced by permission.—Maclachlan, Kyle, and Anthony Hopkins, in the movie The Trial, 1993, photograph. The Kobal Collection. Reproduced by permission.—Parker, Mary Louise, and Mary Stuart Masterson, in the movie Fried Green Tomatoes, 1991, photograph. The Kobal Collection. Reproduced by permission.—Perkins, Anthony, in the movie The Trial, 1963, photograph. The Kobal Collection. Reproduced by permission.—Joyce, James (Ulysses), photograph. The Library of Congress.—Melville, Herman, photograph. The Library of Congress.—Upper-class black family eating dinner, photograph. The Library of Congress.—Tyler, Anne, photograph. Courtesy of Knopf. Reproduced by permission.