King Lear | Reading Pointers for Sharper Insight
Reading Pointers for Sharper Insight
Readers should be aware of the following themes and concepts in King Lear:
Parents and Children
Compare the two sets of parents and children in the play.
What do the children have to say about their duty towards their parents? Is duty the main reason for their actions?
What do the parents feel they owe their children?
Are the children and parents justified in their actions towards each other? Are Goneril and Regan, for instance, obligated to accommodate their father's raucous troops? Is Edgar entitled to seek more respect than he actually receives from his father?
Are our ideas about parenting similar to those of the characters in the play?
Good and Evil
King Lear is based on an old fairy tale. In the play, as in many fairy tales, most of the characters are either extremely good or unmistakably evil. Lear and Gloucester, in fact, are the only characters who display change and growth. Lear's change is brought on by the increasing awareness of the evil around him and the realization that he allowed it to flourish. Gloucester also succumbs to the pressure of malevolent forces, attempting drastic measures once he is aware of his own culpability.
What do various characters believe about good and evil? Do they feel themselves responsible, or do they blame supernatural forces like fate, devils, and celestial activities?
Does either good or evil clearly triumph at the end of the play?
Vision vs. Blindness
King Lear contains multiple references to vision and blindness. Lear acts blindly when he punishes his most precious child, but he gains insight through his ensuing madness. Similarly, Gloucester's is blinded by his outrage against his son; only when he actually loses his sight does he see the truth about Edgar, Edmund, and himself.
In what ways are the characters' actions influenced by their perspectives?
Note the references to sight and blindness, light and dark, truth and deception (especially when brought about by disguises).
Madness
Lear's descent into madness occurs in distinct stages; he goes from being an egotistical monarch to an enraged and humiliated father.
In what way is Lear's madness beneficial to him?
Who finally rescues Lear from madness?
What other “mad” characters are in the play? What usefulness does their seeming insanity have?
Nature
Elizabethan ideas about nature held that there is an order to existence—an established hierarchy that begins with the cosmos and ends with the lowest animals on earth. Chaos rules during periods when this order is disturbed, such as when Lear's power is uprooted. The storm is a sign of the disorder—both social and psychological—that develops in the play.
What do different characters mean by “nature”?
What is the “natural” relationship of parents and children?
Is the Fool more “natural,” more in touch with reality, than the other characters are?
King Lear
By WILLIAM SHAKESPEARE
DRAMATIS PERSONÆ
LEAR King of Britain
KING OF FRANCE
DUKE OF BURGUNDY
DUKE OF CORNWALL
DUKE OF ALBANY
EARL OF KENT
EARL OF GLOUCESTER
EDGAR son to GLOUCESTER
EDMUND illegitimate son to GLOUCESTER
CURAN a courtier
OLD MAN tenant to GLOUCESTER
DOCTOR
FOOL
OSWALD steward to GONERIL
A Captain employed by EDMUND
Gentleman attending on CORDELIA
A Herald
Servants to CORNWALL
GONERIL REGAN CORDELIA} daughters to LEAR
Knights of LEAR'S train, Captains, Messengers, Soldiers, and Attendants.

