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The King Is Dead (Magill’s Literary Annual 2004)

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The King Is Dead, an ambitious novel about the United States in the second half of the twentieth century, opens with a prelude delineating part of the genealogy of Walter Selby, going back as far as the year 1720. Its dual purpose seems to be to give the novel an epic, Faulknerian tone and to indicate that Selby (like many William Faulkner characters) inherited African American genes. This information is of little importance to the ensuing stories of Walter and his son Frank. (Walter, after all, is only one-sixteenth black.) It does, however, serve to make them seem somewhat more...

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