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The Killers | Vaudeville Philosophers: ‘‘The Killers’’
In the following essay, Ron Berman explores the role vaudeville plays in the action and philosophy of ‘‘The Killers.’’
Kenneth S. Lynn’s biography of Hemingway states that
behind ‘‘The Killers’’ lay some obvious influences: Hemingway’s firsthand acquaintance with petty criminals in Kansas City, his close observation of the men entering the back room in the Venice Cafe, and the steady attention he paid in the 20s to journalistic accounts, in European as well as in American newspapers, of the blood-drenched careers of Chicago hoodlums.
Behind the story also is Hemingway’s acquaintance by 1926 with vaudeville and with the idea of vaudeville. The...
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- The Killers: Introduction
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The Killers: Essays and Criticism
- Reticence and Mental Avoidance: Keys to Escape for Hemingway’s Heroes
- “The Killers’’ and “Big Two-Hearted River’’: Striving for Order in a Chaotic World
- The Code in Hemingway’s “The Killers”
- Waiting in “The Killers”
- Hemingway’s “The Killers”
- The Hit in Summit: Ernest Hemingway’s “The Killers”
- Vaudeville Philosophers: ‘‘The Killers’’
- The Killers: Compare and Contrast
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