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The Jungle | Chapter XXIV - Page 3

“There's a button here, ole sport,” said Master Freddie. “Hole my arm while I find her! Steady, now—oh, yes, here she is! Saved!”

A bell rang, and in a few seconds the door was opened. A man in blue livery stood holding it, and gazing before him, silent as a statue.

They stood for a moment blinking in the light. Then Jurgis felt his companion pulling, and he stepped in, and the blue automaton closed the door. Jurgis's heart was beating wildly; it was a bold thing for him to do—into what strange unearthly place he was venturing he had no idea. Aladdin entering his cave could not have been more excited.

The place where he stood was dimly lighted; but he could see a vast hall, with pillars fading into the darkness above, and a great staircase opening at the far end of it. The floor was of tesselated marble, smooth as glass, and from the walls strange shapes loomed out, woven into huge portières in rich, harmonious colors, or gleaming from paintings, wonderful and mysterious-looking in the half-light, purple and red and golden, like sunset glimmers in a shadowy forest.

The man in livery had moved silently toward them; Master Freddie took off his hat and handed it to him, and then, letting go of Jurgis's arm, tried to get out of his overcoat. After two or three attempts he accomplished this, with the lackey's help; and meantime a second man had approached, a tall and portly personage, solemn as an executioner. He bore straight down upon Jurgis, who shrank away nervously; he seized him by the arm without a word, and started toward the door with him. Then suddenly came Master Freddie's voice, “Hamilton! My fren' will remain wiz me.”

The man paused and half released Jurgis. “Come 'long, ole chappie,” said the other, and Jurgis started toward him.

“Master Frederick!” exclaimed the man.

“See that the cabbie—hic—is paid,” was the other's response; and he linked his arm in Jurgis's. Jurgis was about to say, “I have the money for him,” but he restrained himself. The stout man in uniform signalled to the other, who went out to the cab, while he followed Jurgis and his young master.

They went down the great hall, and then turned. Before them were two huge doors.

“Hamilton,” said Master Freddie.

“Well, sir?” said the other.

“Whuzzamatter wizze dinin'-room doors?”

“Nothing is the matter, sir.”

“Then why dontcha openum?”

The man rolled them back; another vista lost itself in the darkness. “Lights,” commanded Master Freddie; and the butler pressed a button, and a flood of brilliant incandescence streamed from above, half blinding Jurgis. He stared; and little by little he made out the great apartment, with a domed ceiling from which the light poured, and walls that were one enormous painting—nymphs and dryads dancing in a flower-strewn glade—Diana with her hounds and horses, dashing headlong through a mountain streamlet—a group of maidens bathing in a forest-pool—all life-size, and so real that Jurgis thought that it was some work of enchantment, that he was in a dream-palace. Then his eye passed to the long table in the centre of the hall, a table black as ebony, and gleaming with wrought silver and gold. In the centre of it was a huge carven bowl, with the glistening gleam of ferns and the red and purple of rare orchids, glowing from a light hidden somewhere in their midst.

“This's the dinin'-room,” observed Master Freddie. “How you like it, hey, ole sport?”

He always insisted on having an answer to his remarks, leaning over Jurgis and smiling into his face. Jurgis liked it.

“Rummy ole place to feed in all 'lone, though,” was Freddie's comment— “rummy's hell! Whuzya think, hey?” Then another idea occurred to him and he went on, without waiting: “Maybe you never saw anythin—hic—like this 'fore? Hey, ole chappie?”

“No,” said Jurgis.

“Come from country, maybe—hey?”

“Yes,” said Jurgis.

“Aha! I thosso! Lossa folks from country never saw such a place. Guv'ner brings 'em—free show—hic—reg'lar circus! Go home tell folks about it. Ole man Jones's place—Jones the packer—beef-trust man. Made it all out of hogs, too, damn ole scoundrel. Now we see where our pennies go—rebates, an' private-car lines—hic—by Harry! Bully place, though—worth seein' ! Ever hear of Jones the packer, hey, ole chappie?”

Jurgis had started involuntarily; the other, whose sharp eyes missed nothing, demanded: “Whuzzamatter, hey? Heard of him?”

And Jurgis managed to stammer out: “I have worked for him in the yards.”

“What!” cried Master Freddie, with a yell. “You! In the yards? Ho, ho! Why, say, thass good! Shake hands on it, ole man—by Harry! Guv'ner ought to be here—glad to see you. Great fren's with the men, guv'ner—labor an' capital, commun'ty 'f int'rests, an' all that—hic! Funny things happen in this world, don't they, ole man? Hamilton, lemme interduce you—fren' the family—ole fren' the guv'ner's—works in the yards. Come to spend the night wiz me, Hamilton—have a hot time. My fren', Mr.—whuzya name, ole chappie? Tell us your name.”

“Rudkus—Jurgis Rudkus.”

“My fren', Mr. Rudnose, Hamilton—shake han's.”

The stately butler bowed his head, but made not a sound; and suddenly Master Freddie pointed an eager finger at him. “I know whuzzamatter wiz you, Hamilton—lay you a dollar I know! You think—hic—you think I'm drunk! Hey, now?”

And the butler again bowed his head. “Yes, sir,” he said, at which Master Freddie hung tightly upon Jurgis's neck and went into a fit of laughter. “Hamilton, you damn ole scoundrel,” he roared, “I'll 'scharge you for impudence, you see 'f I don't! Ho, ho, ho! I'm drunk! Ho, ho!”

The two waited until his fit had spent itself, to see what new whim would seize him. “Whatcha wanta do?” he queried suddenly. “Wanta see the place, ole chappie? Wamme play the guv'ner—show you roun'? State parlors—Looee Cans—Looee Sez—chairs cost three thousand apiece. Tea-room—Maryanntnet—picture of shepherds dancing—Ruysdael—twenty-three thousan'! Ball-room—balc'ny pillars—hic—imported—special ship—sixty-eight thousan'! Ceilin' painted in Rome—whuzzat feller's name, Hamilton—Mattatoni? Macaroni? Then this place—silver bowl—Benvenuto Cellini—rummy ole Dago! An' the organ—thirty thousan' dollars, sir—starter up, Hamilton, let Mr. Rednose hear it. No—never mind—clean forgot—says he's hungry, Hamilton—less have some supper. Only—hic—don't less have it here—come up to my place, ole sport—nice an' cosy. This way—steady now, don't slip on the floor. Hamilton, we'll have a cole spread, an' some fizz—don't leave out the fizz, by Harry. We'll have some of the eighteen-thirty Madeira. Hear me, sir?”

  • “nymphs and dryads” – according to Greek and Roman mythology, beautiful female goddesses that live in the mountains, rivers, trees, or other natural elements
  • dryads – according to Greek and Roman mythology, wood nymphs
  • Diana – according to Roman mythology, the goddess of the moon and hunting