The Jew of Malta | Marlowe's Second City: The Jew as Critic at the Rose in 1592
In the following essay, Kermode explores Marlowe's and other playwrights' Jewish characters as agents of social criticism in English theater in the late-sixteenth-century.
When the London theatergoers of the 1590s made the short river trip to the South Bank, they left behind them a place which displayed certain fixed features (infrastructure, Protestant Christian ideology), and a place where the lives of the lawmakers and law-followers were affected by the political machinations of international relations and historical placement (tension between London and Spain, proximity to the economically and ideologically important Netherlands). Where they went, to the Rose or the Globe, were places with fixed features (the walls, the stage, the galleries, Protestant...
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