The Interlopers | Copyright

Some or all of these eNotes are an offprint from Short Stories For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories.

Short Stories For Students

Project Editor David Galens

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Short Stories for Students (SSfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN SSfS, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

African American Review, v. 34, Fall, 2000 for “Sugarcane as History in Paule Marshall’s ‘To Da- Duh, in Memoriam,’” by Martin Japtok. Copyright (c) 2000 African American Review. Reproduced by permission of the author.—Extrapolation, v. 32, Summer, 1991. (c) 1991 by The Kent State University Press. Reproduced by permission.—Negro American Literature Forum, v. 6, Winter, 1972. Reproduced by permission.—Studies in Short Fiction, v. 6, Summer, 1969; v. 20, Winter, 1983; v. 29 Summer, 1992. Copyright 1969, 1983,1992 by Newberry College. Reproduced by permission.

COPYRIGHTED MATERIALS IN SSfS, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Martin, Quentin E. From “Tamed or Idealized: Judy Jones’s Dilemma in ‘Winter Dreams,’” in F. Scott Fitzgerald: New Perspectives. Edited by Jackson R. Bryer, Alan Margolies, and Ruth Prigozy. The University of Georgia Press, 2000. (c) 2000 by the University of Georgia Perss. All rights reserved. Reproduced by permission.—Stevenson, Kay Gilliland. From “Belacqua in the Moon: Beckett’s Revisions of ‘Dante and Lobster,’” in Critical Essays on Samuel Beckett. Edited by Patrick A. McCarthy. G. K. Hall & Co., 1986. Copyright (c) 1986 by Patrick A. McCarthy. All rights reserved. Reproduced by permission.—Williams, Sherley Anne. From “Papa Dick and Sister-Woman: Reflections on Women in the Fiction of Richard Wright,” in American Novelists Revisited: Essays in Feminist Criticism. Edited by Fritz Fleischmann. G. K. Hall & Co., 1982. Copyright (c) 1982 by Fritz Fleischmann. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN SSfS, VOLUME 15, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Beckett, Samuel, photograph. Archive Photos. Reproduced by permission.—“Dante and Virgil with the Condemned Souls in Eternal Ice,” from Dante’s “Divine Comedy,” 15th century manuscript, paint- ing. Archivo Iconographico, S.A./Corbis. Reproduced by permission.—Ellison, Harlan (seated on pool table), photograph by Chris Cuffaro. Reproduced by permission.—German troops riding down Champs Elysees from the Arc de Triomphe, after taking city of Paris, photograph. Hulton/Archive Photos. Reproduced by permission.—Hindu and Sikh women and children arriving at Bombay, on the British-India ocean liner “Owarka,” photograph. Hulton/Archive Photos. Reproduced by permission.— Marshall, Paule, photograph. AP/Wide World Photos. Reproduced by permission.—Nabokov, Vladimir, photograph. AP/Wide World Photos. Reproduced by permission.—O’Brien, Tim, photograph (c) Jerry Bauer. Reproduced by permission.— “The Other Half; How It Lives and Dies in New York,” magic lantern slide by Jacob Riis, family of Jewish tailors working in slum conditions, photograph. Hulton/Archive Photos. Reproduced by permission.— Rivera, Tomás, photograph. Arte Público Press/University of Houston. Reproduced by permission.— Robbe-Grillet, Alain, photograph (c) Jerry Bauer. Reproduced by permission.—Santeria religious altar covered with figurines, photograph. (c) Robert van der Hilst/Corbis. Reproduced by permission.— A segregated outhouse at a Greyhound bus station in Louisville, Kentucky. Photograph by Esther Bubley. Corbis. Reproduced by permission.— Sugar cane cutters on sugar cane plantation taking break, in Barbados, photograph. Hulton/Archive Photos. Reproduced by permission.—United Farmworkers board members, Eliseo Median, Phillip Veracruz, Peter Velasco, Mack Lyons, Ceasar Chavez, Richard Chavez, unidentified aide to Cesar, and Dolores Huerta, all on a stage, photograph by Bob Titch. AP/Wide World Photo. Reproduced by permission.—Wright, Richard, photograph. Archive Photos. Reproduced by permission.