Dec 29, 2009
Since the publication of A Passage to India in 1924, British writing about India has in many cases replicated the basic structures and themes of F. M. Forster’s novel. One thinks of Paul Scott’s Raj Quartet, in particular the first volume, The Jewel in the Crown (1966), where the plot turns on the rape of an Englishwoman by rioting natives; or of Ruth Prawer Jhabvala’s Heat and Dust (1975), in which miscegenation and an Englishwoman’s rebellious curiosity motivate the novel’s major events. The hold of what Edward Said has called “orientalism” over the...
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