Oct 14, 2008
Harry Hope’s saloon. Squalid barroom in lower New York City. Although a fictional creation, it is modeled on three actual spots familiar to Eugene O’Neill: Jimmy the Priest’s, a flophouse where O’Neill landed after a stint at sea; the Hell Hole, a Greenwich Village establishment; and the taproom of the Garden Hotel near the old Madison Square Garden.
O’Neill’s stage directions describe a “dirty black curtain” that separates the backroom from the bar. The backroom, the location of the primary action of the play, is so crammed with tables...
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