The House on Mango Street | Copyright

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These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/ Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NfS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The African Studies Review, v. 26, September, 1993. © 1993 African Studies Association. All rights reserved. Reproduced by permission.

The CEA Critic, v. 37, 1975. Copyright © 1975 by the College English Association, Inc. Reproduced by permission.

Critique: Studies in Modern Fiction, v. X, 1968. Copyright © 1968 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.

English Journal, v. 58, September, 1969 for "Ellison's Ambitious Scope in 'Invisible Man'" byStewart Lillard. Copyright © 1969 by the National Council of Teachers of English Reproduced by permission of the publisher and the author. English Journal, v. 58, December, 1969 for " 'A Separate Peace': Meaning and Myth" by Marvin E. Men-geling. Copyright © 1969 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author. English Journal, v. 81, September, 1992 for "Coming of Age in Novels by Rudolfo Anaya and Sandra Cisneros" by Di-anne Klein. Copyright © 1992 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.

The Massachusetts Review, v. VII, Autumn, 1966. © 1966. Reprinted from The Massachusetts Review, The Massachusetts Review, Inc. by permission. The Massachusetts Review, v. XVm, Winter, 1977. © 1977. Reprinted from The Massachusetts Review, The Massachusetts Review, Inc. by permission.

The Midwest Quarterly, v. XXXVII, Autumn, 1995. Copyright, 1995, by The Midwest Quarterly, Pittsburg State University. Reproduced by permission.

Prairie Schooner, v. XLVTfl, Summer, 1974. © 1974 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.

South Atlantic Bulletin, v. XLI, May, 1976. Copyright © 1976 by South Atlantic Modern Language Association. Reproduced by permission.

Southern Literary Journal, v. 16, Fall, 1983. Copyright 1983 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.

University Review, v. XXXm, March, 1967 for "A Note on Fitzgerald's 'The Great Gatsby'" by David F. Trask. Copyright 1967 The Curators of the University of Missouri. Reproduced by permission of the publisher and the author.

The Victorian Newsletter, n. 68, Fall, 1985 for "The Waif at the Window: Emily Bronte's Feminine 'Bildungsroman'" by Annette R. Federico. Reproduced by permission of The Victorian Newsletter and the author.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 2, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Campbell, Patricia J. From Presenting Robert Cormier. Revised edition. Twayne Publishers,
1989. Copyright 1989 by G. K. Hall & Co. All rights reserved. Reproduced with the permission of
Twayne Publishers, a division of Simon & Schus ter, Inc.

Holborn, David G. From "A Rationale for Reading John Knowles' 'A Separate Peace,'" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Johnson, Claudia Durst. From To Kill a Mockingbird: Threatening Boundaries. Twayne Publishers, 1994. Copyright © 1994 by Twayne Publishers. All rights reserved. Reproduced with the permission of Twayne Publishers, a division of Simon & Schuster, Inc.

Manning, Carol S. From "Welty, Tyler, and Traveling Salesmen: The Wandering Hero Unhorsed," in The Fiction of Anne Tyler. Edited by C. Ralph Stephens. University Press of Mississippi,
1990. Copyright © 1990 by the University Press of Mississippi. All rights reserved. Reproduced by
permission.

May, Jill. From "In Defense of 'To Kill a Mockingbird,'" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Moore, Opal. From "Learning to Live: When the Bird Breaks from the Cage," in Censored Books: Critical Viewpoints. Nicholas J. Karolides,

Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Qmnn, Laura. From "Moby Dick vs. Big Nurse: A Feminist Defense of a Misogynist Text, 'One Flew over the Cuckoo's Nest,'" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Sarr, Ndiawar. From "The Center Holds: The Resilience of Ibo Culture in 'Things Fall Apart,'" in Global Perspectives on Teaching Literature: Shared Visions and Distinctive Visions. Sandra Ward Lott, Maureen S. G. Hawkins, Norman McMillan, eds. National Council of Teachers of English, 1993. © 1993 by the National Council of Teachers of English. All rights reserved. Reproduced by permission of the publisher and the author.

Scholes, Robert. From Structural Fabulation: An Essay on Fiction of the Future. University of Notre Dame Press, 1975. Copyright © 1975 by University of Notre Dame Press; Notre Dame, IN 46556. Used by permission of the publisher.

Slayton, Paul. From "Teaching Rationale for William Golding's 'Lord of the Flies'," in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Small, Robert, Jr. From " 'Flowers for Algernon' by Daniel Keyes," in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, JohnM. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Wright, Walter F. From Romance and Tragedy in Joseph Conrad. University of Nebraska Press, 1949. Copyright University of Nebraska Press, 1949. Renewed 1976 by Walter F. Wright. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 2, WERE RECEIVED FROM THE FOLLOWING SOURCES:
AP/WIDE WORLD PHOTOS: Achebe, Chinua, photograph. AP/Wide World Photos. Reproduced by permission. Angelou, Maya (suit and sweater), photograph AP/Wide World Photos. Reproduced by permission Cisneros, Sandra (in jacket with white curly trim), photograph. AP/Wide World Photos. Reproduced by permission. Ellison, Ralph, photograph. AP/Wide World Photos. Reproduced by permission. Golding, William (cabled V-neck), photograph. AP/Wide World Photos. Reproduced by permission. Handicapped boys learning, 1962, California, photograph. AP/Wide World Photos, Inc. Reproduced by permission. Ibo girls dancing with woman, 1970, photograph. AP/Wide World Photos, Inc. Reproduced by permission. Kesey, Ken, photograph. AP/Wide World Photos. Reproduced by permission. Keyes, Daniel (holding "Unveiling Claudia"), photograph. AP/Wide World Photos. Reproduced by permission. Knowles, John, photograph. AP/Wide World Photos. Reproduced by permission. Lee, Harper, photograph. AP/Wide World Photos. Reproduced by permission. Sharecropper's house (people on porch), 1937, Memphis, Tennessee, photograph. AP/Wide World Photos, Inc. Reproduced by permission. Two customers entering 'Tops" Diner, 1952, photograph. AP/Wide World Photos, Inc. Reproduced by permission. Tyler, Anne, at home (cross legged), 1965, Montreal, photograph. AP/Wide World Photos, Inc. Reproduced by permission.
ARCHIVE PHOTOS, INC.: Brando, Marlon, and Martin Sheen in the film"Apocalypse Now,"photograph. Archive Photos. Reproduced by permission. Conrad, Joseph (facing right), photograph. Archive Photos. Reproduced by permission. Edwards, Hugh, and Tom Chapin in the film "Lord of the Hies," photograph. Archive Photos. Reproduced by permission. Fitzgerald, F. Scott (in coat and hat, head and shoulders), photograph. Archive Photos. Reproduced by permission. Ku Klux Klansmen kneeling in a circle, 1920s, photograph. Archive Photos. Reproduced by permission."Top Withens"farm on foggy moors, setting for "Wuthering Heights," photograph. Archive Photos, Inc. Reproduced by permission.
THE BETTMANN ARCHIVE/NEWSPHOTOS, INC.: Four men drinking at a speakeasy during Prohibition, photograph. Corbis-Bettmann. Reproduced by permission. Freeman, Dr., performing a lobotomy, 1949, photograph. UPI/Corbis-Bett-mann. Reproduced by permission. Inspecting overturned bus amidst bombing rubble, 1940, London, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Men using segregated drinking fountains, photograph. Corbis-Bettmann. Reproduced by permission. Police arresting black man, 1943, Harlem Riots, New York City, photograph.
UPI/Corbis-Bettmann. Reproduced by permission Robertson, Cliff (holding a mouse), in the film "Charly," photograph UPI/Corbis-Bettmann. Reproduced by permission. Unemployed black men talking together, 1935, Lennox Avenue, Harlem, photograph. Corbis-Bettmann. Reproduced by permission. View across quadrangle, vertical building with Gothic elements, Sterling Library, Yale University, photograph. Corbis-Bettmann Reproduced by permission.
CORMIER, ROBERT: Cormier, Robert (in library aisle), photograph by Beth Bergman. Reproduced by permission.
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GAMMA-LIAISON: Tyler, Anne (chambray shirt over turtleneck), photograph by D. Walker. Gamma-Liaison. Reproduced by permission.
THEKOBAL COLLECTION: Glover, John (in Franciscan robes), in the film "The Chocolate War," photograph. The Kobal Collection. Reproduced by permission. Nicholson, Jack, with Josip Elic and Will Sampson, in the basketball scene from the film "One Flew Over the Cuckoo's Nest," photograph. The Kobal Collection. Reproduced by permission. Olivier, Laurence, and Merle Oberon in the film "Wuthering Heights," photograph. The Kobal Collection. Reproduced by permission. Peck, Gregory, Phillip Alford, Mary Badham, John Megna, in the movie "To Kill A Mockingbird," photograph. The Kobal Collection. Reproduced by permission. Redford, Robert and Mia Farrow in the film 'The Great Gatsby," 1974, photograph. The Kobal Collection. Reproduced by permission.
THE LIBRARY OF CONGRESS: Cather, Willa (feathered hat, fur collar), photograph by Carl Van Vechten. The Library of Congress.
PARAMOUNT PICTURES CORPORATION: Stevenson, Parker and John Heyl in a scene from the 1973 film "A Separate Peace." Paramount Pictures, 1972. Copyright © 1972 by Paramount Pictures Corporation. All rights reserved. Reproduced by permission.
SOURCE UNKNOWN: Bronte, Emily (profile), painting by Bramwell Bronte. Woman walking in wind, illustration by W. T. Benda. From "My Antonia," by Willa Cather.