The Horror Novel (Critical Survey of Long Fiction)
Introduction
By the end of the nineteenth century, writers interested in exploring supernatural themes had abandoned the mode of gothic fiction pioneered by eighteenth century English novelist Horace Walpole. Walpole and his imitators had exploited such props as medieval ruins and gloomy manor houses riddled with secret passages, while later gothic novelists had accentuated madness and excessive violence. Newer writers emphasized character, practiced a more sophisticated narrative technique, and displayed an intuitive grasp of the workings of the human psyche. Yet horror...
[The entire page is 2438 words long]
